Jeb Se Piya ft. Devika
THE REMIXES Volume 1

Out Now Worldwide:
https://ffm.to/jabsepiya

Jeb Se Piya ft Devika - The Remixes Vol. 1

These Reelworld cuts replaced the Thompson Creative package in 2000. Notice the Legal IDs are sung. (My boss was upset, because he didn't want to even admit the station had anything to do with Fitchburg)

REEL WORLD - WXLO - KISS DALLAS AND KDWB

Aurelia

Melodic & Progressive Techno artist Jason Still delivers deep, emotional grooves, driving rhythms, and atmospheric melodies built for late-night journeys and peak-time moments. Explore the full catalogue and download here:
👉 https://ffm.to/vobbjvp

#melodictechno #progressivetechno #melodichouse #progressivehouse #deeptechno #emotionaltechno #undergroundelectronic #jasonstill #technodownloads #electronicmusic

Moonless Hour

Phantom Glow

Distrion & Electro-Light - You And Me (feat. Kn'nekt)

Heart update sound with ReelWorld

The UK’s biggest commercial radio network, Heart, has updated its station sound with new jingles and imaging from ReelWorld.

The new branding continues to move forward the sound of the station in line with Heart’s evolving playlist and presenter line up.

ReelWorld also delivered unique imaging versions of the new jingle themes which add a creative VO-based aspect to the station branding.  

The update features a fresh news theme plus travel and weather beds to tie in with the launch of the new national schedule. 

Heart reaches almost 10 million listeners every week across the UK and earlier this month launched a new national breakfast show featuring Jamie Theakston and Amanda Holden.

ReelWorld have been supporting Heart with the sound of the station since 2014.

Explore Heart 2019

Heart 2019 ReelWorld Jingles

GEMINIDS (Original Mix)

Monthly highlights from RED Hits. Have a listen to what we’ve been up to…

RED Hits Highlights - October 2020

P3 JINGLER HØST 2020

“The thing with analog circuits is they follow very simple, natural laws,” says synthesizer designer and builder Jessica Rylan, “just like breaking a tree branch, or like water, or even like birds flying in a V — they push and are pushed into that pattern because it’s the path of least resistance … like you turn on the power, it’s just following whatever the vibration would do. And the sound it produces is the exact same as the electricity producing it.”

There are many such nuggets to be found in Tara Rodgers’ excellent book Pink Noises, which compiles interviews with twenty-four women working in electronic music and sound art. Rodgers’ conversation with Rylan, coupled with pandemic isolation, inspired Suss Müsik to explore the craft of DIY synthesis and digital instrument hacking.

As a result, Suss Müsik’s toolbox is now teeming with circuit boards, jumper cables, soldering equipment, resistors / capacitors / inductors of all sizes, a kaleidoscope of LED lights, touch-sensitive / knob potentiometers, plastic casing of varying sizes, and a lifetime supply of 9-volt batteries. It’s great fun.

A key learning was that acoustic instruments create sound by moving air — a string is plucked, a drum is hit, a mouthpiece receives wind — while electronic instruments make sound by moving voltage. Nature is a rich ecosystem of patterns, and the ability to manipulate patterns of electrical current is the core of synthesized music. 

This short piece is an excerpt from a series of compositions played mostly with custom-built and hacked instruments. In this particular instance, you’ll hear an piezo-amplified kalimba, a homemade sawtooth oscillator, and a photo-sensitive harmonic generator played with a flashlight and touch-ring interface.

The cover image is by visual artist B.G. Madden.

More on this 467th weekly Disquiet Junto project, Toolbox Show & Tell (The Assignment: Share a tip for making music that you learned during the pandemic), at:

https://disquiet.com/0467/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

SixOverEight [Disquiet0467]

Every element in this song is made from three samples of ice cubes in a glass that I recorded on my phone. I put the samples in Ableton and with Simpler and sound design editing (Effects, panning, sample manipulation etc.) I created around 10 drum elements and 3 melodic elements from these samples. Plus I spread the raw samples into the track, with very light pan editing. I put the rhythms down quite quickly, because I wanted to make this track as fast as possible. Hope you enjoy!

More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

(Ice)Cream #disquiet0471

Jab Se Piya, Vol. 1

Jab Se Piya

Jab Se Piya (Bombay Dub Orchestra Remix)

Jab Se Piya (Midival Punditz Blue Remix)

Music producer, musician and mastering engineer with a long career in the electronic music world and several side projects and monikers spanning from Downtempo, Alternative Rock, Progressive House and Experimental Electronic.

Jab Se Piya (Bombay Dub Orchestra Remix)

Holmes Ives

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