Introduction

Resonance

Hotel Sinus

DeadWalker

Deadwalker

Unreality

Katsu Jin Ken

Somewhere at the Edge

At the Edge

At The Edge

Floater

Insane

Movement in Nothing

Movement

In Nothing

4Hero - Dj Stretch and Mc MG | Hungary Budapest at Pecsa 2000.03.10.

Restored from Cassette Tape

4Hero - Dj Stretch and Mc MG Mix

from 2001
Laszlo Fanta Zizics - Hotelsinus
Gergely Erdelyi

Fire!!!

i never follow the rules of any style so this is vintage drumandbass, maybe from the year of 2000 where dnb is simple and clean and heavy.... enjoy

SiS Stepper

full album

Angel on da plastic City

Angel on da plastic city

Yuriu na Kaze

Koishikunaru

Renzoku Mawaru

He started to show interest in computers in 1988, but only graphics-wise. He became a member of the Europe-wide Commodore 64 hacker-demo scene’s renowned Hungarian group called „Faces”. There he got to know Greg, who was a musician in the group. He was impressed by the stuff he was making, and he wondered how it is possible to make music with computers, since he didn’t have any previous musical skills.

Around 1990 he was interested in hardcore techno, and generally electronic music. Jungle music – hardly known at the time – was having great effect on his tunes. 
Between ’92 and ’94 he has spent practically all his time writing tunes, but since the result was not of decent quality, there was no talking about releases back then. 
In 1993-94 he was already writing jungle tunes. Thanks to a technical maleur – a blown hard disk – almost all of these were lost.
Then he's bought a 486DX100 PC and a Gravis Ultrasound card.

Between 1993-95 he was serving at the Hungarian army as a training officer. There he got to know Charlie, with whom they founded a group after the army, in the hardcore jungle way. Charlie was making no music, but this meant no obstacle, since he is great in performing and dancing on stage.

In February ’95, their first formation, Evilcube was born. At that time he was using the PC based Fastracker to sample sounds and write tunes. They had a demo tape with some of their songs with which they cruised Budapest party places to organize their performances. There were few places up to the kind of music at the time, still, they had considerable success in a lot of country clubs.  

At the top of this project they appeared at the Hungarian Mayday festivals, on three occassions. They then already had a manager who made his name managing some mainstream acts in Hungary, Bonanza Banzai for instance. He was trying to lauch tv-appearances and performance possibilities with them. A local cable tv aired their home made, VHS-quality video in a one-hour interview with them.

The first time that a chance for a release appeared, from a guy who was managing the publishing of compilation CD’s, totally independently, but distributed by Polygram Hungary. After some debates they managed to get some of their work released on CD. They made some tracks under some pseudonyms for this „House Summer Beats”.
Curiously the stuff had no promotion at all – except for one ad in a dance magazine, and the guy wasn’t willing to tell us about the numb, bu
After some time, they finally managed to get their real tunes out, this time on a dedicated dnb-electro CD compilation, called Eat The Beat.  
It was well-received compilation for that year and it meant they were among the first in Hungary to release drum'n'bass tracks.
After this László was making freelance drum'n'bass and jungle music.

However in late '98 - beginning of '99, they suddenly started a project called „Minuszaid Bocsá” with Greg on the bass, Charlie at the mic and the deck, and all of us writing tracks on the computer. Meanwhile, they were perfecting their mastering techniques with Greg. 

But after some time, in 2002, the formation had reduced to four people, Bende on guitar me(drum programs) , Charlie (mc) and Greg on bass under the name Ultra Homogen. The whole stuff started out as a „why-not” kind of gig at a party, where László and Charlie were dj-ing in ambient style, in a very strange place in Budapest, at the catacombs under the Buda Castle. The night before the party they came together to play and the next day they repeated it live, with some percussions in it. .

In July, 2002, after seeing Bad Company in Budapest, Hungary, Greg and László decided to stay together and work until they reach something with their music.
They gave it the name „Hotelsinus”. They think that their musical and technical knowledge and experience had reached a point where they can’t afford to let their work be lost.

Hotelsinus

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