spiders spin sick webs

@chuwanaga's latest project keeps it close to the jazz-funk ethos of the label, with a beautiful EP from label co-founder Saint-James' studio project ' Latitude'. Two luminous tracks, plus a lovely dub remix from Mato on the B! We are very happy to premiere the B1 'Attitude' - enjoy!

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https://www.coldcutshotwax.uk/products/latitude-leo-attitude

Leo / Attitude

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HOTWAX // Latitude - Attitude

bendrik @ Place Poelaert - Inhale Exhale Podcast # 18

With a tribalistic percussion launch into a warm and silky bassline, Supply Shuttle spins the dice on the deep house edges through linear but meticulous patterns of synth simplicity. 

The scarcity of snares puts the track just enough into the dance-floor realm but still exquisite enough for sun-drenched coast places especially with that subtle rhodes washing over the faint 303 shots in the background. Notal pulled a smooth move here further erasing the faint border between the two genres. And yes, sometimes the border gets pushed more into one over the other. 

Such is the case with Airlock Nation, clearly showing this imbalance in the most pleasurable way. With a straightforward shake onset floating on a solid rhythm throughout the ride, the track leans more on the floor side covering the early night with subtle and warm darkness step by step. The midnight glow emitting from the melodies is beautifully cocooned into deep sway smudged by ritual bongo hits. The track exports a sentiment of nostalgia in a positive and warm way while cleverly pushing the vibe over the mentioned border into a night dance. 

A Walk Thru The 20th continues this sway but implements a synth carrier into the foreground further developing the club feel. And this is where Notal shines truly because even in this kind of atmosphere he almost unnoticeably lays the track on perfectly fitting tribal shoulders stamping the core of the track with earth-grounding charisma. Both audio worlds, one audio shine. 

And still, on the other side of the playfield, Nature Of Offences is grounded heavily in slow and throbbing kicks paralleled with equally heavy claps and constant interchange of beautiful pads, strings and percussions. Although the track is stirred with a filtered 303 bassline, the overall feel points into a deep and seductive zone. 

It flows subtly through different areas of analogue and synthetic forms spewing a late 90s warm-up feel. Well rounded release from Aleqs Notal!

Buy Decks.de

B1 Aleqs Notal - A Walk Thru The 20th

https://laurenceguy.bandcamp.com/track/what-exactly-are-you-asking-me

It's a pleasure to provide something to support this wonderful initiative, we all need to be doing what we can to support the fight against climate change and Earth Percent has made it easier than ever in out industry x

Laurence Guy - What Exactly Are You Asking Me? // EarthPercent

Vinyl/digital: https://lagaffetales.bandcamp.com/album/va-10-years-of-lagaffe-tales

A1. Felix Leifur - Cohen Social Club
A2. Moff & Tarkin - Pure Fury
B1. Jónbjörn - We're Not Alone
B2. Viktor Birgiss - Að Handan


The Lagaffe boys have a special one for you. Lagaffe 10 marks the 10th EP in our vinyl series and serves as a perfect way to end our 10th year in existence. To mark this occasion we are releasing a 4 tracker with our founders and label regulars. 

The EP opens up with Cohen Social Club by Flexi Leifs aka Felix Leifur. Our man Felix lost his drum machines last spring but luckily he found a guitar and some drums. The track starts off with suspicious sounding guitar notes that somehow up as pure beauty, giving hope in the darkest of places. Frodo with the ring stuff, if you know what I mean. Playful reverbs and echos give the tune the classic Felix Leifur feel to it! 

Moff & Tarkin has the next track "Pure Fury", some breakbeats and cheesy disco vocals, why change a winning recipe? 

Next up is "We are not alone " by label boss Jonbjörn. I think this is what Elton John meant when he said "thank god for those electro bangers!" Solid 909 drum work featuring dramatic chords and some original vocal work. If you can spot the sample write us on Soundcloud and you might win a year's worth of LaCafe Tales! 

With "Að handan" Viktor Birgiss comes back to the label in style. Our mastering engineer described it as having the loudest kickdrum in history, imagine that! Lo fi dub sounding drums interlaced with atmospheric chords, made for those late night intimate moments on the dancefloor, again Frodo with the ring stuff, if you know what I mean.



