Name: Ry Cooder - Interview 2006 by Honeyboy
Duration: 14 min 51 s
Description: Ry Cooder talking about his guitars - specifically his 'Daphne Blue' Stratocaster and his Sunburst 'Buddy Holly Tribute' Coodercaster.

BBC 6 Music - Live Session 03/12/13 

'Nemone sits in for Lauren Laverne and is joined by The Fauns for a live session in the BBC 6Music studios. The Bristol band recently featured on the 6Music playlist with their brilliant single In Flames, and today join Nemone to play songs from and talk about their new album Lights.'

In Flames - Live In Session/w interview on BBC 6 Music

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out now.

ORDER: www.erasedtapes.com/store/index/ERATP056

A Winged Victory for the Sullen – 'Atomos' out on October 6, 2014.

ORDER the album now on CD/2xLP/DL and Ltd. 500 edition clear vinyl via our store: www.erasedtapes.com/store/index/ERATP061
Or via iTunes: snip.ftpromo.net/atomositms

TOUR DATES: 
www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES: awvfts.com · erasedtapes.com

Atomos VII

A Winged Victory For The Sullen – Atomos VII

From the Lost Colony 12-inch, out April 29, 2014 on Merge Records.
http://www.mergerecords.com/lost-colony

Lost Colony

Order from Merge

William Tyler "Whole New Dude"

A Winged Victory for the Sullen - 'ATOMOS'
Double-Vinyl/CD/Digital out on Erased Tapes/Kranky on October 6, 2014

PRE-ORDER the album now!

Worldwide (excl. North America):
via Erased Tapes: www.erasedtapes.com/store/index/ERATP061
or via iTunes: http://snip.ftpromo.net/atomositms

In North America:
via Kranky: www.kranky.net
or via iTunes: https://itunes.apple.com/us/album/atomos/id894692856

TOUR DATES: 
https://www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.  

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.  

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie  

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES:  awvfts.com · erasedtapes.com · kranky.net

Atomos VI

The brand new album from Noveller, 'Fantastic Planet' will be available on CD / LP / DL from Fire Records in January 2015.

Noveller - Into The Dunes

Taken from the new studio album by Digitonal, Beautiful Broken, released on the 4th of May 2015 by Just Music, this track is a tribute to one of my biggest influences.

---
Digitonal - Beautiful Broken | Release date: 4th May 2015 | See below for pre-order link.


Beautiful Broken

Eighteen

Pre-order

christina vantzou 'shadow sun'

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Sanft verblassen die Geschichten

Bersarin Quartett - Jeder Gedanke umsonst gedacht

Ry Cooder talking about his guitars - specifically his 'Daphne Blue' Stratocaster and his Sunburst 'Buddy Holly Tribute' Coodercaster.

Ry Cooder - Interview 2006

from 'The Outpost' [CD|LP|DIGITAL]
Denovali Records · den273
available on all formats at [http://denovali.com/blueneck]

Hailing from North Somerset in the UK, Blueneck have been at forefront of the European underground music scene since forming in 2000. They’ve released five critically-acclaimed albums, toured extensively with acts like Cult of Luna and Mono and featured in series of high profile European festivals including a triumphant midnight set at Glastonbury 2014. The band have also soundtracked a number of independent films and had their work featured on NBC, HBO and SyFy channels.

Typically obsessive, fastidious and reclusive in their approach to recording (Blueneck’s last album, 2014’s epic KING NINE, was almost 4 years in the making) the band’s forthcoming long-player THE OUTPOST was written and recorded over an uncharacteristically short 18 months.

This shortened gestation period was not the only respect in which THE OUTPOST is markedly different to Blueneck’s previous recording experience and output (2006’s SCARS OF THE MIDWEST, 2009’s THE FALLEN HOST, 2011’s REPETITIONS, 2012’s vocal-free soundtrack album EPILOGUE, 2014’s KING NINE). Originally planned as a wholly separate touring electronica side-project for singer-songwriter Duncan Attwood and guitarist Rich Sadler, the duo began to find the prospect of deploying the full Blueneck sonic arsenal - along with the skills of long-term producer collaborator Matt Sampson and bass-player Ben Paget - all too irresistible. Once the decision had been made to fold the side-project back under the Blueneck banner, the fact that home recordings were already well-advanced made for a refreshingly fluid, fast (for Blueneck) and - dare we say - fun final 12 months of studio time.

The resulting LP retains the melodic songcraft of Blueneck’s best work, as well as Attwood’s inimitable seductive, haunting vocals. However THE OUTPOST eschews the southern-gothic sepia of KING NINE in exchange for a maxed-out colour contrast of electronic beats, vibrant vintage synths and guitars that are by turns ballsy, soaring and delicately intricate.

From the pulsing Archive-esque Prog whiplash of ‘From Beyond’ to the plaintive Sparklehorse meets Boards of Canada electro-pop of ‘Ghosts’ (Blueneck’s most accessible moment to date); and from the windswept Earth-esque Americana of ‘The White Ship’ to the Talk Talk covering John Carpenter expanse of ‘Hive’; Blueneck have created one of their most passionate, propulsive and progressive recordings to date.

As with KING NINE, Blueneck are employing the artistry of acclaimed artist and filmmaker Lasse Hoile (who previously worked with Anathema, Porcupine Tree and Opeth). Lasse’s album art - along with forthcoming music videos - feature a neon-tinted Lovecraftian 80’s menace in a small town American heartland, reminiscent of Netflix show ‘Stranger Things’, recent indie-horror movie ‘It Follows’ and John Carpenter’s Apocalypse Trilogy.

Praise for Blueneck:

“Stunning” – Rock Sound
“Fantastic… An intoxicating all-consuming experience” – Classic Rock: Prog
“Beautiful… Creepy” - Vice
“Melds heavy alt-rock with gentle Amnesiac-era Radiohead fragility in impressive style” – Metal Hammer
“One of England's best kept secrets” – The Digital Fix

The Outpost

Blueneck - Ghosts

Musician, composer, filmmaker, producer. 
I am a guitarist, and *everything* here is made with my guitar..

Ry Cooder - Interview 2006

Honeyboy

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