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Bwindi

1822

Take A Bow

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Mii theme dub

Late Night

Original
https://soundcloud.com/skrillex/skrillex-missy-elliott-mr-oizo-ratata?si=2dbf7acf0ae540a2a62b09602c828dfa&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

RATATA (feat. Missy Elliott) (Hizuo remix)

Clear Blade

Character by 
THEO W SCOTT
website : https://theowscott.com/
instagram : https://www.instagram.com/theo_scott/
twitter : https://twitter.com/Theo_W_Scott

Get My Stout

Submissive Influence

Submissive Influence (Steppa'z VIP)

Original : https://youtu.be/DRwhBb8aZfM?si=ktg-Bu-hPkTZzMky

Deserve It ❤︎

[TYSM 2K] Reiwa (Hizuo Remix)

I wrote this song as a record of me reaching the milestone age of 20.
This song contains the determination to enter the world of adulthood, a world that is still unknown to me.

From Here

Water Baby (feat. Loyle Carner) (Hizuo Drum 'n' Bass Remix)

Original ⤵︎
https://stupidkozo.bandcamp.com/album/late-summer-frequencies

Vocal : Nicole Wray - I'm Looking

Tidal’s Groove (Hizuo “Looking Jungle” Bootleg) [FREE DL]

Walk Away

📸by https://www.instagram.com/jakeaaronmorton?igsh=MW1xMXdnb2duaHFnag==

Reference⤵︎
https://housecookinrecords1.bandcamp.com/album/sisters-ep

Sample⤵︎ 
https://youtu.be/lyu7v7nWzfo?si=-04Vrc2t2As8PUOA

Hallucinates

[TYSM 3K] Only U [FREE DL]

This is Mathie D’s first solo release.
Strongly influenced by "Serious" by D-Dubz & DJ Perception,
I experimented with wide stereo imaging through the drums.

Responsable

This track is included in SESSIONS COLLECTION vol.3 by Tokyo Community Radio.

Link⤵︎
https://linkco.re/Yvz4hFms?select=listen

Here is the description of this compilation
　　　　　　　　　　　↓
Tokyo Community Radio Digital Compilation Album
"SESSIONS COLLECTION VOL.3"

tracklist：
Negentropy - Hizuo
CYCLE’25 - Licaxxx
REFLECTION - A N N
Magma 25 - RISA TANIGUCHI
Heat wave - SHARRRKBOY
Open Wide - Albino Sound
1OO - NirBorna
Daytime Smoke - Stones Taro
stillbody. - Äyala Alone Deer,
Risky Dice - Stupid Kozo

Negentropy [SESSIONS COLLECTION vol.3 by Tokyo Community Radio ]

This track is included in IDATEN RACER 2  by IDATEN.

link
https://idatenmuzic.bandcamp.com/album/idaten-racer-2

AI no Keshin (Hizuo remix)

https://youtu.be/KO_3Qgib6RQ?si=V0IP7Gijar4i7HuL

WTF edit

This track is a collaboration with my university friend, Akito Ikemoto.
Although he hasn’t released any music yet, I first noticed his talent during our final composition critique. While many students submitted tracks packed with technical elements, he was the only one who presented a UK jazz style groove reminiscent of Tom Misch that valued “space” in the music.
In that moment, I fell in love with his songwriting.
From then on, we started sharing our own tracks with each other, which eventually led to this collaboration.
His compositional skills are truly outstanding, and I’m genuinely happy that we were able to create this piece together.

Pale Surf (feat. Akito Ikemoto）

The way you get

thx for 1k dl for bandcamp <3
sample : brandy - baby

Time to Say

thx for 1k dl for bandcamp <3
sample : Aretha Franklin - A Deeper Love

Aretha

Photo : Hideo Nakasako
https://www.instagram.com/hideonakasako_photo/
----------------------------------------------------------------------
This song was written as a way to step back from the people who have constrained me and from the kind of reality that offers no escape—
or, more precisely, as a decision to reclaim my own attention and desires.

“Stay cool.” “Don’t complain.” “Don’t hang out with people like that.”
When words like these seep into daily life so naturally that they feel like part of the air itself,
can we really remain true to ourselves?
What we like, who we value, the pace at which we choose to live—
even the right to choose these things feels quietly taken from us.

There are artists like Richard D. James who create astonishing music in solitude, untouched by the gaze of the world.
But that kind of solitude isn’t something anyone can simply will themselves into.
Most of us live, in a state where our very desires are subtly hijacked by the outside world.
The fact that this track contains an element of “resistance” to society only reminds me
that I’m not fully free either—that my reactions are still shaped by what surrounds me.

The underground and the mainstream are both meaningful spaces to create in,
and the tension between them has undeniably produced some extraordinary music.
But—as Jenny Odell suggests—
there are sources of creativity that can only be found by belonging to neither,
by observing the world again at one’s own pace.
To step outside those factions is not to run away; it is an act of reclaiming one’s attention,
a way to protect the roots of one’s artistic practice.

So I have one request.
If someone around you chooses to step away from factions, to belong nowhere,
and to recover the rhythm of their own path—
please don’t stop them.
It isn’t isolation; it’s a journey back to themselves.
Honor that choice. Watch over them quietly, without taking it away.

Hizuo

Beyond the Fear

Hizuo

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