Mastering: Bob 'Macc' Macciochi at Subvert Central Mastering
Artwork: Jónbjörn Finnbogason
Pressing & Distribution: Inch By Inch Distribution

10 Years of Lagaffe Tales

Vinyl/Digital

Felix Leifur - Cohen Social Club [10 Years Of Lagaffe Tales]

Burnt Black Cars

Resurrection Blues

my most famous song lol
feat jonathan bree

The Cigarette Duet

Recorded & Mastered by John Hannon, 2014

Taken from a forthcoming Split LP with SECONDS released by Soft Power Records on 1st August 2015

Artwork by Chaos vs Cosmos

AVENUE

Australia's Bloodhounds On My Trail sign to UK label Raphalite Records, Release 'Jolly' Single

"This EP is an out of body experience that I will continue to tap into again & again & again" - Primal Music Blog

"I will be shocked if I come across an EP in 2015 that is better than Escape EP by Bloodhounds On My Trail" – Love Sound Magazine

"A sparkling debut record" - This Is That Song 

"Something so sweet about this thing, it’s optimism... just kind of unassumingly soars" - Don't Need No Melody 

FOR LOVERS OF: Lowtide, Flyying Colours, Ride, Chapterhouse, Slowdive, The Church
LEAD TRACKS: Jolly, Jolly (Ummagma Remix), She's In My Plans, Dreamless


It's no secret that Australia has a burgeoning shoegaze scene. From within the burgeoning Melbourne shoegaze community, Bloodhounds On My Trail are set to release ‘Escape II’ internationally through UK-based label Raphalite Records. This deluxe edition of their debut EP ‘Escape’ will also feature additional tracks ‘She’s In My Plans’ and a remix of ‘Jolly’ by celebrated dreampop duo Ummagma.

'Jolly' is the first single off this EP. "Jolly is about having a good moment when you've been having a bit of a difficult time and wanting to not let it go to waste. Happy for people to enjoy our music and take what they want out of it. How it makes them feel. The message is in the ears of the listener," explains Bloodhounds guitarist Chris Donaldson. 

With a love of shoegaze bands of the late 1980s to early 90s, Bloodhounds On My Trail seek to fuse the rhythmic underpinnings of bands like the Velvet Underground and the Stooges with the infectious stylings of shoegaze luminaries such as Cocteau Twins and Slowdive. 

Since playing their first show in February 2014, the band has been blossoming through a whirlwind combination of live shows, festivals and recording sessions. Their music was met with positive reactions, encouraging press, and invitations to play with notable Australian artists such as Lowtide, Contrast, and White Walls.

Thanks to Tonedeaf and Gabe Lewis from Lowtide, one of the foremost shoegaze acts in Australia, Bloodhounds on My Trail began to be known as one of the best Aussie shoegaze acts around. "They sound like how I want my guitars to sound," Gabe explains. "Needless to say, I was immediately hooked. Really languid, cascading washes, and wearing their pastoral shoegaze influences on their sleeves.”

All of this prompted the band to formally commit their hazy tones to tape at Birdland Studios with renowned engineer Matt Hosking, who was the perfect match for the band - also being deeply immersed in shoegaze music and having a record of outstanding work with fellow shoegazers Lowtide, Contrast, Parading and Hideous Towns. This year has also seen the band gain momentum with appearances at local gaze festivals alongside Flyying Colours, Immigrant Union, Black Cab and Day Ravies.

"I hope for people to enjoy it and get a buzz off our tunes. We ain't preaching anything, just making music we find exciting and want to record and play live," says Johnny Green. 

Bloodhounds are Johnny Green (guitar, vocals), Chris Donaldson (guitar), Nik Donaldson (drums) and Ché Walden (bass). In 2014, Shoegazemania named 'Escape' the year's number 2 EP, which also ranked high in DKFM's top EPs of 2014. Both Custom Made Music and Terapija.net included ‘She’s In My Plans’ at #6 in their top songs of 2014.

Bloodhounds On My Trail - Jolly

From the forthcoming EP 'The Shocking Fuzz of Your Electric Fur" (2015, Leonard Skully Records)

FOR FANS OF: A.R. Kane, Cocteau Twins, Massive Attack, Jesus & Mary Chain, Dif Juz

Daniel and Danny Chavis are natives of Raleigh/ Chapel Hill, North Carolina, East Village residents for the past 28 years, and co-founders of the groundbreakers The Veldt, whose named derived from a Ray Bradbury sci-fi story. Musically reared in the church and juke-joints, the twins have been performing since they were children, listening to music that included gospel, Motown and Pink Floyd. In March, they return to their roots with The Shocking Fuzz of Your Electric Fur: The Drake Equation Mixtape EP.  
 
The first single is Sanctified, a ballad that perfectly captures the lush sound of Danny’s screeching decibel-breaking guitar distortion, Daniel’s soulful wail and Hayato Nakao’s deep bass grooves and guitar feedback. This is a perfect re-introduction. The Shocking Fuzz of Your Electric Fur was named from an E.E. Cummings poem. Its raging sound is influenced equally by the emotional soul of Marvin Gaye, free jazz warriors Sun Ra and Pharaoh Sanders, various Drake hip-hop tracks, and their own fertile electric imagination. 
 
