1.1.17 Antepoc

"Ties You Up" B/W "New Virtues" 7" (Record Store Day release)
Available April 19, 2014 via Goner Records (Revolver)

The single was recorded in Los Angeles, CA by Ty Segall at his house in Glassell Park. "Ties You Up" is featured on the new Ex-Cult album Midnight Passenger (out April 29th), but this version features Zumi Rosow of the K-Holes on saxophone. The songs were recorded in one afternoon, before Ty drove to Santa Monica to play with his band Fuzz. Ty Segall + Ex-Cult = Psychedelic Brutality.

Limited RED vinyl available only at Goner Records on RSD.
One-time pressing of 800 copies.

MIDNIGHT PASSENGER out April 29, 2014

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EX-CULT ON FACEBOOK
www.facebook.com/pages/EX-CULT/115500865243350
EX-CULT MERCH
www.excult.bigcartel.com

Ex-Cult "Ties You Up" // RSD Exclusive - Recorded by Ty Segall - Goner Records (Sold Out)

Eddy Current Suppression Ring 'So Many Things' 2xLP/CD
Buy: http://www.goner-records.com/cart/index.php?main_page=product_info&cPath=16&products_id=8293

They’ve drawn comparisons to Wire, Can, The Fall, Fugazi and The Stooges. They have a singer who wears black gloves to overcome stage fright. They won the $30,000 Australian Music Prize for their 2008 album Primary Colours—then recorded the next one themselves in a few hours in their practice space and spent the dough on a photo shoot for the album cover. They do not care about you and your expectations. You could call them “fiercely independent” but they don’t seem fierce at all. Quietly, and definitely on their own terms, Eddy Current Suppression Ring has become a force in underground music. Now, after three albums, it’s time for a compilation of singles tracks, demos and other stuff they had lying round. Turns out there was lots to choose from—and even after trimming, they ended up with a double album. 

Goner Records is happy to provide So Many Things.
 
A1So Many Things	
A2 Get Up Morning	
A3 You Don't Care	
A4 It's All Square	
A5 Precious Rose
	
B1 Boy, Can I Dance Good	
B2 She's Dancing Away	
B3 You Let Me Be Honest With You	
B4 We'll Be Turned On	
B5 Demon's Demands	

C1 I'm Guilty	
C2 That Time Of Day	
C3 It Ain't Cheap	
C4 Noise In My Head	
C5 Sometimes	
C6 Iraq (It's On The Map)	

D1Wet Cement	
D2 Hey Mum	
D3 Through The Trees	
D4 T.A.L.O.I.G.A.	
D5 We Got The Beat	
D6 Rush To Relax

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Eddy Current Suppression Ring "You Don't Care" // 'So Many Things' Out Now On Goner Records

Order LP/CD: http://www.slumberlandrecords.com/catalog/show/308
Order DL: http://smarturl.it/latpitunes

Terry Malts’ third album is a long time coming, 3 years to be precise. But the time was spent well. Between stints of touring and local shows, Bassist/vocalist Phil Benson and guitarist/vocalist Corey Cunningham wrote and re-wrote songs over the course of a year in Los Angeles where Cunningham had moved since the release of their last album, 2013’s "Nobody Realizes This Is Nowhere."

The idea was to broaden the Terry Malts concept and create a kaleidoscopic pop album that has a mixture of moods, each song turning to a different sound inspired by the records the band have loved over the years. The driving punk (Buzzcocks, The Undertones) that has been a cornerstone of the group’s sound sits snugly with songs steeped in indie-pop and power-pop (The Chills, Dwight Twilley).

Once the band was ready to record they enlisted Monte Vallier (Soft Moon, Weekend, Swell) to co-produce at his Ruminator Audio studio in San Francisco. It is the group’s first album recorded in a studio. 2012’s "Killing Time" & "Nobody Realizes This Is Nowhere" were both recorded in various practice spaces by guitarist Corey Cunningham and the group was intent on shaking the lo-fi tag.

The freedom of the studio allowed the band to expand on their sound with the addition of 12-string electric guitars, piano, organ, and sound effects. From driving opener “Used To Be” through jangling ballad “Gentle Eyes” to first single “Seen Everything” and haunting closer “When The Nighttime Comes,” Terry Malts have put the augmented sonic palette in the service of some of their strongest tunes yet. The resulting album, "Lost At The Party," is a lovingly-crafted love letter to pop music in all it’s forms.

Lost At The Party

Buy LP/CD

Terry Malts - Used To Be

Order LP/CD: http://www.slumberlandrecords.com/catalog/show/307
Order iTunes: http://smarturl.it/wordlessitunes

"Wordless Wonder" is the long awaited full length from Real Numbers.  It follows up a pair of 12" EPs on Three Dimensional Records, a single on Florida's Dying, and recent appearances on cassettes from Forged Artifacts and No Problem.  Tenderly crafted by Matt Castore at his St. Paul, MN studio A Harder Commune from late 2015 to early 2016, it is presented here on Slumberland Records for your enjoyment.

