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Maya puts her own slant on Big Dope P's "So High" (Maya Jane Coles Remix) - available to buy now at Beatport.

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Buy Now on Beatport

Big Dope P - "So High" (Maya Jane Coles Remix)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Saints':

“‘Saints’ was supposed to be a song with vocals – a big New York 1984 almost freestyle type song. Originally it was just drums, bassline, and synths;
it kind of reminded me of something you would’ve heard at Danceteria in ’84 -’85,  pre house music. But I was never able to write good vocals for it. By the end, I kept adding more strings, more orchestral elements, more drums, so I ended up with an instrumental that was so filled, there just wasn’t room for real vocals on it.
I like music with vocals, but having an instrumental on a record provides a moment where the listener doesn’t have to be as engaged, so you can kind of take a little break; the parts of your brain that are engaged by people singing can quiet down for a minute and you can just relax. 

Spike said ‘Saints” reminded him of ‘Slave to the Rhythm’ and ‘Unfinished Sympathy’: when he told me that, I listened to them, and was like, ‘Oh, yeah – you’re right!’ It wasn’t intentional, and I wasn’t aware of it when I was working on it, but afterwards I was like, “Yeah, I hear it.” If you listen to records enough, eventually they are going to infect how you make your own music. The fact that “Unfinished Sympathy” is one of my favorite songs of all time, and “Slave to the Rhythm” is such an inspirational piece of music, it’s not surprising that some of those elements would come through in what I do.”

Innocents

Saints

Buy on iTunes

Here you go for the 14 minutes jupiter 6 remix.
Was so good to work on what was one of my favorite track last year.

Release date :it's out now!

So, why don't ya?

Baikal - Why Don't Ya? - Ripperton Remix (Maeve 002) Full Ride!

California Airport Love

I Want to Know What Love Is

Shadows in the Sand [Ombres dans le Sable]

Play - The B Sides

The Whispering Wind

'Fire' from Beth Ditto’s new solo album Fake Sugar is available everywhere now! https://bethditto.lnk.to/FakeSugarSo

Connect with Beth: 
https://www.bethditto.com
https://www.instagram.com/bethditto
https://www.facebook.com/bethditto 
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Fake Sugar

Fire

PK 12" for Macro A-Side.
Out now available at:
http://www.beatport.com/release/chordal-law-of-return/177130
https://itunes.apple.com/at/album/chordal-law-of-return-single/id444139987

Chordal

A remix I did for top notch label Connaisseur. The original is by Andrès Garcia, another amazing talent out of Geneva...I took the vietnamese vocal loop from his version and flipped it into another Quarion breakdown madness, complete with deep pads and sub-bass stabs. Hope you'll like it!

No More Tears (Quarion Rmx)

With Orchestra

Unfinished Sympathy (Orchestra Version)

Hooverphonic is a Belgian band founded by Alex Callier and Raymond Geerts.
They became triphop icons when they released their first album 'A New Stereophonic Sound Spectacular' in 1996 and their second album 'Blue Wonder Power Milk' in 1998.  With the single 'Mad About You' of the third album 'The Magnificent Tree' they conquered the world.
In 2016 Hooverphonic releases 'In Wonderland', their first multi-vocalist album with a variety of eclectic sounds blending the typical Hooverphonic strings with new electronics.


Unfinished Sympathy (Orchestra Version)

Hooverphonic

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