Wendy ballet

windowseeker 🍂 "Heart" but you reside in an orb

@lukasoppenheimer

But, You Are: Vol. 2

Gather

windowseeker 🍂 "Heart" but you reside in an orb

K2DJ

All credits go to @benbondy 


SoundCloud version since there is no SoundCloud version of this song

k2dj - keys in bin (soundcloud upload)

Melbourne don daddy @sus1er taps in podstyle. Sus is a certified honcho, having cooked up up bust-grade music joints with kool kats including but not limited to Scan, Fatshaudi, Joeyy, Lovefear and others who are also kool kats.

Pod kicks off on a sour note due to planned co-guest Effective Power bailing out due to cowardice (“sleep deprivation”), but still we persisted. No Denglord on this ep either, but for a valid reason (attending a Wonka director’s cut screening). We covered illegal rave incidents, stimulant theft, James Ferraro standom, esoteric Shed Theories, doing full individual albums with Tyler, The Creator AND Earl Sweatshirt, and just basically delivered a tidbit bonanza. Zero Fs given throughout 👍

First half on Soundcloud 👍👍
Full ep on patreon.com/cloutfarm 👍👍👍

Episode 14: "DUWAP KAINE ONLYFANSCLUB" feat. SUS1ER *FULL EPISODE ON PATREON*

Berlin-based events organizers and label Creamcake are pleased to announce their latest release, Ludwig Wandinger’s Eat the Rich (Original Score) album (released March 15th 2024) 

Having participated in 3hd: “Let Them Eat Cake” last year, the producer, performer, and visual artist provided music for the festival’s pièce de résistance—a collaborative dramaturgy of performance, conversation, and food called “Eat the Rich.” The two-day banquet held at HAU Hebbel am Ufer was catered by artist and cook Caique Tizzi and named after the political slogan opposing wealth inequality and popularized during the French Revolution. Featuring a number of interdisciplinary artists—with Arvida Byström, Élie Autin, and Cassie Augusta Jørgensen among them—Wandinger’s soundtrack to these evenings of delightful resistance is an exquisite suite of seven MIDI movements, inspired by the event’s luxurious Baroque themes. 

Eat the Rich (Original Score) tumbles in on the 11-minute atmosphere of opener “Flower Still,” its metrical harpsichord-sounding prelude blooming into delicate pads and choral patches that draw the listener into its world of decadence and escape. That track is followed by the ambiguous narrative thrust of structured three-to-four minute numbers, whether in the cyclic breathlessness of “The Jester’s Ritual” or the orchestral ebb of closer “Engouement” (French for “fad”). There’s another extended listen in the menacing swell of “The Lurking Dance,” while a sense of longing and wanderlust is led by a cascade of string samples on “Fernweh Poitrine.” As melancholic as it is hopeful, Wandinger’s compositions reflect on the “Eat the Rich” narratives of death and decay, beauty and power. 

The artist himself is no stranger to the intersensory and interdisciplinary nature of the feast he scored. Working in both the audio, as well as visual fields under the multimedia digital art moniker of “kirschbluetenimwind,” Wandinger has shown his work across Europe and around the world. He often marries these mediums to cross-format, synaesthetic effect, whether it’s in the cover art for his 2021 cassette release on Orange Milk Records, Rooms, or his animation and sound piece “Modern Church,” presented as part of Vienna’s Keyframe digital art exhibition in 2022. Wandinger has also worked extensively scoring a number of choreographer Kianí del Valle’s dance performances, and is one of 16 artists selected to participate in a two-year residency for experimental music festival Monheim Triennale. With releases on labels like Gin&Platonic, and compilations like the Mutants Mixtape series—as well as co-production credits on PAN and Genot Centre—Wandinger’s work is an equal parts spontaneous and intentional organism of rhythm and sound design by a master of his field. 

CC012 

released March 15, 2024 

Artwork by Claire Barrow 
Design by Ludwig Wandinger 
Mastered by Rashad Becker

Buy on Bandcamp

Fernweh Poitrine

-Compose and produced by @rougeh0tel and balzacc
-Mix by @rougeh0tel
-Cover by Yann Bisso and balzacc

#BLUFFERNATION
#WhyAlwayMe?

Introduction

https://open.spotify.com/track/4tKSMKDPiwS9s3B37zgG2Q?si=29a4fc10b99047f3

fashion week

'Cosmic Veena' hums across the void like starlight turned to sound. Its strings shimmer between galaxies, weaving melody and silence into one breath. A meditation beyond time, where creation itself seems to listen.

Cosmic Veena

A Dog and His Boy
Don starts talking without looking at anyone in particular.
 Just words filling the shop air 
like dust caught in a shaft of light.
“I don’t even know anymore, Tiger.
 I’ve been writing for two years 
 world-building, diagrams, 
 spreadsheets of imaginary wars.
 And now I can’t even start.
 
Everyone online says read more.
 So I do.
 I Have No Mouth and I Must Scream — brilliant,
 but it’s like being waterboarded with adjectives.
 Then Game of Thrones — 
 dense, functional, slightly medieval spreadsheet.
 Then The Hunger Games — 
 which felt right, rhythm-wise, but it still drags.

Tiger lifts his head from the floor.
 “Maybe you’re just buffering,” he says.
Don keeps going, oblivious.
 “I feel like if I can’t even follow the narration,
 I’ll never create one.
 Maybe I only started writing to survive the bad weeks.”

Tiger stretches, it sounds like velcro.
 “You’re over-complicating it.
 You ever notice how I fetch the ball?
 You throw it, I chase it, 
 sometimes it bounces off the lawnmower, 
 sometimes I forget what I’m doing halfway there.
 I always come back with something.
 Maybe it’s the ball. Maybe it’s a stick.
 Once it was the neighbor’s bra.
 It's not a linear process."

Don blinks.
 “Are we really doing metaphors right now? You’re a dog.”
Tiger takes a second to lick his crotch before continuing.
“Dogs are systems too.
 Input, output, reward feedback.
 You’re the one trying to write 
 the human equivalent of firmware version 1.0.
 Just push the update, sort it later”

Don laughs despite himself.
 “You mean keep writing even if it’s garbage?”
 “I mean, don’t mistake the garbage for the goal.
 Compost it.
 Something’ll grow out of it later.
 And diversify your data set,
 you’ve been reading in too narrow a frequency band.

There’s weird out there you haven’t even dreamed of.
 Azimov’s precision engineering.
 Hunter Thompson’s chemical chaos engine.
 You think you’ve seen strange 
 because you've mixed dragons and trauma?
 I’ve licked stranger things under the couch.”

Don shutters,
That last statement being the only one to sink in. 

Tiger sighs, 
rolling over to a slightly cooler spot on the concrete floor.
“Bipeds confuse noise with failure.
 Static isn’t silence,
 it’s a signal waiting for context.
 Half of philosophy is just 
 convincing your self that your bark
 somehow effects the thunder.”

Outside, the rain shifts gears —
 a softer sound now, more drizzle than percussion.

Tiger sniffs toward the open door.
“You stand there, looking at the sky 
 like maybe the button that opens the garage
 could stop the rain as well.
 Sorry, kid. The system’s not wired that way.
 Sometimes the rain just rains.”

Don kneels down, scratches behind Tiger’s ear.
 “So what now?”
“Now you write.
 Even if it’s messy, even if it leaks.
 Rain does that too.
 And maybe later, when you’ve got it all sorted,
 you’ll remember that dogs don’t talk —"
 





Tiger Speaks 11 6 25

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Music reposting and re-uploading for the purpose of archiving various underground artist’s works

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k2dj - keys in bin (soundcloud upload)

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