Trinity

Prodigal Self

Lolahol - Cuntradiction

https://chemicalx.ffm.to/lolaholgo

Cuntradiction

Produced by Sadaf & R.Mexico

From C.F.C. 
DIGI SINGLE
CAT#: HOSS028


Buy @ iTunes

SADAF - C.F.C.

i dunno this is like a halfaxa cut that didnt make it i think

D r o m e - whoknoidontno

björk: mouth mantra (the haxan cloak mix) from vulnicura remixed - part two

"after bobby ( the haxan cloak ) had mixed vulnicura ( and made one beat ) i was kinda keen asking him if there was any song he'd be up for taking further as a remix and he said mouth mantra ... it was humbling for me to see one person take on like a whole album of mine like that , listen to it like thousand times and curious after him being soaked in it for months , where he thought he could take it further ?  i am enjoying extremely this version live now as he is playing it with me on this summers festivals : it just takes off rocket style ha ha ha ha ha i almost forgot singing last time we played it ." – björk

mouth mantra (the haxan cloak mix)

Our research comes in many different forms. We infiltrate extremist groups, with anti-fascist volunteers joining far right organisations to collect information and we work with existing far-right activists to reconsider their views and then tell us what they know about the world they have been part of. We read far right publications and websites from the mundane to the obscure. We have our own bespoke tools to monitor social media accounts, blogs and podcasts. Working in tandem with our other HOPE not hate teams and our supporters, we also pick up vital information from local communities.
We will enforce our will and communist ideology into the community at large. We pride ourselves on our disdain for British national values and identity. We are striving to implement a North Korean style of state surveillance, modelling ourselves on the East German Stasi and Russian
N
V
K
D

We will endeavour to control the past to form the narratives of the future.

Your ignorance is our strength.

hope-not-hate-(nkvd-stasi-mix).mp3

björk: family (bloom's north remix) from vulnicura remixed - part three

Family (Bloom's North Remix)

From the opera Carmen by Georges Bizet. Arrangement and singing by Naomi Elizabeth

Carmen - Choeur Des Gamins

Taken from SS (2017), a new mixtape comprising 9 original compositions inspired by classic cinema. Watch the Requiem trailer: youtu.be/HpLGV0FXlG4

Featuring @0800shygirl
Watch trailer: https://www.youtube.com/watch?v=HpLGV0FXlG4

SS (2017)

Download

Requiem (ft. Shygirl)

Download: http://www.hulkshare.com/wx7rvdib8ge8

L$D- Don't Smoke My Blunt Bitch

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

SADAF - C.F.C.

HOSS Records

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