hare krishna

Narasimha Aarti ~ Swarupa Damodar Das

HH BB Govinda Swami  - Sri Sri Damodarastakam

	
Maha Mrityunjaya-mantran
Dalai Lama
Hlekkurinn á vegg síðunnar vísar á Dalai Lama að kyrja forna möntru úr Rig Veda, „Maha Mrytyunjaya“. Mantran var hljóðrituð af einum nema hans, með leyfi Dalai Lama. Í fyrstu neitaði hann, en féllst síðan á það og mælti svo fyrir að aldrei mætti selja upptökuna, aðeins gefa hana. Ef þið deilið henni með öðrum, gjörið svo vel að láta þessa orðsendingu fylgja og biðjið þau um að gera slíkt hið sama.

Þýðing
Ég hugleiði hina guðlegu veru og gef mig á vald henni sem í býr viljastyrkur, þekking og athöfn, ég bið til hinnar guðlegu veru sem kemur fram í ilmi lífsblómsins og nærir að eilífu lífsins jurt. Megi lávarður lífsins losa mig undan áþján líkamlegra, sálrænna og andlegra skaðvalda líkt og natinn garðyrkjumaður. Megi lávarður ódauðleikans sem býr hið innra frelsa mig frá hrörnun dauðans og veikindum og sameina mig ódauðleikanum.

Útskýring
Þetta er græðandi og nærandi mantra – kjarninn í Veda. Sá græðandi kraftur sem þessi mantra vekur berst í bylgjum frá líkamanum til hugans og til sálarinnar. Hún styrkir mátt vilja, þekkingar og athafnar, losar um flæði eldmóðs, hugrekkis og einbeitni. Straumur þessarar möntru vekur græðandi öfl hið innra og laðar jafnframt að græðandi krafta náttúrunnar og skapar umhverfi þar sem kraftar beggja stefna saman. Þessi mantra er ómetanlegt hjálpargagn fyrir græðara og kennara. Hún tengir okkur við græðarann innra með okkur og auðveldar okkur að ná fullri næringu úr mat.

Maha Mrityunjaya-Mantran

LILA SHAKTI - Srila Prabhupada Pranati Panca - Tattva Maha - Mantra Hare Krsna Maha - Mantra

Powerfull Narasimha Kavacham नसह कवच

Samsara Davanala Iskcon Morning Aarti

Sri Damodarashtakam- Traditional ISKCON Song For Lord Damodara

Sri Gaura Aarati Iskcon Vrindavan

Tulasi Arati Sung By Sachikumar Das From Mayapur

EXTREMELY POWERFUL

‘Mahārāja Parīkṣit attained the highest perfection, shelter at Lord Kṛṣṇa’s lotus feet, simply by hearing about Lord Viṣṇu. Śukadeva Gosvāmī attained perfection simply by reciting Śrīmad-Bhāgavatam. Prahlāda Mahārāja attained perfection by remembering the Lord. The goddess of fortune attained perfection by massaging the transcendental legs of Mahā-Viṣṇu. Mahārāja Pṛthu attained perfection by worshiping the Deity, and Akrūra attained perfection by offering prayers unto the Lord. Vajrāṅgajī [Hanumān] attained perfection by rendering service to Lord Rāmacandra, and Arjuna attained perfection simply by being Kṛṣṇa’s friend. Bali Mahārāja attained perfection by dedicating everything to the lotus feet of Kṛṣṇa.’ - CC Madhya 22.136

9 Processes Of Bhakti - Shabda Hari Das & Vanita Siddharth

This audio has specifically been recorded with the top 140 verses from the Bhagavad Gita. 

By going to https://bit.ly/140-verses, you can download the video, audio as well as a PDF file with all the important verse to help you with the memorisation.

Bhagavad Gita Chants - 140 Most Important Verses

Listen to His Dive Grace, A. C. Bhaktivedanta Swami Prabhupada chant Hare Krishna.  Learn the highest, top-yoga mantra and chant often.   

Hare Krishna Mantra

Jayadeva was one of five great poets adorning the court of the last Hindu ruler in Bengal, Maharaja Laksmanasena (1175-1200), and the poem celebrates Krishna as lord of herdsmen and their wives. It was sung every year for centuries at his place of birth, and gave rise to many versions and commentaries. 

The poem is in twelve parts, each a complex interweaving of hymn, narrative and song. The songs express the feelings of the characters, and are closely choreographed. Some idea of the structure can be gained by looking at Part One, which first sets the scene and follows with a three-verse invocation setting out the claims of Jayadeva and his fellow poets. Then appears the first of the 24 prabandhas (songs): an eleven-verse hymn to the ten incarnations of Vishnu, which ends with a summary of Vishnu's accomplishments. Then appears the second prabandha: again a hymn honouring Vishnu's incarnations. A following stanza asks for Krishna's blessing. The third song tells how Rádhá's friend spoke to her in the spring, and continues with eight stanzas describing Krishna dancing with the cowherdesses. The next stanza again mentions what Rádha's friend heard. The fourth song describes the women flocking to Krishna. Two stanzas of recitation follow, and the canto ends with Rádhá submitting to Krishna.

Lines end with syllable repetitions (yamakas) and repeated words in a continually varying pattern. The texture is equally varied, both simple constructions and long compounds. Despite its singing quality, the metre is complicated by classical Sanskrit measures being interwoven with measures allowing substitution of a long syllable by two short, and vice versa.

