incredible song, needs more attention. I hope the fact that this hasn't received much attention doesn't stop you from continuing to create amazing music like this.

Hunted Eyes

While Los Angeles mixed-media artist Celia Hollander is preparing her full-length album drop for Q2, Leaving Records presents the first tease from forthcoming Timekeeper.
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Timekeeper is a collection of temporal impressions. Each track is entitled with a time of day, mapping the ways that changes in energy and emotion form a continuously shifting sense of time. Using a palette of acoustic recordings and digital synthesis, each piece depicts either a temporal field (expansive, unpredictable), wave (swelling momentums) or rope (singular linearity).
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cover art by Celia Hollander

5:59 PM

Celia Hollander - 5:59 PM

Buy → https://l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters —  to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality. 

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year.  Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Icons

The Accident

Pre Order The Album

Eli Keszler - The Accident

Mob Shit (Carti Edit)

Ossature

Hunted Eyes (Lxury Cold Beam Dub)

Meant Like This

Leg It

Decadent Structures

Prickle Pear

Doyce

very illegal please dont sue me @kllomusic

no but seriously im on my last strike (fuck u drake) please just message me 

https://kllosounds.bandcamp.com/album/backwater-north-america-edition

kllo - virtue (shampoo bootleg)

01. December 25, 1999
02. 12_25_99 (y2k bug mix)

https://cfcf.bandcamp.com/album/december-25-1999

The end of the millennium. Our hopes for the future manifest as good tidings to all as we celebrate the last holiday of a lifetime. But it's impossible to deny that it feels as though something is about to be lost forever. After all, it wouldn't be Christmas if it didn't feel like we'd lost something... In the glowing 21st century, will we be nostalgic for our lost future? Will we ever get to the impossible place we seem to think we're going? 


All proceeds from this single will go to Projet 10, a local, community-oriented nonprofit based in Montréal, Québec that works to promote the personal, social, sexual and mental well-being of lesbian, bisexual, transgender, transsexual, two-spirit, intersexed and questioning youth and adults aged 14-25.
http://p10.qc.ca


This is a digital-only, Bandcamp-exclusive release (for now)

December 25, 1999

management/booking: sharen@15stepmgmt.com

Initially formed as the teenage project of sisters Annie and Georgie, Hockeysmith is now a solo project by Annie, who resides in her static Winnebago in Cornwall. Annie Hockeysmith has been taking her time developing her sound and a whole world of music around her project. Working with the likes of 4AD and Nis Bysted (Escho), she has returned to her kindred musical soulmate Andy Smith (Lxury) to complete her debut mini-album, “I Am For Life”. Her catalogue of experimental electronica is impressive, creating everything from Cornish acid under the synonym “Annie eel” to empowering pop anthems. Hockeysmith can turn her hand to almost anything.

Hunted Eyes (Lxury Cold Beam Dub)

HOCKEYSMITH

Recent comments

Fornix

help this littel yellow creature he lost

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