vocal drum and bass written about my strugges with adhd and finaly getting  my offical diagnosis 

“Almost Me”   radio edit  vocal edit (Remastered)

“Spin Me” is a dark, cinematic drum and bass journey told from the hidden voice of a forgotten artifact — a once-loved vinyl record, buried in dust, waiting to be found again. Blending emotive lyrics, Arabic textures, and deep basslines, the track moves from melancholy to revelation through two powerful drops.
The first half reflects the vinyl's longing to feel the needle again — to come alive through sound. The second reveals a twist: a DJ digs through crates and rediscovers the record, sparking a new connection through rhythm and memory. It’s a story of nostalgia, purpose, and rebirth told through soundwaves.
Made for the heads who know every record tells a story — even the ones left in the sleeve.

“Spin Me”  (female vocals)  (instrumental remix)

“P.C.R. (Postcode Roses)” is a high-impact dubstep/drum & bass fusion that captures the voice of Britain’s forgotten youth — raised under austerity, boxed in by postcodes, and taught to survive instead of dream.
With heavy, guttural basslines, industrial textures, and chopped vocal fragments scattered across a relentless rhythm, the track delivers a hard, cinematic edge inspired by Chase & Status’ “Backbone.” Spoken word verses bleed truth — poetic and raw — layered over a bed of dark synths and grime-soaked pressure.
This isn’t just music — it’s a report from the ends. A war cry in bass. A bloom in broken soil.
We are roses in ruin. Still growing. Still heard.

postcode roses

“Only You” is a 5-minute journey through soulful drum and bass — a fusion of jazz textures, emotional storytelling, and modern UK energy. Inspired by Emily Makis and Solah, the track blends smoky Rhodes chords with rolling 170 BPM breaks, a warm upright-bass groove, and delicate female vocal tones that shimmer with echo.
The lyrics cut deep — exploring the human need for real connection in a digital age — while the double-drop section hits like a late-night confession under neon rain. Smooth, dark, and undeniably alive.
Perfect for underground sets, introspective mixes, and fans of liquid DnB with heart and soul.

O.N.L.Y  Y.O.U   HOMEOSTASIS LYRICS BY JAMIE NEWTON

Just Had to flip this one. I had fun fusing a hint of amapiano vibes in with the main beat. Free DL ofc

Follow Wynne - she rips.

Free Download

Wynne - Big Stepper (ATYYA Flip) [FREE DL]

"I was Show Me Love, you were No Good" is a hypnotic, high-energy anthem that fuses a seductive vocal style with the raw pulse of 1990s underground rave culture. Driven by deep basslines, nostalgic synths, and classic breakbeats, the track tells a story of heartbreak, self-liberation, and reclaiming power on the dancefloor. Crafted with lyrics that weave iconic '90s dance track titles into a modern narrative, this song is both a tribute and a transformation — where club nostalgia meets bold, futuristic pop. Perfect for late-night warehouse sets, sunrise festival moments, or your personal power playlist.
If you were ever heartbroken at 3AM but still dancing — this one's for you.

I was Show Me Love, you were No Good

"Cristina (I Hope You’re Okay)" is a deeply emotional liquid drum & bass track blending high-tempo rhythm with cinematic violin and heartfelt storytelling. The song is a letter to someone from the past — a girl named Cristina — reflecting on love, loss, and the quiet hope that she's found peace and happiness wherever life has taken her.
With soaring strings, ambient textures, and raw, honest lyrics, this track captures the feeling of dreaming about someone you can’t reach anymore, and simply wishing them well. It’s not about holding on — it’s about letting go with love.
Built for emotional impact, this song moves between intimate verses, powerful instrumental breaks, and a chorus that lingers long after the last note fades.

“Cristina (I Hope You’re Okay)”

"Cristina (I Hope You’re Okay)"                HOMEOSTASIS DNB EDIT

Homeostasis is an electronic music producer and DJ from the UK, channeling the science of balance into the art of sound. His name reflects a central idea: the constant negotiation between chaos and order, tension and release, organic warmth and digital precision. Every track and set is an experiment in equilibrium, designed to immerse listeners in evolving textures and deep rhythmic flow.
Drawing inspiration from the foundations of UK electronic culture—techno, jungle, house, and breakbeat—Homeostasis fuses heritage with innovation. His productions carve out space where analogue grit meets futuristic sound design, evoking both the sweat-soaked intimacy of underground raves and the expansive atmospheres of tomorrow’s dancefloors.
Behind the decks, Homeostasis is a sculptor of moments: weaving layers of groove, ambience, and intensity to transform clubs and warehouses into breathing, dynamic ecosystems. With new music set for release and a growing presence in the underground circuit, Homeostasis is a name committed to sonic exploration, balance, and transformation in an increasingly chaotic world.

“Almost Me” radio edit vocal edit (Remastered)

HOMEOSTASIS

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