my SoundCloud marks in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 13.

cloud.selector volume 13

Ndw Mix

Amewu

Raumheld - Wodka

"Fühl wie der Wind weht mit Mellow Mark war eine prägende Erfahrung in meinem Leben. Es ist eine der ersten Aufnahme, die von mir existieren. Kurz vorher (1998) habe ich angefangen zu rappen und trat zu dieser Zeit das erste Mal auf, weil Mellow Mark mich dazu ermunterte. Von dieser Zeit an fand ich soviel Freude durch die Musik, dass ich dabei geblieben bin. Ich danke Mellow Mark von ganzen Herzen für die Liebe, den Glauben und die Unterstützung."

Selma Montana präsentiert unter der Fahne "In alter Frische"  AUS JEDEM JAHR von 1999 bis 2010 jeweils EINEN RAPSONG, der bisher entweder nur im kleinen Rahmen oder gar nicht veröffentlichte wurde. Es kostete zwar Überwindung, die teilweise sehr alten Perlen zugäglich zu machen, aber der Stolz auf die musikalischen Wurzeln und die Freude über die Existenz dieser Momentaufnahmen, Relikte ihrer Geschichte, siegten über die wohl typische Scham einer gereifteren Künstlerin.


1999 Fühl wie der Wind weht - feat. Mellow Mark

frittenbude. elektropunk. smart, stylish and stressful. Not the result of an introverted adolescence spent in a bedroom, scantily lit only by the screen of the monitor, but an actual liveband that writes songs and has something to say. Frittenbude makes music for stressing your brain and shaking your booty, mixing a fair amount of aggression, anarchy and self-destruction, whilst rapping and punking through techno and electro-bounce. The kids love to find themselves reflected somewhere in the lyrics and celebrate each other and the boys, while yesterday, today and tomorrow merge together. Which is what the focus is on, the darker sides of the brightly coloured parties: artificial looking pandas with the bloodshot bags under their eyes mingling with perturbingly gorgeous and gorgeously perturbed girls who are running away from themselves in the pulsating nightlife, the perpetual game of finding a mate, only to fail as the crude reality of daylight dawns on them. While ample parts of the german society and especially the music scene cradle themselves to sleep, three boys repressed by the republic and their teddybear go completely overboard, and show they know which side their bread's buttered on, while for some unfathomable and unbearable reason the sun shines out of their behinds. Lullabies are so yesterday. This is pop music for today garanteed to keep you awake. Only those who are not to highty-tight to endure this will be served. It's about the fluctuation of the night, the art of cutting the way open with strobelightlike winking. No mirror of our times, more like a megaphone to your ear, the spanner in the works, the thorn in your eye, the little devil on the shoulder of the angel on the shoulder of the ape on the back of the devil in the neck of society.

Frittenbude -  Pandabär

Nebenwirkungen

Featuring Janelle Monáe, Deep Cotton, St. Beauty, Jidenna, Roman GianArthur, and George 2.0.

Hell You Talmbout

Track from the new Carter Tutti Void studio album f (x). 
Released 11th Sept 2015.
Pre-Order Now UK: http://cargorecordsdirect.co.uk/products/carter-tutti-void-f-x
Pre-Order Now USA: http://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=CARTER%20TUTTI%20VOID

Details at http://www.industrial-records.com
YouTube link: http://youtu.be/zsRL5xUC-c0

f (x)

2.6.2 (edit)

Carter Tutti Void - f=(2.6.2) (edit)

Artist: I.B.M. (Insane Black Man)
Album: From The Land Of Rape & Honey (The Suppressed Tapes) 1995 - 2005 
Label: Interdimensional Transmissions
Catalog: IT 35

Jamal Moss (aka I.B.M. - Insane Black Man) is a lost warrior of sonic truth. We first uncovered his music through his own Mathematics Records, where we were shocked to find a unique permutation of the Chicago Jack gene. We came to find out that Jamal was educated in the biz by Adonis and Steve Poindexter, and the last of the line of producers directly inspired by two pillars of influence: Ron Hardy at the Muzic Box and the club Medusa’s. This makes him uniquely qualified to write a new chapter of Chicago's history.
 
Digging through shoe boxes of cassettes, video tapes, and mini discs, we have collected the secret tapes of one Insane Black Man. This is an archive of the impetus of his genius, containing perhaps the holy grail of all Jamal Moss tunes “The Land of Rape and Honey” and “Tribal Retribution”. Artists on labels like LIES are still searching for these originals. We have taken them from their dusty and damaged condition and painfully & meticulously restored them, using the mastering labs of Neel’s Enisslab Studio in Rome, and for the few that even he couldn’t do, we had Carl at TruTone finish the restoration. Now we can present these fragile raw and pure visions with the greatest level of quality. Finally the full impact of these ideas can be felt. 

Jamal describes his music as “post industrial angst in an urban environment.” His first experience at the Muzic Box was standing outside the warehouse space on 326 Lower Michigan Ave just watching people come outside to catch air, fascinated by the energy he was experiencing. At a later location he was finally able to get in and describes the experience as “overstimulating, I never saw anything like that, you could see the heat, it was like a sauna of raw sweat.” Later, he would spend much of his formative years at Medusa’s experiencing the city’s more alternative culture. Many people may find this surprising, going from the Muzic Box to Medusa’s, from the roots of House Music (and Techno) to the home of the Industrial sound that perhaps Wax Trax best represents. But that kind of stereotypical thinking doesn’t allow for the truth of what actually happens, people cross boundaries, experience other scenes and cultures, absorb them and add to them. No one should be prescribed a set of interests because of where they are from or what race they are born.

Jamal reminds me that Duane Buford, creator of the first record on Dance Mania and co-writer with Jesse Saunders and sometimes Vince Lawrence of such early house songs as “Funk-U-Up” (Jes’say 1984) and Le’ Noiz’s horror house bad trip jam “I’m Scared” (Trax 1985), was also a member of the Revolting Cocks and Ministry. Before Mathematics took off, Jamal was in talks with 4AD to make an industrial record for the label. These towers of influence collide easily in the mind of the Insane Black Man. Why must we call him insane? That may be society’s futile view, which would prefer to put everyone in easy boxes, whereas we would be more likely to call him a visionary. 

In his own words:
Purpose & Reasoning of Collection of Works None just for therapeutic purposes 2 Exercise The Demons 2 keep oneself from going over The edge. 
All material collected from various cassette tapes / VHS / Mini Disc stored Away in Old grey shoe boxes.
Genre : Industrial / Experimental / Art / Tribal Noise / EBM / Social Distortion 

All Compositions created between 1995 - 2005 


Nebenwirkungen

Honest Jons

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