Oh boy! Cannot wait to get this on the big rig at some point!

@hyaser

releases February 18, 2022

bfan.link/liquid-source
bardouinmusic.bandcamp.com/

Mastering by Alden Tyrell
Graphic design by Clara Carpentier
Bardouin Music 2022

Hyas - Fast Passing Train

🇺🇦  SUPPORT HERE 🇺🇦
https://hawscardiff.bandcamp.com/album/club-unity

Times are unprecedented. We all have a basic understanding of the history of our planet, but now we are truly living in one of the darkest periods wherein we cannot see a clear path out. As an individual it often seems dishearteningly difficult to help aid in humanitarian efforts, but as we stand with Ukraine and understand the importance of assisting them in any way possible, we've decided to do our part by putting together a digital compilation entitled ‘Club Unity’.

It contains a diverse feast of artists that inspire us, and tracks that make you feel. Signature Haŵs vibrations touching on prog, trance and even reaching the realms of the jungle. But most importantly, all proceeds will go to the incredible platform 'WithUkraine', which consolidates international efforts in raising funds to provide humanitarian support to Ukraine and its people. 

As humans and music obsessives we stand in solidarity with life and not with those who are determined to irreparably damage the fragile fabric of humanity.

Forever grateful for all of your support and we send our love out to those affected. Huge thank you to all artists involved in the making of this compilation.

Haŵs 💛

-----------------------------------------------------

How you can help Ukraine:
- https://tinyurl.com/mwmuddyf
- https://tinyurl.com/yu2e99me

Aloka - Packet Loss

In Drum Play

Pangaea - Rotor Soap [In Drum Play]

Seamoss

Tayport local @jwaxmusic steps up with four break, acid and ghetto infused bombs. 

@unittwo

Buy:
http://unittworecords.bandcamp.com/album/port-to-port

PREMIERE: J Wax - Uber [Unit Two Records]

READ > https://inverted-audio.com/premiere-dawl-lets-go

A proactive torchbearer of the UK hardcore sound for the past decade, Darren Woollard alias @dawl has been a most reliable purveyor of uptempo rave weaponry, deep-penetration sweeps and warped acid excursions. The London-based producer's now back with a vengeance on Glasgow's @craigie-knowes.

Time To Throw Down EP

DAWL - Let's Go [Craigie Knowes]

* Read more:  https://boltingbits.com/dawl-subject-91-haws/
* Watch on YouTube: https://youtu.be/9V0JwC1aq_0
* Pre-order: https://tinyurl.com/006DAWL

It’s an interesting time for Haŵs, having successfully rolled out their parties to popular venues across Cardiff and London with takeovers hosting everyone from Special Request to DMX Krew in the last year alone. Their previous releases on the label side have been more languorous and serene, with their overarching vision primarily holding a strong emphasis on building upon a bedrock of house music, and bolstered with accents of acid, breaks and other subgenres. But since their more recent event bookings have been so notably comprehensive, the sixth EP has taken that full step into developing upon the variety they champion at their parties. This next chapter of their growth actualises itself in the form of Dawl’s ‘Break It Down’ EP, a warehouse-ready, bouncy and charismatic record channelling insatiable vigour from beginning to end. 

‘Break It Down’ on the A-side is a relentless jackhammer of a track, pumped full of rich breaks and clipped acid lines. ‘Subject 91’ flattens the gas pedal even further, with a gated, spectral synth levitating hazily above the militant drums that heave the whole track forward. 

On the B-side, the brawny ‘Proton’ returns to the acidic burn of the opening track, except this one is occupied by chirping synths and oscillations of noise that seem to rise and fall with a trippy authority. Finally, highflyer and man of the moment Kosh employs his natural gift of the gab on the closing remix of ‘Break It Down’ with a raucous rhythm and a regurgitated bassline that never dwindles on its own gusto. 

Despite the substantial weight and pugnacity of this 4-tracker, the staple Haŵs euphoria twinkles through. There’s no shortage in complex drum sequencing, breaks samples and all the other frills, yet the final output is compact and neat. As Haŵs increases its vision more extensively to dance music from across the board, it seems that the best things might at times come as contradictions, and this record’s tone certainly fits the bill.