The Chavis brothers initially made a name for themselves playing throughout the south at a time when fellow southerners REM and Superchunk were securing major label deals. As more black rock bands (Living Colour, 24/7 Spyz) sold more records and gigged worldwide, The Veldt was courted by various labels, including IRS Records and Capitol. 
 
Initially signed to Capitol Records in 1989, they were in the studio with dream-gaze guru Robin Guthrie working on their initial recordings, playing American concert halls with Cocteau Twins and The Jesus and Mary Chain, and recording Marigolds with Lincoln Fong (Moose).

The Veldt were a sensation from the start as they became a part of a movement of innovators who came of musical age at a time when rhythmic rebels were reflective, gritty and wild. Their sound inspired future generations of alternative artists, including TV On the Radio. 
 
They switched labels and Mercury Records released Afrodisiac in 1994, produced by Ray Shulman (The Sundays, Bjork, Sugarcubes). Their single Soul in a Jar was an underground hit.
 
The Veldt expanded their musical language, fusing more electronics into their soundscape. They retired the “Veldt” name and began recording and touring under under the name Apollo Heights. In 1999, the Chavis brothers were joined by bassist Hayato Nakao. Their music was loud, exploring color, space, sensuality and beat driven melodies with rhythmic and dynamic tension. Daniel's falsetto vocals contrasted with Danny's rock dreamscape guitar and Hayato's pounding beats.
 
Although The Veldt had signed to two major labels after leaving Mercury Records in 1995, the brothers decided to self-release their 2008 album White Music for Black People. They eventually changed their name back to The Veldt.
 
Apart from Robin Guthrie and A.R. Kane, they’ve collaborated with TV On The Radio, Mos Def and Lady Miss Kier (Deee-Lite), and have shared the stage with My Bloody Valentine, The Pixies, Echo & The Bunnymen, Cocteau Twins, My Bloody Valentine, Manic Street Preachers, The Jesus and Mary Chain, Oasis, Living Colour and TV on the Radio, among others.
 
The Shocking Fuzz of Your Electric Fur marks the band's re-emergence, released via UK label Leonard Skully Records on March 18, 2016. The Resurrection Hymns LP releases later this year (via SonaBLAST! Records).

All tracks written, produced and performed by Danny C. Chavis, Daniel Chavis, Hayato Nakao
Tracks 1,4  Add vocals by Marie Cochrane
Tracks 2, 4 Add. guitar by Andrew Prinz
Track 5  Produced by Rudy Tambala / A.R. Kane
Tracks 2, 3, 4 Mastered at Engine Room Audio NYC by Mark Christiansen and Jeet Suresh Paul
Tracks 1, 5 mastered by Alexander Kretov at Ummagma Studio
Cover artwork by Andrew Prinz and Danny Chavis


Sanctified

Debut release for HLR from Total Control.

A side: Total control originals
B side: Re-works for the club by Michael Ozone

Artwork by Rasmus

Release date: late September 2012

A1 Total Control - Carpet Rash

November Group - Work That Dream

The initial track "Souvlaki Sensation" is a sleazy and drippin' balearic dub track filled with cumbrous snare drums, woozy echo chords, a surreptitious phone-like top melody and an echoing bass line.

From Mythos (Μύθος) [BLÅSTUD001], released July 11, 2020
Produced by Ari Bald at Blåklint Studios.

https://blaklintstudios.bandcamp.com/album/mythos-bl-stud001

Souvlaki Sensation [Μύθος]

Mario Acquaviva’s 1983 ‘Notturno Italiano’, one of the most sought after italian boogie songs, receives a full on rework/reconstruction from Azymuth’s Alex Malheiros and Daniel Maunick [of Far Out fame]. On the flipside Ron Trent [no presentation needed] takes all the ingredients and delivers a fierce boogie remix that has the word Classic written all over it!

Notturno Italiano Reworks

Mario Acquaviva "Notturno Italiano Reworks"(Snippets)[MT19006]

D. Howard sure could rock them wheels of steel he played this set to a rapt audience of 200 penthouse party people all heaving to the beat causing the wooden floor to bend and sway to the rhythm. Move your Body

D. Howard House Set March 1999

B1. 34th Floor Experience - Love Will Find A Way (Nico Lahs remix)

Operating out of Melbourne, Australia.
A partnership of ideas and a home for sounds.



A1 Total Control - Carpet Rash

Home Loan Records

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