Brume [Minimal Groove Concept]

RELEASE-DATE: 31.10.2025

S Def unleashes a few groovy techno bangers at Paradox.Hamburg.

@s-def

Discharge

In Vertigo

Buy & Stream

COMING SOON: S Def - In Vertigo

DANIEL NITSCH on:
- Facebook: https://www.facebook.com/danielnitschofficial
- SoundCloud: https://soundcloud.com/daniel-nitsch-the-glitz

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to DANIEL NITSCH:

Q: Your mix is full of great storys. Tell us about how these tracks had an influence on your career?

A: I must confess that I was a HipHop kid in the early 1990s. WuTang, PublicEnemy, BeastieBoys (alltime heroes!), basketball, graffiti and gentle attempts to breakdance - that was my life. I can remember very well how I listened the anthem of "Planet Rock“ for the first time on a tape. Oh my - that has blown me away and it was on repeat for the following weeks. In these days I didn’t play records but I listened to different styles of music. I believe that the sound of this time influenced me a lot. In the middle of the 1990s I started DJing and producing. Just in the beginning there was Classic House and Electro where I still can find a soft spot today. It’s great that artists like Steve Rachmad, DJ Hell, The Hacker but also Daft Punk, Steve Bug and many many other are still inside our scene nowadays. There are so many classic songs which you can find from time to time inside my case.

Q: You are 50% of the famous duo THE GLITZ. But what´s musicially the difference between that and your solo project?

A: I´m quite sure that people who know "The Glitz" and who know my solo project "Daniel Nitsch" will hear that very fast. For me "The Glitz" is an exciting and fantastic common project by Andreas Henneberg and me. We both came from different musical fields and have completely different influences in music. Somehow we found a way and we got the luck that we develop an own sound where we can suprise us every time in the studio or on stage. For many people "The Glitz" stands for a kind of peak-time sound which gives you a positive vibe. It’s not important which sound we make together but it’s important that we can smile and have fun. And about my solo project: I would say that mostly I´m a collector and selector and as music junkey always in search of new music which delights me without building musicial borders. You can find sudden changes in my sets - Acid House coming after HipHop or a Delsin-Record follows an old Funk-Song, having finally an 1980s Ambient-Song in the end - all is possible. But for sure I pay attention on the crowd and try to have a good harmonic night with them. Also for my productions I worked a little bit different and float sometimes for days in any soundscapes or I make musical journeys for myself.

Q: Which Daniel Nitsch activities/projects can we expect soon?

A: At the moment I work a lot of for my new own label FeelRawAudio. As artists I´ve joined the crew „Feines Tier“ from Cologne two months ago - really exciting artists and DJs. Also there will happen some more in the next time. I think until the end of the year you can expect a new solo vinyl and remixes from me. But let´s take it easy as I´m quite relaxed about it.

DANIEL NITSCH - HOW I MET THE BASS #58

Daniel Nitsch - HOW I MET THE BASS #58

PETE OAK on:
- Facebook: https://www.facebook.com/PeteOakMusic/
- SoundCloud: https://soundcloud.com/pete-oak

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to PETE OAK:

Q: Talking about your mix: how did these tracks have an impact on your career?

A: All of these tracks have had a big influence on me music-wise. In some way or another these tracks kinda describe different periods in my life with music. I mean this mixtape is only 1 hour and if I had to make a mixtape that included ALL the songs that have meant something to me, that mixtape would be lasting for weeks.

Q: From Aalborg/Denmark to the world. Did you ever think about to move to bigger "scene citys" such as Berlin or Barcelona?

A: I actually lived in Barcelona for 6 months. That made it easier for me when I had to fly out for gigs. Sometimes it is a bit difficult for promotors to book me as flights aren’t always the easiest to manage from Aalborg. But I love my city and we have a great House/Techno community here. Maybe some day I will go discover the world, but I’m actually really satisfied with my small hometown.

Q: Which Pete Oak and Blindfold Recordings projects are coming soon?	
		
A: I have some projects coming up on Stil Vor Talent and Blindfold Recordings. But right now I’m working on something completely different project that isn’t house music. Hopefully I will get some more time to get my house-vibes going again over the summer.

