Delta

Constructs of Still (feat. KMRU)

Radiant Futur – Hypersensitive

Artist: Radiant Futur @radiantfutur
Title: Hypersensitive
Format: C35 cassette, DL
Catalog: Muscut 25C
Release date: October 14, 2022
File under: Electronica, Ambient, New Age

Tracklist
A1 Journey In The Deepest Of The Eyes
A2 Unspoken Loneliness
A3 Etiam Transeat
A4 Life Amplifier’s Modulation 
B1 Pipe Dreams
B2 Hypersensitive
B3 When I Touched The Sky
B4 Transistor Love
B5 Forgiveness

Mastering by Gennadiy Boychenko
Artwork by ai.vava
Riso print by Hands on press
Muscut, 2022

Hypersensitive

Pre-order

Radiant Futur - Journey In The Deepest Of The Eyes (Muscut 25C, Cass, 2022)

@beat-detectives

Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.

Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.

The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.

Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.

As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be. 

Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint NYPD Records.

Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Pulice, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.

RIYL - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.

Nuke Watch - Pepper's Ghost (IMPTNC07) - Previews

Still My World

The Crescents

JUNGLE GYM RECORDS presents "3", official label debut of Devon, UK's mysterious biospirals! A distinctly modern take on transcendental tape music, biospirals traverses the space between, floating through mist towards the heavens as body, mind and spirit unite... an instant classic, exclusively from JUNGLE GYM.

[JGT114] "3"

"3-03" - biospirals

~ LAAPS 037 ~ [SEQ.05 - LP37]

artist : Brandon Tani
album : The Road Was Bent From The Way We Took It 
duration : 39.48 mn
date : July 08th, 2024

edition :
-  vinyl : limited to 200 copies / purple LP / selective UV varnish / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : June 20th, 2024 / official release : July 08th, 2024
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Recorded early 2024.
Music by Brandon Tani.

Mastered by Andrew Weathers
Artwork by Brandon Tani
Design by Sprflxgrfzm
 
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Links :
https://laaps.bandcamp.com/music
https://www.instagram.com/iikki_laaps/
https://dailyrituals.bandcamp.com/music

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℗ & © 2 0 2 4 - L A A P S - L A A P S 0 3 7

Brandon Tani - Eager To Leave When No One's Looking (excerpt)

Last Saturday, the ACEC building in Apeldoorn transformed into a pulsating universe of sound, light, and energy. During De Opening, Deep Circuit Electro Miners delivered a concert that shook the walls and lit up hearts. The audience was swept away on a sonic journey through glitchy rhythms, hypnotic visuals, and an atmosphere that hovered somewhere between rave and ritual.

To close this unforgettable evening, the group unveiled their latest creation: The Glob. A track that feels like a cosmic entity slowly coming to life—growing, pulsing, transforming. It’s the perfect fusion of their experimental roots and their love for the unexpected.

With members from London, Amsterdam, and Apeldoorn, Deep Circuit Electro Miners is more than a band—it’s a collective that creates music for the sheer joy of it, yet with a depth that lingers. The Glob is out now, and if you dare, you can listen to it on their SoundCloud. But be warned: once The Glob grabs hold of you, it doesn’t let go.

The Glob

Showdown (mx1) (rmstr1)

Order OHER PEPLE'S CRIMES: www.anaott.bandcamp.com/album/other-peoples-crimes

After ‘Cobraxine’, ‘Boogie Throb’, and the Ana Ott – released ‘Molochville’, Brecht Ameel (Razen/Ameel Brecht) gives us his new album under the Br’lâaB moniker ‘Other People’s Crimes’; a high-on-paranoia, pre-crime-surveillance narrative, constructed after hours in the studio from a combination of Ameel’s own recordings on a widely varied set of instruments, library music, flea-market broken vinyls and old cassettes. Part blind-overdub palimpsest-collage, part straightforward composition, the 10” contains both Br’lâaB’s loop constructions and tracks performed by the found audio phantom band called the Acid Boogie Quartet. Bearing more gritty layers of both sound and subtext than ever, the “Other People’s Crimes” EP stands as an artefact of wild paranoia and spy-thriller sonics, weaving vignettes of surveillance gone wrong, doublethink and confessional echolalia.

Police and thieves are in the streets, running wild with nosebleeds and ill will ids. Dial v for victim as the night horizon broods a neon luminol glow. Howling at the vortex, buried under blindfolds, vigilantes take to crime with fear and ketamines.

TOMAGA - Mompfie Has To Pay

Hands In The Dark

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