PREMIERE: Dawl - Subject 91

@jenkemmag and Steel City Dance Discs unite for a high-energy compilation – each team bringing forth two artists of their choosing for a heavyweight bout across 4 tracks.

All four artists are up and coming international-based electronic musicians and DJ’s, regularly releasing records and appearing on the international club circuit (that once was). The combo represents a global take on Electro, Techno, Drum and Bass, and main room rave-style rhythms.

Jenkem Recordings is the music imprint of Jenkem Magazine, a skateboarding and culture platform, based in New York. Jenkem Recordings’ main goal is to continue to push the strong connections between music and skateboarding by finding new artists to support who have a strong connection to both communities.

Steel City Dance Discs is a record label exported from Newcastle, Australia AKA the Steel City. From House to Gabber, there’s no bracket for S.C.D.D.’s racket – the group has maintained a steady flow of genre-spanning records and tapes since 2016. With the members having originally connected through skateboarding, this collaboration between the two groups came as a natural one.

Buy 12" / Digital

A2. Maruwa - Mercurial Edge

Although the partying side of things for GODDEZZ have been on hold (due to the obvious), the London party starters have been keeping quality stuff flowing through their record label. After the release of their successful debut compilation, and recent remix package for it, they welcome AHJU for some blissful party sounds. Remixes come from 1-800 Girls and platform favourite Maruwa. The latter on display through our channel in full.

Read more: https://liquidyouth.nl/music/premieres/ahju-cause-i-maruwa-remix-goddezz/
Buy: https://ahju.bandcamp.com/album/cause-i

https://soundcloud.com/maruwa1 
https://soundcloud.com/ahju_ahju_ahju 
https://soundcloud.com/goddezztemple

Cause I [GDZ005]

Premiere: AHJU - Cause I (Maruwa Remix) [GODDEZZ]

We're closing our 2020 with a 14-track collection of recent label highlights as well as offering up four brand new and exclusive tracks including one from label founder Coloray. In keeping with the 18-month old tradition, we're proud to showcase a compilation that explores the outer edges of electronic music with an always experimental and leftfield perspective.

Coloray kicks off with a new track 'Viewing' which is a bustling broken beat with emotive vocals stitched into the mix next to soaring string sounds and rumbling bass that makes for a true intergalactic trip. Oppo Bala is a new act from Tilburg made up of Brian Omen and Atilla the Hun, and they impress with their exclusive offering 'Stickerbrush Wave', a deep, dynamic techno banger with an angelic vocal up top and high-speed synth loops and celestial ambiance that makes for a heavenly state of mind.

Another exclusive comes in the form of a label debut from Axefield, who runs his own Who's Susan label and has been making moves since 2016 on various labels. His excellent 'Slug' has old school breaks layered up with hypnotic leads and fizzing synth textures that really bring the energy. The fourth exclusive is by Ramses3000, who returns to the label after his excellent Ataraxia EP earlier in the year. His cutting edge sound on 'Aurelia' is all about drilling bass and drum programming that is overlaid with bright, glistening melodies from outer space.

The other 10 selections showcase a broad range of extra-dance floor styles released on Intercept in the past 12 months. Tracks from French II, Lewski, Tsepo, Ineffekt, Nina Indi, Ozzy, David Kochs, Baril, and Sam Goku naturally bring this multi-dimensional collection to an end and showcasing a vast array of talents, as well as a unique and contemporary electronic sound we're

Axefield - Slug

Bandcamp exclusive: https://bit.ly/2LIwqks

A month or so ago I put out a request for up and coming producers to send in their unreleased tracks for me to pick one to remix live on Youtube. I got sent far more entries than I was expecting and it wasn’t easy at all to pick a winner. I did a fair bit of dancing round the living room feeling them out and eventually settled on a total whopper by @indentsound. Everything about it is up my street. The dark tone, the stripped back groove and the big sub. I could see myself playing it a ton and that was what sold it to me.

I spent a few live streams doing the remix and flipped it into a heavy and hypnotic techno roller. No holds barred business.

I hadn’t originally intended to release them when I came up with the concept but in the end the original was so strong that it would have been crazy not to. I was very happy with the remix as well and so here we are.

2. Indent - Falling (Desert Sound Colony Remix)

Holding Hands

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