tech

Chris Liebing recorded live at Time Warp Mannheim 06.04.2013

Chris Liebing @ Time Warp Mannheim 2013

Really happy to announce that our album with NiereichTechno﻿ is out today on BEATPORT

Niereich vs. Hackler & Kuch - Everything Will Be Red
Remixes by: A. Paul, Space DJz, Subfractal, Linus Quick & Tex-Rec
Format: 2x12"-Vinyl & Digital Format
Cat.-No.: NST082

Beatport

[NST082] Niereich vs. Hackler & Kuch - We Are Godzilla, You Are Japan (Original Mix)

Pan-Pot - Grey Matter

Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records.   

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint.   Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header.   

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode.   With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'.

Gregor Tresher - Goliath (Bedrock)

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Dense & Pika - TEX - Drumcode - DC142

Buy it at: http://bit.ly/DC0142

Find Marco Bailey on Facebook:
https://www.facebook.com/officialmarcobailey

Find Drumcode on Facebook:
https://www.facebook.com/drumcoderecords

Marco Bailey - Don't You Want Me (Original Mix) [Drumcode]

Let's Go To The Beach

Buy on bandcamp

Simon Sim's - Let's Go To The Beach

Nicole Moudaber - Someone Like You feat. Skin (Original Mix) [MOOD]

Clio makes his return to Truesoul with an energetic, 3 track EP. The three tracks cover Clio’s wide repertoire and influences from many genres creating a dynamic, dance floor ready EP. Collaborating with Yvan Genkins on ‘London Rave’, the EP moves seamlessly from the tantalizing crescendos of ‘London Rave’ to the emotive and full force ‘Think Of You’ ending with the slightly heavier ‘No Shame’.

Clio - No Shame - Truesoul - TRUE1282

Chris Liebing

Depeche Mode - Everything Counts (Victor Ruiz & Thomas Schumacher Remix)

Construction Time Again

Out now on vinyl & digital - https://lnk.to/REKIDS109

Rekids celebrates 10 years of Radio Slave’s ‘Grindhouse’ with remixes from Len Faki, Slam, Obscure Shape & SHDW, Vatican Shadow, Markus Suckut, Lady Starlight and Special Request. First appearing on a release as part of Radio Slave’s iconic ‘No Sleep’ series, ‘Grindhouse’ spawned multiple remixes from the likes of Dubfire, Danton Eeprom, Terrance Fixmer and Nic Fanciulli to become one of the biggest techno records since its original release. To commemorate this fact, Len Faki has produced two different reinterpretations in the first of four heavyweight remix packages.

“I didn’t plan to go back to Grindhouse. It’s a monster of a record and undoubtedly the biggest release we’ve had on the label, but after 10 years it seems right to revisit the track and also add some new versions from some of my favourite techno producers." – Radio Slave With Danton Eeprom’s vocal resonating throughout, Faki’s first remix features crunchy snares, ominous chords and shuffling effects before piercing synths come into effect in the latter half. Meanwhile, the second version rumbles forward with its undulating bassline, soaring atmospherics and echoing elements to round up two solid productions exemplary of the Figure founder’s seasoned abilities in the studio.

Radio Slave - Grindhouse feat. Danton Eeproms (Len Faki Hardspace Mix 1)

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

Chris Liebing

hmarcel

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