Pete Oak - HOW I MET THE BASS #59

Cetin Sahin Techno Türken Podcast

*recorded at 'dorade royal' at kater blau on november 5th 8 in the morning

<a href="https://theartistunion.com/tracks/cd96be" rel="nofollow">Download for free on The Artist Union</a>

Free Download

Mila Stern - Kater Blau - Dorade Royal

Artist: Conte b2b Martin Saupe (Motion / Dresden)
Event: Ravin' Ravin' // Sektor Evolution Dresden
Record-Date: 27.01.2019 (Closing)

✘ CONTE
soundcloud.com/contemario
facebook.com/conte.music

✘ MARTIN SAUPE
soundcloud.com/msaupe
facebook.com/msaupe

download

Conte b2b Martin Saupe [at] Ravin' Ravin' // Sektor Evolution Dresden (27.01.2019)

GROJ on:
- Facebook: www.facebook.com/grojmusic
- SoundCloud: @groj

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to GROJ:

Q: Talking about your roots. A lot of german Synthi-Pop/New Wave tracks are inside your mix. How did you get in touch with this kind of music and how would you describe your roots?

A: Thanks for having me on this project, great concept and I loved to work on it. These are big names in my family - Kosmische Musik was always around the house and readily inculcated to anyone flipping through album covers in the living room. But children rarely like the music their parents listen to and why would these names stand out from all of the musical action of the 70-80 and 90s? My attachment is conceptual. I think German Rock had it's own mission and a different vision than what was happening at the time elsewhere. It isn’t too pushy or too snob and still very elegant and refined. The music is grounded in a feeling of home and belonging, of being back at the castle. At the same time it is very transporting, rhythmic subtleties and repetition is central to it. I learnt a lot about making techno from these guys and I’m sure I’m not the only one.

Q: You´re from Grenoble, living now in Montreal/Canada (is that right?). How would you describe your development in electronic music between Europe and North America?

A: That is correct. I go back and forth a lot. I love Montreal and where I come from in France. I think both continents feed off each other. While there has always been some strong artistic rivalries and misunderstandings in the past, I think both schools hold a lot of admiration for one another. Being in Montreal is great because there is a flow from both sides and you don’t need to pick a side. I think this comes through in my music as well - I try to be free-spirited, raw and open to serendipity like a North-American, and at the same time I see the value in not pissing on everything that has been done before, in preserving heritage and order like a good European artist. So the course of my development as an artist in a sense is also to unite and re-concile these two worlds.

Q: Which future Groj projects are on the way?

A: At the moment I’m working on an album, which is something I haven’t done for several years now. It is both a great and terrifying feeling. There will soon be a single release on microCastle which is a club cover I made of Transmission by Joy Division. A new EP on fryhide is coming soon as well.

Groj - HOW I MET THE BASS #152

@danieledimartino

https://fanlink.to/Modus-EP

www.beatport.com/release/modus/2645977

57°44'25.7"N 10°37'17.0"E . 11° C . sand and dried out grass . europa . a moving skin . blue and
green . pharus . protector of light and life . three-eyed fish up on the walls . lovely rituals . shut
doors . keep the cold out . keep the wind out . eat the salt . mare septentrionalis . waves clashing
against the old continent . forgotten . what makes an island anyway . fish versus fishermen .
breathing salty air and salty water . vil han klare pynten

URSL PODCAST #24 I Daniele Di Martino

Your Move

Hier ist der Mitschnitt meines Livestreams für FreeSpirit.Festivals@Office am 30. Januar 2021. Leider fehlen die ersten 20 min, aber passt denk ich auch so ;-)

Wünsche euch viel Spass beim hören

Das komplette Video davon gibts bei Youtube zu sehen. 
https://youtu.be/chvryMaFCBk

FreeSpirit Festivals • LIVESTREAM • 30.Januar’21

HOW I MET THE BASS is a concept series, founded and hosted by @marc-depulse. 

It's not about mixing the current charts - it's about your roots. A storyteller. Music from your childhood and youth that once had a big impact on your later doings, showing musicially how you got in touch with Electronic Music back in the days.

Marc tells about his project:

"Techno is a huge family. These are my experiences when I'm coming to different cities and places every weekend. Doesn't matter who you are and where you're coming from. It's about making friends and having a good time together. I have met so many interesting artists during the last 2 decades and all of them love to tell their own exciting story. So I'm inviting my favorite artists from time to time to mix their musicial roots within a podcast."

Pete Oak - HOW I MET THE BASS #59

HOW I MET THE BASS

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