Elden Ring OST_ Mohg, Lord of Blood w_ Nihil screams

Kratos vs Thor full fight theme.

Star Wars: Darth Nihilus Theme | EPIC HORROR VERSION (KOTOR Soundtrack)

Buy the cassette edition: https://nbbeats.bandcamp.com/album/ambient-92834646f-r-i-g-h-t-d-v-cassette-tape-edition
Stream: https://distrokid.com/hyperfollow/nxxxxxs/ambient-92834646fr-ightdv

AMBIENT___ṁ̶̭͉̞̔͌ų̶̛̘̓̕ŝ̶͕̿ï̷̼͋͝ć̷͍̹͚ ̷̨̨̼̏92834646f̴̹̞͔̃ŏ̸͕̏r̵̞̚ͅ ̵̥̑Ǹ̷̡͕̖͙͕̩͋̓̽̿̿͠͝I̴̡̢͙̦̯̒̐̐̇̿̒G̶̙̯̗̥̤̝̮̗̣̞͐̆̑H̴̨̠̳͈̞̖̝̯̼͛̍́̊̍̂͋̆͜T̶̮̖̩͙̏d̶̛̝ȑ̸̼̭̗̲̞́͛̒̚͜ḭ̴̧̘͍̯̰̓̉̌͐͘͜ͅv̴͍̦͙̩͇̳̺̪̆̀̄̉̃̈́̂̐̕ȇ̶̢̯̘̕͠͠_---**___ (Cassette edition Out now)

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

Return to the Origin

Ah, hello! You don't look Hollow, far from it! I am Solaire of Astora, an adherent of the Lord of Sunlight. Now that I am Undead, I have come to this great land, the birthplace of Lord Gwyn, to seek my very own sun! ...Do you find that strange? Well, you should! No need to hide your reaction. I get that look all the time! Hah hah hah!


A little nod honoring one of my favorite characters in gaming <3

Solaire Of Astora

i made this for eternal since i've heard his version of who will know i thought maybe i should make a better version for him so i mixed it with what the songs had and wallow. hope you enjoy. Belongs To Toho. Please don't Delete.

Shin Gojira: Who Will Know Mix By 'Hello it's me Eternal' but better

Super Gogeta theme-Dragon Ball Z

Vegeta in his fight with Perfect Cell. DBZ Cell saga

Vegeta Super Saiyan Theme

Dragon Ball Z - Vegeta SSJ Final Flash Theme (US. Ver.) Epic Rock Cover.mp3 cover by Friedrich Habetler Music compose by: faulconer productions

Dragon Ball Z - Vegeta SSJ Final Flash Theme (US. Ver.) Epic Rock Cover.mp3

I essentially make diddies that fit into indie games.    I play a lot of games and I obsess over music. Feel free to use my downloadable stuff in remixes or other projects, just make sure you give me credit and a link to what it is you have done!

Solaire Of Astora

Goobis

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