Сука, колонка ночью решила включить полную громкость (иногда бывает такой баг происходит), мне стало так страшно, что я заревел. Дизлайк треку и вообще подборке, ад какой-то

Darksmith - Imposter CD. Available Summer MMXXII
Domestic and field recordings, tapes, voice, electronics, and radio. Recorded 2012 - 2019. Lo-fi bedroom surrealism from the one and only Thomas Darksmith. Originally considered for release as an LP on Mom Costume, Throne Heap is thrilled to present this material as a limited edition CD mastered by Grant Richardson.

Darksmith - Imposter CD (Excerpts)

MALVERN BRUME 1.11.22

Pantomime Mix는 박진감 넘치지 않고 약간은 여유롭지만 흥겨워 할 수 있는 정도의 음악이다. Pantomime과 흡사하게 그것은 언어를 쓰지는 않는 편이지만 웃음 등을 줄 수 있다.

Mix #7 Yoonkee Kim

MARTINA BERTHER / PHILIPP SCHLOTTER, Matt, LP

Release date: September 29, 2023
Catalogue nr. – HG2305
Red vinyl, ltd. to 200 copies
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1. Unruhe (14:10)
2. LFO 1 (07:55) – Single release on September 1
3. Gallia (05:03)
4. LFO 2 (06:26)
5. Frachter (05:10)

Credits:
Music by Martina Berther (bass, organ) and Philipp Schlotter (synthesizer, organ)
Recorded by Flo Götte at Reformierte Kirche Matt (GL)
Pre-Mix by Roland Wäspe
Mastering and Post-Production by Lawrence English
Cover photo by Andrea Ebener
Band photo by Jeremie Luke
Design by Laurin Huber

///

Martina Berther and Philipp Schlotter are prolific in their respective ways, having been active in pop and jazz music, respectively, as well as playing in bands and exploring the outer fringes of sound art or composing music for film. Their first joint album »Matt« was recorded over the course of four days in a church in the Swiss village after which the album was named. Berther and Schlotter worked with the buildingʼs organ as well as synthesizers and electric bass to follow an experimental approach that oscillated between composition and free improvisation. The five pieces, recorded directly to tape by Flo Götte without any additional overdubs, are characterised by an intimacy and rawness that calls to mind the introspective atmosphere of Hallow Ground label mateʼs FUJI||||||||||TA or mastering engineer Lawrence Englishʼs latest album for the Swiss label. »Matt« is the result of two versatile composers and musicians executing minimalist ideas by giving them plenty of space to unfold.

The album opens with »Unruhe,« a composition that is based on the twelve-tone technique. Using a stopwatch to ensure the adherence to the pre-determined temporal intervals between the individual notes, Berther and Schlotter used the church organ and synthesizers for an ominous piece that traverses different moods and levels of intensity throughout its 14-minute run time. »LFO1« and »LFO2« are different variations of the same concept: Based on a synthesizer preset and structured by an organ drone, two tone generators slowly fall silent, resulting in elegiac pieces that call to mind the work of Éliane Radigue. »Frachter« and »Gallia« put more emphasis on percussive elements. Again working with organ as well as Bertherʼs prepared electric bass, this improvisation comprises interlocking textures that sound almost menacing on »Frachter,« while they create a very different atmosphere on »Gallia.« These notable discrepancies in sound and mood are even more astonishing if you consider that the two pieces are based on the exact same recording, played at different speeds.

As two variations on the same idea with very different results, these two pieces perfectly represent how the duo effectively creates emotionally affective sound worlds with very few means. Berther and Schlotterʼs conceptual minimalism yields rewarding, multi-faceted aesthetic results. »Matt« is an intimate album, marked by a sense of vividness and spontaneity, but also the product of compositional conciseness.

Matt

MARTINA BERTHER / PHILIPP SCHLOTTER - LFO 1 (HG2305)

https://soundcloud.com/saatanskvinna

https://www.retreatradio.net/saatans-kvinna

SAATANS KVINNA #47 (01/09/23)

https://soundcloud.com/kklofinkk

https://www.retreatradio.net/we-lie-low

We Lie Low #13 w/ Klofink (09/09/23)

A conversation between scholar and historian Amy Cimini, Yarn/Wire percussionist and Adjacencies interpreter Russell Greenberg, and Lawrence Kumpf situating Maryanne Amacher’s "Adjacencies" within the lineage of her larger body of work. They discuss the practical challenges surrounding the interpretation and re-staging of the piece 51 years after its last performance and play a variety of pertinent audio, including a rehearsal recording of "Adjacencies"’ original performance by Jan Williams and Edward Burnham, audio research material used as a model for its reinterpretation, and a selection from the later piece "City-Links..: Buffalo" demonstrating Amacher’s practice of recycling audio material from earlier work.

Blank Forms #21: Maryanne Amacher's Adjacencies

Archive from my radio show Pli.

About this show:
Lucrecia Dalt and influential Argentinian composer Beatriz Ferreyra discuss collaborating with Pierre Schaeffer, the risks of leaving tapes on the floor and more.

This episode features the work of Beatriz Ferreyra, whom I met in Berlin for her presentation at the Heroines of Sound festival. In this episode, she explains how she became a composer, her processes for composition, her work for Fiorella Marian and her time with Groupe De Recherche Musicales (GRM)-director Pierre Schaeffer. Please, enjoy. – Lucrecia Dalt

Beatriz Ferreyra interviewed by Lucrecia Dalt

The manifesto for London-based label and club night Cherche Encore lists a series of boredoms. Boredom of sexist DJs; of the financialisation of club spaces; of the lurking police presence; of clubs in general. What they try to offer instead is a night that broadens inclusivity, where no-one is turned away for lack of funds, and there is free food and condoms at every event. The phrase ‘Cherche Encore’ means ‘to look again’ or ‘to keep looking’. In this case, Cherche Encore encourages us to see clubbing in a different light: not as passive consumers but as active participants in an evolving social process.

As well a club night, Cherche Encore also operates a digital label. Their latest release, “Being to the Left of Textor”, comes from ambient musician, Eye Measure. Some might recognise the Eye Measure moniker through her involvement with new age ambient label, New Atlantis, and their regular showcases together in Peckham’s Rye Wax. But if ambient is meant to denote a sense of calm, this latest EP is anything but. Listen for example to a premiere of ‘The Sacrifice’ from the EP below. Here, the use of closely entwined sine waves creates a creeping sense of disquiet, and the wooden percussion creaks and groans like a ship ready to capsize.

The EP will be released on Thursday 4th, and Cherche Encore will be celebrating this release with a party on April 6th. The evening will feature performances from Eye Measure, as well as jlte, SQC, aamin, Charles Verni, Daniel M Karlsson, hmurd, and Hortense. The details for this event can be found here.

Premiere: Eye Measure - The Sacrifice [Cherche Encore]

TBZ - dirty dirty

Tracklist:
https://hkcr.live/shows/jiyoung-wi-12-08-2020

Jiyoung Wi - 12/08/2020

Hong Kong Community Radio
Limited uploads, please check our website for complete upload

Contact: hkcrlive@gmail.com

Jiyoung Wi - 12/08/2020

HKCR

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