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The Gita Govinda is a work composed by the 12th-century poet, Jayadeva, who was born in Kenduli Sasan near Puri in Orissa. It describes the relationship between Krishna and the gopis of Vrindavana, and in particular one gopi named Radha. This work has been of great importance in the development of the bhakti traditions of Hinduism. The Gita Govinda is the best known composition of Jayadeva. It is a lyrical poetry that is organized into twelve chapters. Each chapter is further sub-divided into twenty four divisions called Prabandhas. The prabandhas contain couplets grouped into eights, called Ashtapadis.

Gita-govinda song01 सामोद दामोदरम्

Krishna Das - Sita Ram

Swarupa Damodar Pr Bhajans - 05-Sri Guru Carana Padma

(1)
namamisvaram sac-cid-ananda-rupam
lasat-kundalam gokule bhrajamanam
yasoda-bhiyolukhalad dhavamanam
paramrstam atyantato drutya gopya

"To the Supreme Lord, whose form is the embodiment of eternal existence, knowledge, and bliss, whose shark-shaped earrings are swinging to and fro, who is beautifully shining in the divine realm of Gokula, who I (due to the offense of breaking the pot of yogurt that His mother was churning into butter and then stealing the butter that was kept hanging from a swing) is quickly running from the wooden grinding mortar in fear of mother Yasoda, but who has been caught from behind by her who ran after Him with greater speed--to that Supreme Lord, Sri Damodara, I offer my humble obeisances."

(2)
rudantam muhur netra-yugmam mrjantam
karambhoja-yugmena satanka-netram
muhuh svasa-kampa-trirekhanka-kantha-
sthita-graivam damodaram bhakti-baddham


"He is crying and rubbing His eyes again and again with His two lotus hands. His eyes are filled with fear, and the necklace of pearls around His neck, which is marked with three lines like a conch shell, is shaking because of His quick breathing due to crying. To this Supreme Lord, Sri Damodara, whose belly is bound not with ropes but with His mother's pure love, I offer my humble obeisances."

(3)
itidrk sva-lilabhir ananda-kunde
sva-ghosam nimajjantam akhyapayantam
tadiyesita-jnesu bhaktair jitatvam
punah prematas tam satavrtti vande

"By such childhood pastimes as this He is drowning the inhabitants of Gokula in pools of ecstasy, and is revealing to those devotees who are absorbed in knowledge of His supreme majesty and opulence that He is only conquered by devotees whose pure love is imbues with intimacy and is free from all conceptions of awe and reverence. With great love I again offer my obeisances to Lord Damodara hundreds and hundreds of times."

(4)
varam deva moksam na moksavadhim va
na canyam vrne 'ham varesad apiha
idam te vapur natha gopala-balam
sada me manasy avirastam kim anyaih

"O Lord, although You are able to give all kinds of benedictions, I do not pray to You for the boon of impersonal liberation, nor the highest liberation of eternal life in Vaikuntha, nor any other boon (which may be obtained by executing the nine processes of bhakti). O Lord, I simply wish that this form of Yours as Bala Gopala in Vrndavana may ever be manifest in my heart, for what is the use to me of any other boon besides this?"

(5)
idam te mukhambhojam atyanta-nilair
vrtam kuntalaih snigdha-raktais' ca gopya 
muhus cumbitam bimba-raktadharam me
manasy avirastam alam laksa-labhaih

"O Lord, Your lotus face, which is encircled by locks of soft black hair tinged with red, is kissed again and again by mother Yasoda, and Your lips are reddish like the bimba fruit. May this beautiful vision of Your lotus face be ever manifest in my heart. Thousands and thousands of other benedictions are of no use to me."

(6)
namo deva damodarananta visno
prasida prabho duhkha-jalabdhi-magnam
krpa-drsti-vrstyati-dinam batanu-
grhanesa mam ajnam edhy aksi-drsyah

"O Supreme Godhead, I offer my obeisances unto You. O Damodara! O Ananta! O Vishnu! O master! O my Lord, be pleased upon me. By showering Your glance of mercy upon me, deliver this poor ignorant fool who is immersed in an ocean of worldly sorrows, and become visible to my eyes."

(7)
kuveratmajau baddha-murtyaiva yadvat
tvaya mocitau bhakti-bhajau krtau ca
tatha prema-bhaktim svakam me prayaccha
na mokse graho me 'sti damodareha

"O Lord Damodara, just as the two sons of Kuvera--Manigriva and Nalakuvara--were delivered from the curse of Narada and made into great devotees by You in Your form as a baby tied with rope to a wooden grinding mortar, in the same way, please give to me Your own prema-bhakti. I only long for this and have no desire for any kind of liberation."

(8)
namas te 'stu damne sphurad-dipti-dhamne
tvadiyodarayatha visvasya dhamne
namo radhikayai tvadiya-priyayai
namo 'nanta-lilaya devaya tubhyam

"O Lord Damodara, I first of all offer my obeisances to the brilliantly effulgent rope which binds Your belly. I then offer my obeisances to Your belly, which is the abode of the entire universe. I humbly bow down to Your most beloved Srimati Radharani, and I offer all obeisances to You, the Supreme Lord, who displays unlimited pastimes."

Sri Damodarastakam

"Like a monsoon cloud, the holy name showers pure nectar into their ears. Due to great ecstasy, all the devotees enthusiastically dance to their heart's content. All the inhabitants of the universe become maddened upon entering these intoxicating showers of divine sweetness. Some people cry, some dance, and others become fully intoxicated within their minds." - Bhaktivinoda Thakur

Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare...

5. Monsoon - Shyamananda Kirtan Mandali

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hare krishna

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