porcoddio la tekno ma di cosa stiamo parlando aiutooooo

Ma vie est un tableau, ma vie est une sculpture, ma vie est une musique, boum boum boum!
Ma vie est un tableau à coup de pinceaux à coup de couteaux, 
ma vie est une esquisse traçée sans cordeau oh oh 
des fois j'trempe dans l'huile, des fois j'trempe dans l'eau oh
faut garder le cap, et si l'présent m'échappe, il reste l'infini.
L'infini, l'infini, l'infini quoi, le pas fini.
Je dépose mes névroses et les "quoi qu'il en coûte", 
j'efface les nécroses les angoisses et les doutes 
si j'perds l'contrôle je dessine au hasard dans un drole de jeu de rôle 
où j'me trouve quand j'm'égare.
L'infini, l'infini, l'infini quoi, le pas fini.
Je passe des nuits blanches chromatiques, toiles de lin, toiles de coton
papier maché, papier bonbon.C'est d'la survie c'est du basique, 
c'est quand les rêves sortent du rond.
Ma vie est une sculpture à coup de ciseaux à coup de pointeaux
ma vie est ébauche taillée dans la roche.
Et rond et rond petit patapon y'a pas d'sujet d'prédilection
je crois qu'le thème que j'aime c'est moi mon inconscient surmoi mon moi.
La route du soi en fait qui mène à la marionnette.
Bonhomme en bois, bonhomme en pierre
compas dans l'oeil, regard d'équerre.
L'infini, l'infini, l'infini quoi, le pas fini.Quand j'm'égare.
Je passe mes journées dans un bocal à casser des cailloux à râper du bois.
Et aussi j'ai pas fini, ma vie est une musique à coup boum boum boum à coup de lalala
ma vie est une chanson. Je n'sais pas c'que j'sais mais j'fais toujours c'que j'fais.
Des tableaux des sculptures des chansons des sons au fur et à mesure tant que mon disque dure.
Ma vie est un tableau à coup de pinceaux à coup de couteaux
ma vie est une sculpture à coup de ciseaux à coup de pointeaux  
ma vie est une musique à coup de boum boum boum!

Je Me Trouve Quand J'm'égare

A subtle piano melody with gentle orchestration. Please enjoy

A Subtle Memory

I’m sitting here watching the moon set over the rainy, mystical Oaxacan mountains in my tiny adopted pueblo, Capulálpam de Méndez. Honestly, life here feels like a dream most days. But then there’s art—this weird, obsessive need to make something and, even weirder, to share it. Why do we do it? Why bother putting it out there in the first place?

This tune, "Medicinal Venom," is my attempt to answer that. It’s about breaking the silence—185 days of it, to be exact. I’ve written so many tunes you’ve never heard. Why haven’t I shared them? Maybe perfectionism, maybe fear, or maybe just laziness. Whatever it is, this track was my way of kicking that habit. It’s haunting, off-balance, sweet, and a little venomous... just like the process of putting yourself out there.

Oh, and I’ve been working on my video editing skills. I put together a little glimpse of life here—mountains, scorpions, time signatures in 5s and 3s (because why not), and the surreal beauty of this place. The vlog is coming soon on YouTube. Until then, cheers. Hope you enjoy the tune!

Medicinal Venom

Cast of Characters:
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, lyrics, and seed idea 
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, mastering, and seed idea
Mistermark – @user-432503709 – Mark – all instruments in the break, including clavinet, organ, bass, and drums, as well as production, editing, and mix
Llanpsych-- @llanpsych -- Tez – electric guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass 
The Eclectic Collective -- composition

This song began its life when Ken came to with a series of drum skeletons about half a year ago with the intent of starting several McDonald's themed songs that The Mysterious Decibel was writing for the group. Well MD had some life getting in the way and then decided to pursue another project full time, leaving us with four solid songs, but without vocals. Ken ended up supplying the solid lead vocals and harmonies you hear the whole way through, with original lyrics that he also wrote.
  But before any of that happened, we got this song together. Stephen was first up, coming up with the main guitar riffs that carry the whole way through. Josh responded quickly to the his guitar parts with some matching bass to go along with it. 
  About this time, Mark heard the funky break in there, and so installed every part of it all on his own, including the clavinet, organ, bass, and drums. Although, Ken is also still playing in the break, as well. When we had it pretty well set, Tez came along and added some fiery guitar to go along with Stephen's. 
  Once we had it in the can, we turned it over to Mark for his expert mix. Stephen mastered it for us, too, for the final, winning touch.
  This ended up being a satisfying product of The Eclectic Collective's teamwork. We hope you enjoyed listening to it as much as we enjoyed creating it.
Original Lyrics by K2 and The Three:

I built my library, by burning it to  the ground
I live my life, through all this singing sound
Can’t remember, what then we should’ve done
It’s up to you, now, you’re the chosen one

Scaling the riverbank
Scaling the riverbank
Scaling the riverbanks
Scaling the riverbanks

Till we reach solid ground
Pit for play dirt(pay dirt)
Muddy water all around
Sift the sandbox
There’s gold in them thar hills
Treasures lying
Skills to pay the bills

Hanging on and on
…. and I, can’t find my way up!

