Off The Record Mix Series 23: Suzanne Kraft

Kicking off the Spring season is DJ Earl Grey with Mix #6 of Tasting Tones. 

Fresh new artwork by Maryos Syawish.

TASTING TONES #6 DJ Earl Grey

Welcome Sean La’Brooy to the BSRMIX!

So happy to have our dear friend Sean La’Brooy offer us this soothing mix out of the blue from his new home in New York. The co-founder of Analogue Attic Recordings (with Alex Albrecht) has long been pleasing our ears with a unique blend of improvisational jazz inspired ambient recordings and live sessions. All that and more can be heard in this one hour beauty, and if you're not satisfied there check out his brand new album ‘Out Moving Windows’ on Analogue Attic. Enjoy!

https://analogueattic.bandcamp.com/album/out-moving-windows

www.buttersessions.com

BSRMIX #116 - Sean La'Brooy

Trushmix 185 presents Inner Totality. Peckham, South London  in the house!
Inner Totality known for the steady radio show at Balamii, and also throwing small underground parties around the southern part of London. Providing fun, vibes and good music.

Inner Totality in the mix! Made an hour of groovy and funky balearic to house music mix.  Good mood island vibes meets the urban big city! Enjoyable from beginning till the end!!

Music from the top!

Enjoy!

Trushmix.com

Trushmix 185-Inner Totality

After moving from Hong Kong to Melbourne I became acquainted with the label Efficient Space. I found one great discovery after another as I collected their releases, including the music of Andy Rantzen. I was intrigued by his sonic landscapes and the depth and texture of his music, so I got in touch with him about doing a Friendly Mixtape. 

Andy's not a DJ, so instead of doing a mixtape himself he sent me some of his tracks for me to put together. My mix of his work spans the period 1991-2021 and features selections from his solo material and collaborations with Sudmalis and Rantzen, Itch-E & Scratch-e, fc europa, Boo Boo & Mace and Trancendental Anarchists.

Andy Rantzen's Soundcloud page, along with links to his releases, is here:
soundcloud.com/andyrantzen

Mix -Fei Pao
Photo - Adrian Elmer
Photo treatment - Ryan Spinoglio

FRIENDLY MIXTAPE - ANDY RANTZEN

Welcome Noise In My Head to the BSRMIX!

Blessed to have our studio neighbour and long time pal Michael Kucyk finally serve up an audio offering. With a deep and long dedication to the world of left leaning music, the Efficient Space boss and veteran radio host (3RRR, NTS etc) has been a constant source of inspiration and discovery for ourselves and many more. Dive deep, warm up or cool down with his killer 1.5hr session!

Photo by Karl Halliday

BSRMIX #127 - Noise In My Head

Originally aired on Refuge Worldwide:
https://refugeworldwide.com/radio/time-zone-simon-tk-30-aug-2022

TIME ZONE - Refuge Worldwide Berlin - 30.08.2022

We are stoked to welcome British born, Boorloo residing Patrick Little AKA Shari-Vari Records for the seventh instalment of our ONOMIX series. 

Having moved over to our sunny shores a few years back, Patrick has lived and played records around London. Spinning at revered listening bars such as Brilliant Corners and was a mainstay presenter on the globally loved internet radio station NTS. Patrick now owns and operates Shari-Vari Records in the beautiful State Treasury Buildings at the heart of the CBD where you can find an incredible array of esoteric records of all flavours, hand curated by Patrick himself.

Patrick displays his breadth of taste in his beautiful ONOMIX here, spinning folk and outsider rock rarities. The perfect mix to sooth your soul post silly season madness. So recline, unwind, listen and enjoy!

Artwork by Alex Malkovic

ONOMIX 007: Shari-Vari Records

https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-16th-janaury-2023 :)

NTS Radio Show - Episode 33

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-30th-may-2023

Pender Street Steppers w/ DJ_2button 300523

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

FRIENDLY MIXTAPE - ANDY RANTZEN

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