Name: Campout Mix Series: CCL by Honcho
Duration: 3 h 8 min 13 s
Description: @ccl-url blasted us all into space in their closing set atThe Grove on Saturday night.

Lala&ce❤️‍🩹❤️‍🩹❤️‍🩹🥵🥵🥵

almost 4 hours bubs to bubs @kiernanlaveaux live from de sound room September 2022

CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022]

"I've heard things you wouldn't believe," in the words of Blade Runner, this set equals a concert piece in which conductor Simo doesn't miss a beat in a dark, celestial, breath-holding selection. 
Mixing maestro, this set is an artistic compilation to be carried through time. Those who were there know. Those who couldn't be there, can listen back to this mix and relive a momento in Simo's legacy.

Simo Cell - Climate Of Fear - June '23

@ccl-url blasted us all into space in their closing set atThe Grove on Saturday night.

Campout Mix Series: CCL

Purelink have been described more than once as an "ambient boy band." (They themselves say "jam band.") It's not meant dismissively—the American trio purposefully mean to function as a band, even if their main instruments are laptops. Ambient might not quite cut it as a descriptor, though. The group's music crosses eras and scenes, touching on the late '90s clicks & cuts boom as well as the billowy ambient techno put out by labels like 3XL, West Mineral Ltd. and NAFF. 

Their most recent LP, Signs, released on enigmatic imprint Peak Oil (and one of our favourite albums of 2023), is especially impressive, made of stuttering rhythms and glassy textures. In other words, it's ambient-not-ambient. While members Concave Reflection, kindtree and Millia have all made excellent music on their own, something special happens when they come together.

Purelink's RA Podcast is another stellar contribution to our post-New Year's tradition, where we highlight a more laid-back sound to soothe weary minds and frazzled brain cells after the heavy holiday celebrations. This is 90-plus minutes of intricately textured downtempo, dub techno and even UK garage, all cut through with a floaty, almost drowsy quality, with plenty of exclusives and unreleased cuts from the likes of Nick León, James K, Downstairs J and more. It highlights Purelink's position as a bridger of worlds, sounds and tempos.

Read more at https://ra.co/podcast/917

RA podcast

RA.917 Purelink

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


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A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
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Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

In very loose terms, James K's (@jamesk_1) music operates at the fringes of the pop world. It is experimental and industrial, packed with hooks and riddled with dreamy textures that show off her mastery of synths. She has released it in album form with Dial and Incenso, dropped EPs on AD 93 and collaborated with the likes of Drew McDowall and Stefan Maie, and always manages to imbue her adventurous arrangements with real-world emotions and anxieties. This year she will join us at Dekmantel Festival but not before serving up this week's podcast.

It's the sort of rhythmically thrilling workout that has always stood James apart: jittery drum patterns and kinetic grooves that unfold at 100 miles an hour as a barrage of caustic motifs, hypnagogic melodies and hyper-real colours all bounce about the mix. There is an ever-present sense of tension in the way things are assembled - it's as if they might implode or explode at any minute, and it all sounds fantastically futuristic.

Dekmantel Podcast 460 - James K

My set closing out Room 2 on the Saturday night of Freerotation 2024.

Pariah @ Freerotation 2024, Baskerville Hall, UK (06/07/24)

Name: Natalie Papaeracleous
Alias: nataliepops (@nataliepopss)
Pronouns: she/her 
Location: New York

Influences: Kim Ann Foxman, Roza Terenzi, Pjenné, Melina Serser, Dis Fig, a.s.o., Debby Friday, Luscious Jackson, ABRA, BABii, Sun Electric, Mixalis Terlikkas

Affiliations/Residencies/Projects: 
Collective Memory (NYC based party series)
Shared Frequencies (Radio residency)
Le Tazon (Paris based party series and label)

Favorite Quote: 
“We do not receive wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can make for us, which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world.” - Marcel Proust

Advice for the DJs, producers and artists of our community:
Admire famous artists but admire your friends even more. Your peers are the future legends. Be by their side as they work on their projects and don’t take the journey for granted.  It is amazing to be present at the inception of something grand.

About the mix: This mix is sort of an ode to femm vocals in dance music. I wanted to showcase the femm talent in our space that I still see as undervalued. I also chose songs that I felt spoke to the femm perspective as opposed to the male gaze. The mix begins with a lovely cover of Doll Parts and then progresses to a more meditative section, followed by more high energy, sexy tracks. I’d say a lot of the lyrics in this mix describe the body and how we feel in it. Body awareness is a huge part of clubbing and raving for me so I wanted to explore some different interpretations of that awareness.

With this mix nataliepops asks for you to please learn more about and consider donating to:
❁ The Katal Center (https://katalcenter.org/donate/)

Read more and tracklist - https://thedaisychain.club/2024/08/07/daisychain-342-nataliepops/

Daisychain

Daisychain 342 - nataliepops

The fourth entry in a series of living documents of momentum

Euphoric kinetic connection embraces disorder inside the void, as we smile & dance toward anamnesis together

Primarily manifested live at UFO CAMP festival 2024, in Guanajuato Mexico, on May 18 2024 as the vibrant golden hour solarity melted into dusk, further and further into the celestial embrace of night. Some sonics were added into this mix later on by me for deep listenability at home :)

Gratitude to UFO CAMP crew for having me play, a special set in a special place on a special day of life <3

ENCAPSULATED JOY 004: LIVE @ UFO CAMP 5/18/2024

origin is a hard-hitting techno beat with a dirty synth that will have you flying on the dancefloor.

origin

Be Yourself (Extended Mix)

Queer-oriented music collective at Pittsburgh's @hot-mass, residents at @nowadaysnyc, annual festival in the Pennsylvania woods (Aug 16-20, 2023). Resident DJs >> @humanaut-aaron  @clarkdprice and @dadhemar

Campout Mix Series: CCL

Honcho

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