Wordless Wonder

Real Numbers - New Boy

Lucky Blade

from the debut LP 'Change Your Life' out now on HoZac Records: hozacrecords.com/store

Change Your Life (HoZac Records 2016)

The Sueves - Last Regret

From the "Musique grecque" LP, out Jan 20, 2017 on SDZ.
Extrait de l'album "Musique grecque", sortie le 20 Janvier 2017 sur SDZ.

Musique grecque

Pierre & Bastien - Bon à rien

From the upcoming J.D. Buhl collection LP "Little Victories 1978-1985" on Mighty Mouth Music.

J.D. Buhl - "Do Ya Blame Me"

Dirty Beaches - 'Lord Knows Best'

The Barbaras 2006-2008
Release Date: Oct. 30th, 2012
Buy: http://www.goner-records.com/cart/index.php?main_page=product_info&cPath=16&products_id=10008

In the late 2000s, Memphis had The Barbaras, a handful of early-20s music heads colliding in the midtown bar scene and making a racket that captured VOM and Del Shannon in a blender. The band was great, the live shows were insane—see the checklist below.

• Maniacal bearded frontman (Billy Hayes)

• Incredibly tall bassist (Bennett Foster)

• Synthesizer mastermind (Will McElroy)

• Boy-next-door guitarist (Alex Gates)

• An array of unbalanced drummers

• Crowd interference (Stephen Pope)

• Shows that included props, costumes and groupies

• Had a somewhat cult-like aura

• Always had fun and seemed to enjoy each other’s company 

• Could induce grown men to strip and gyrate on the bar at a show 

• Staged orgies, deaths and resurrections at live shows

• Performed ventriloquist act

• Wrote great absurd pop songs 

One thing they didn’t do? Record an album. Although they tried. Jay Reatard recorded them in fits and starts between touring, but after taking two Barbaras (Hayes and Pope) for his road band and touring constantly over the next few years, the group flamed out. The Magic Kids formed in their wake. When Hayes and Pope eventually left Reatard’s band and joined Wavves, he told them that he erased all of the Barbaras recordings.

In 2011, Goner was excited to find the sessions safe and sound right where Reatard had left them, on his digital recorder. Alicja Trout helped the band finish recording and mixing the tracks, and when paired with their own recordings (plus some heavy-duty work from Jason Ward at Chicago Mastering) it was clear their legacy held more than just a great (and now out-of-print) single. There’s a Barbaras album after all—and it’s a doozy.

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The Barbaras "Day At The Shrine" // '2006-2008' Out Now On Goner Records

The Legs 'AAAA The New Memphis Legs' LP/CD
Release Date: Oct. 18th, 2012
Buy: http://www.goner-records.com/cart/index.php?main_page=product_info&cPath=16&products_id=9974

Blood and beer-encrusted recordings from the epochal year 2000: Once mammoth Texas guitar noisemaker James Arthur moved from Los Angeles to Memphis and began hanging out with local roustabout Eric “Oblivian” Friedl, The Legs were inevitable. The two filled their days drinking whiskey and beer, searching for pinball machines, riding mountain bikes through broken glass and rabid-dog-filled uncharted alleys, and enjoying spontaneous dance parties which mostly consisted of wearing out copies of the “Quick Joey Small” 45.  

When they could be bothered to actually play music, they jammed away on a chord or three. They thought they might be onto something, but couldn’t really tell what it was. Bassists were not consulted. All this time, drummer Forrest Hewes of Oxford, Mississippi’s Neckbones was quietly living a few blocks away from Friedl; once his massive drums were planted behind their wall of scuzz, The Legs knew they had truly arrived.  

With a setlist of Australian garage thudders from the Ugly Things compilation, a mutant two-chord Doug Sahm song and simple, intense originals, The Legs were a short-lived, yet highly entertaining Memphis club favorite, playing alongside Reatards, Jeffrey Evans and other Memphis talents of the time. 

There were two recording sessions—one captured by Jeffrey Evans with Jay Reatard on organ that yielded the track “I’ve Been Raped (By the Pinball Machine)” for a Pinball song compilation, and the other done in Jody Hill’s living room, which is issued here in its entirety.

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The Legs - "(Let's Do) The Legs" // 'AAAA The New Memphis Legs' Out Now On Goner Records

Cheap Hooch Radio is part of the Radio Valencia family at Radiovalencia.fm

creating playlists on soundcloud cuz this shit hasn't hit the vinyl yet.

Listen in Sundays 4-6pm PST or checkout our podcasts both available on radiovalencia.fm

Show Summary
The Team:  Amazons, cute boys, sassy bitches
The Objective: Get wrecked and listen to music


1.1.17

HollyHooch&D$