New to you
It’s goo to you
New to you
It’s goo to you
New to you!

Scaling the River Banks
Scale the riverbanks
Scaling the riverbanks till we reach solid ground
Scaling the riverbanks till we reach solid ground

Hanging  on and on
And I can’t find my way up!

Scale the River Banks
Scaling the riverbanks!

Scale the riverbanks!


Scale The Riverbank - The Eclectic Collective

Music : Janne Hennie & Little Man
Vocals & lyric : Janne Hennie

I get up, the first thing I do
put on the pyjama left here from you
The radio play good blues
Make some coffee, have some juice
I feel good, but I really wish
That I could do this together with you

But you're not here
You said you needed a break
The only thing left is your well-used pyjama
I put it on, wear it every day
mmm.. it smells so good
It smells like you
It is my comfort, when I am alone
And sing my pyjama blues without you..

Won't take it off, will wear it every day
The smell of you..mmm...it's so good
I know it should be washed
It gets dirty
But I need the memory of you to be clean
so here I am , in your pajama
Pretending to sing my pyjama blues with you...

My Pyjamas Blues

Bellevue

On his 1970 album Tea for the Tillerman, Cat Stevens managed to touch a nerve with the wider culture with a set of songs featuring lovely melodies and piercing lyrics. “Father and Son,” one of the standouts from that record, has stood the test of time as one of the best explorations of familial dynamics ever put on tape.
Tea for the Tillerman proved to be a breakthrough for Stevens in the United States. “Father and Son” was one of the highlights. To make the song sound like a dialogue, Stevens embodied the father by singing in a lower register in subdued fashion. He then took the part of the son by raising his voice an octave and singing with much more passion.
“Father and Son” wouldn’t work as well as it does if Stevens hadn’t allowed the father to make his case as sensibly as he does. The dad shows a sly sense of humor in his advice to the boy: You’re still young, that’s your fault / There’s so much you have to go through. He totally understands the tempestuousness of youth, because he’s been there: I was once like you are now and I know that it’s not easy.

The headstrong youth displays his own clarity in explaining himself. Only he has to get a third party to hear him out, suggesting the father has settled into an intractable stubbornness: Oh, how can I try to explain? / ‘Cause when I do he turns away again. He makes the point that there’s an inherent difference between his elders and himself that has nothing to do with age: If they were right I’d agree / But it’s them they know not me.
The son has the last word: Now there’s a way and I know that I have to go away. That Cat Stevens was willing to embody both sides of the story on “Father and Son” showed that he had advanced beyond the clichés about the older generation so prevalent in rock music at the time. That’s part of the reason why this song keeps speaking to listeners discovering its wonder and wisdom for the first time."                 American Songwriter

Father and Son- Yusuf/Cat Stevens (Cover)

Now sincrovirus is everywere. You can hear it in the middle of the mankind

sincrovirus @ work

IV - the sky would be too narrow for me, to contain me within it

bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired bored and tired 

All I Ever Wanted

zonedout- artstyle (phntmzn bR)_4 77090!.wav.wav

né dio / né stato / né algoritmo / né patriarcato

SONNO is a music project that began in 2014 as a solo acoustic/shoegaze endeavor. For the first two years, the project retained its acoustic song structure while incorporating shoegaze-inspired effects and textures.

In December 2016, with Le Troisième Choix, SONNO shifted towards electronic music, following early production and beatmaking work for GELOGELIDO and COAGULA.

The evolution continued in 2017 with Hypnos, delving into increasingly techno-influenced soundscapes that paved the way for a more freeform, DAW-less improvisational approach, culminating in Aphairesis (2019).

As the new decade began, SONNO returned to computer-based production and collaborations—first by fully producing Teratoma for GELOGELIDO, then working on Villain with SALEM and SHANTI DEEP, and later collaborating on the dual release Disclosure or Devotion / Supersonic Eye with NXPTNE.

Amid these projects, from late 2020, SONNO began developing what would take shape in 2023 as Supervoids—an album of dark, digital pop exploring themes of astrophysics and deep introspection, drifting through the cosmos.

Returning from this cosmic journey, at the end of 2024, SONNO launches the SOVN EP series, introducing a new approach where black metal and electronic music merge in a distinct way with each release.

è la morte che muore // non ci riguarda

post x death x pop

IV - the sky would be too narrow for me, to contain me within it

sonno.

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