For work

@snowdrops_music - https://snowdrops.bandcamp.com/

Tracklist available here: https://www.instagram.com/p/CRQ_SsHLRXJ/

Spotify playlist for the show: https://open.spotify.com/playlist/1UN2MuTYdMOIrOlfNVPv4d?si=346685c2d2154742

Snowdrops

Tragedy to Come w/ Snowdrops - 13th July 2021

@the-waterfront https://siavashamini.bandcamp.com/music

Tracklist: https://www.instagram.com/p/CT1utCGA0I4/

Spotify playlist for the show: open.spotify.com/playlist/1UN2MuT…346685c2d2154742

Cover art by: https://www.instagram.com/makkoli_man/

Siavash Amini

Tragedy to Come w/ Siavash Amini - 14th September 2021

Grand Inc x Wehtam Yelthgiek
•
spotify | https://sptfy.com/6t5i

• https://soundcloud.com/grand-inc
• https://soundcloud.com/wehtamyelthgiek

https://110100100.global

Like Spinning Hands

Audiovisual set - Visuals by Jeppe Thorup
https://youtu.be/gGVQivysBZ0

glitch.fest vol 2 // Jim Kimchi's Brainstorm

10 k followers on SC 
a free track to celebrate on bandcamp

Free if ya  want

TharenThesos2

Le cheat code show, nouveau projet ambitieux porté par Ola radio, en collaboration avec @cindybluray (@daisymortem)et @pakunjaran, rassemble différent.e.s artistes qui ont pour mêmes passions la musique et les jeux vidéos. La mission de chacun.e est de créer une œuvre interactive et auditive unique, qui raconte leur histoire personnelle du jeu vidéo. Ces bandes sons illustrent la façon dont certains jeux-vidéos ont pu influencer les product.eur.rice.s dans leurs vies et dans leurs œuvres.

En collaboration avec l'artiste visuel s1m0nc3ll0 (@simon-villaret), chaque épisode est illustré par un monde semblable à ceux que l'on explore en jouant. Une fois rassemblés, tous les mondes forment une grande map qui illustrera la saison 1 du show. Cette map comprend des artefacts, des allié.e.s ou des boss de fin et met en image un parcours musical, d'artistes en artistes. Rassemblés sur le site cheatcode.show
Chaque épisode qui sortira débloque un nouveau monde sur ce site.

Le premier épisode composé par @shady-monk, fondateur de @Hyperpoprecords, révèle donc le premier monde. Il nous parle de sa création

“Très jeune, j’ai découvert la musique à travers les jeux vidéos en regardant mes frères jouer. Je les considérais comme des dieux, à les voir naviguer d’un jeu à l'autre de façon presque innée.
Au fil du temps et à mesure qu’évoluait ma maîtrise de la musique, l’univers du jeu vidéo à pris une place importante dans mon travail.
J’ai été très heureux d’être contacté pour faire ce mix, un showcase, ou plutôt une capsule de titres qui m’ont marqué en grandissant. Elle est organisée en fonction des jeux et de leurs années de sortie. Il y a une progression chronologique vers des jeux plus récents. J'espère que ce voyage dans mes souvenirs vous plaira.”

ϲђєคt ϲ๏Ԁє รђ๏ฬ_level_1 - Shady Monk

@martina-claussen
https://martinaclaussen.at/
https://www.instagram.com/claussen_martina/
https://forwind.bandcamp.com/album/verwoben

Martina Claussen

Tragedy to Come w/ Martina Claussen 08/02/2022

Follow ODESZA -
Spotify: odesza.co/spotify
Apple Music: odesza.co/apple-music
YouTube: odesza.co/youtube
Bandcamp: odesza.co/bandcamp
SoundCloud: odesza.co/soundcloud
Website: odesza.co/official


Follow Yula -
Instagram.com/OfficialYula
Twitter.com/OfficialYula
Facebook.com/OfficialYula

FREE DOWNLOAD

Odesza - The Last Goodbye (feat. Bettye LaVette) (YULA REMIX)

A plunge into the world between worlds, ‘Ghost Room Vol. I’ is the first of a two-part downtempo thriller by experimental bass duo MLOTIK and solo producer ZLEN. Ferrying listeners across the ethereal plains of IDM and deep bass, where broken beats lie scattered across an expanse of micro-edited textures and undulating rhythms, the collection builds upon each artist’s explorations of organic and synthetic production techniques to present a full-spectrum journey through energy, emotion, and carefully-constructed musical imagery.

MLOTIK & ZLEN - Sundae Driver

zerrüttet w/ Luka Beatović - 20/04/2022

Back in 2020 one of my actual dreams came true three times in the space of a month. I decided to start producing music after seeing Noisia live. To say that I was thrill to be even acknowledged by them is an understatement. I've got some huge projects in the works and with any luck I won't be leaving it years inbetween learning and doing. Have a seat and sit down on it.

A\D|D/L ON NOISIA RADIO

CELESTIAL NORTH Viking Battle Music Epic Nordic Music Game & Film Instrumental Soundtrack Music No ON V 15 by Ali OKUR

CELESTIAL NORTH Viking Battle Music Epic Nordic Music Game & Film Instrumental Soundtrack Music No ON V 15

The final march begins. MARCH TO VALHALLA is Fleshbeat Factory's most brutal Viking Metal journey yet - where warriors embrace their fate and ride toward eternal glory. Crushing industrial riffs collide with epic Norse atmospheres in a relentless sonic assault. Blood, steel, thunder, and the call of Odin unite in battle anthems forged for the fallen. This is not the end - this is ascension. ⚔️🔥

05 Rituals of the Deep

/\/\/\/\//\/\\//\\//\/\/\/\ https://rkzzz.bandcamp.com/album/sky-box on bandcamp and streaming!

sky box

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
-------------------------------------------------------------------------------------------------
seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Destiny

Wall Breaker
Hope
Balancing Act
Little Light
Good Mood
Sewer Bump
Ripples
Glimmer Focus
Wish You Were Here
Prog Junk 1 
Something Within
Birch-Wood
Make Another Wish
Forest Creatures Causing Mischief
Runway
BABA GIFT
Applied Science
Pizza Victory!
Lily Pads
Hold On
Jungle Canopy
Cherry
We're Drunk, It's Late, Who Cares (feat. Alexander Aultman & Pandavibrations)
What A Ride
Snow Fall
Passage
Cantina
One Foot In Front of the Other
Small Shiny Objects
Launch_Recovery
Missing You
Comfort In Melancholy (feat. BBPwdr)
Untucked Thoughts
Boiling Point V2
Vector (feat. Suleiman)
Ink
Lucky Number
Pulled Together
Vibranium
So Much To Do, So Little Time
Message Failed To Send To Recipient
Crunchy Slinky
Anticipation
Prog Junk 2
Choices
Symbiote
Royalty
Slip Through
Late Bloomer
Reset
Anthem
Somber Meadow

SHADY MONK - WEEKLY BEATS (VOL 1 & 2) - MIXED

Hong Kong Community Radio
Limited uploads, please check our website for complete upload

Contact: hkcrlive@gmail.com

zerrüttet w/ Luka Beatović - 20/04/2022

HKCR

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