Venite a dire

Chef d'orchestre : Franck Ollu

Flûte : Pierre Cornu-Deyme
Clarinette : Orane Pellon
Saxophone : Miho Kiyokawa 
Trompette : Jaemin Park
Percussions : Arthur Dhuique-Mayer 
Percussions : David Mengelle
Violon : Glenn Zuili
Violon : Juyeon Park
Alto : Paul-Julian Quillier
Violoncelle : Albert Kuchinski
Contrebasse : Vincent Alves De Palma D`elia 
Piano : Marina Saiki
Accordéon : Rémi Briffault
 
Mixage : Jean Baptiste Nirascou

Deux Variations pour flûte et ensemble

Premiered on the 6th of April 2023 by Andrea Armas Batista and Gema Vega Diaz at Conservatorium Maastricht as part of "Xenakis Percussion Week".

Kyklos For Percussion Duo (2022)

Piece for Kemancheh(Iran), Daegum(Korea)and Accordion

Streaming (2023),for Ensemble ZAR - Kemancheh(Iran), Daegum(Korea)and Accordion

Dabeen Jeon : Rhythmic Suite for flute and percussion (2023, 1st mov.)

Flute : Sungjun Lee
Percussion : Ju-young Kang

World Première, 14. Sep. 2023,  Bucheon Art Center

Commissioned by Muzikheute

Dabeen Jeon : Rhythmic Suite for flute and percussion (2023, 1st mov.)

for sextet and electromechanical devices

Ensemble Mosaik
Berlin, Berghain
04/09/2014

Regnum vegetabile follows the model of our previous work Regnum animale, and thus it can be said that it is a sort of second chapter in a reflexion about nature and its conceptualisation.

As in Regnum animale, two references are at the base of Regnum vegetabile. The first is the Medieval tradition of herbaria, intended as multi-faceted catalogues of miscellaneous plants, among which different relations can be defined. A second reference for the work is taxonomy, that is, the systematic description of living organisms that dates back to Linnaeus' Systema Naturae as the Rationalistic possibility of ordering the polymorphous (and many times teratomorphic) appearance of nature. In Regnum vegetabile the main refer- ence from the plant regnum are cacti, green plants with wooden-like structures and animal-like claws that are not by chance native of the New World.
One of the foundational aspects of taxonomy in the so-called “binomial nomenclature”, that provides for each organism a name specifying its place in relation to other organisms by means of the couple genus et species. This way of “giving name” to beings is at the origin of the titles of the piece.
The heterogeneity of herbaria and cacti is at the origin of both the setup and the organisation devised for Regnum vegetabile. The for- mer includes traditional acoustic instruments (string and wind trio), surrounded by an amass of computer-driven, electro-mechanical devices that focus on air production (i.e. wind instruments) by means of modified hair dryers.
For what concerns the organisation, indeed the general model is the catalog: Regnum vegetabile is thus a sequence of short pieces, each one dedicated to an imaginary plant. Here the second model –taxonomy– enters into play: each of the pieces has received a name following the binomial nomenclature. Hence, Regnum vegetabile is also the second chapter (after Regnum animale) of a systematic report about the strange creatures found in a terra incognita.

Mauro Lanza / Andrea Valle - "Regnum Vegetabile" (2014)

BINAURAL MIX : listen with headphones!

Visions voltigeantes for vibraphone, disklavier and electronics (2024)
Morgan Laplace Mermoud, vibraphone

@Conservatoire de Paris - Espace Maurice-Fleuret, Concert électroacoustique 2ème partie, 13.03.2024

Équipe pédagogique
Frédéric Durieux,
Stefano Gervasoni,
Gérard Pesson, professeurs de composition
Yan Maresz, Luis Naón, professeurs
Grégoire Lorieux, professeur associé
Classes de nouvelles technologies
François Bayle, compositeur, invité de la masterclasse

Équipe technique
Jean-Marc Lyzwa, Sébastien Tondo, ingénieurs du son
Martin Garnault, assistant son
Jacques Warnier, Malena Fouillou, régie informatique

Visions voltigeantes for vibraphone, disklavier and electronics (Binaural Mix)

Hon Ning Cheung: Mono no aware (2023)

for clarinet quartet

Trio Quartet
Joana Maria Albons
Carlos González Lázaro
Magali Sturm 
Elena Loaiza Román

17th June, 2023
Intro in situ
Dag van de Componist

Mono No Aware (2023)

Sachie Kobayashi -《_ni des oiseaux, ni des papillons》pour ensemble et électronique(2019, extraits)

Anyone One? (2020)
for string quartet
Reading by the Rhythm Method String Quartet, Nov 6, 2020, Brooklyn, NY.
"Anyone Here?"
I sing alone.
"Anyone Here?"
I asked and I answered.
- Somewhere, Taipei

Anyone Here? (2020)

Hon Ning Cheung (1998-) Composer and chromatic harmonicist from Hong Kong.

Mono No Aware (2023)

Hon Ning Cheung

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