What a great sound !!! 💥👌✨👌💥🤩💥👌✨💥🤩👌

Encore une fois très original 🤩🤩🤩💥💥💥

I loved everything about this! I love that girl too you've used her before.  Impressive work my friend!

BS drippin' off the chin sounds like my ex.  haha

this is so awesome..   you always hit it right, in the heart..   Love it my friend  :O)

Big Steppa Music 🔥🔥😈‼️ #TreyShit #TrbEnt #Upnext

DopeBoy ft Woon Mike - Big Steppas

Two short improvisations for this track....

LAST DRINK CLUB.

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triangle dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too. However, Tez also did a production and mix that some of us are choosing to use instead, as a matter of taste, not quality. That is the one you'll find on my page.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavour we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops - The Eclectic Collective with Tea R. Sea

without you

Recorded today.. old song. I was having a discussion with some new friends, Beating Edge. about the state of affairs on SC..  What were were working on.. I told them I better get busy recording. Tired or not.. here it is..

Any advice on recording quality will be appreciated. Panning.. mixing.. clipping.. burning ,, itching.. levels.. effects. etc.

Im alone today so I could sing as loud as I want without disturbing anyone.. Im recording vocals on my old stage mic. Shure SM 58

Lyrics: Not sure what brought this song about but I know the music is part of a project called " Heartbeat " compositions in 3/4 and 6/8..  (the rhythm of the beating heart at rest and elevated..)

Flaws and mistakes
confrontations and trivial wake
waving of hands
pointing fingers and kicking up sand
stopping to see
what will they call me when tensions have eased
Im waiting to hear
hit the next volley and wipe the next tear
but ill take time out.. to wake up and shout
my apologies dear

Shame and regret
I wonder just how much worse it can get
dismal and drab.. time for someone to pick up the tab
turn back the clock.. read every line 
re-run the film and lift every rock
look for the reasons but prepare for the shock
ill take time out..
to whisper about
my apologies dear

fighting and hatred are so absurd
can you hear the echo of my last work
its time for someone and why not me 
to say from my heart
as its falling apart
my apologies dear..


My Apologies

Take A Right

I DON'T REMEMBER SAYING GOODBYE, [Live]  Copyright Tamasi Record Co.

Cast of characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS semi hollow body electric guitar, seed idea

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 

J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 organ

TexMex Shaman– @texmex-shaman –Stephen–  Tom Anderson Custom T electric guitar and mastering

Llanpsych-- @llanpsych -- Tez – Squier Custom Telecaster electric guitar processed through a Line 6 interface to sound like a synth, mix, and production

Eclectic Collective -- composition

This song started around the New Year holiday, when Josh was playing around with a looper beat on his bass. He came up with the bass line and structure for it before turning it over the the rest of the Eclectic Collective to work with. 

  Ken was first up, giving the beat its due as a real drummer, and making it his own, expertly, as always. JJ was up next with his dynamic, lush organ, propping up the groove and adding sonic flavor throughout. Stephen came through after JJ with his foundatoinal, gritty, groovy guitar. It was sitting there ripe for a melody at this point, so Josh heard and added a melody vaguely inspired by the Simpson's theme and added it with his electric guitar. Tez wrapped the whole thing up with the exciting "synth" part you hear in the middle with his custom Tele, which he processes through a Line 6 interface.

  Once it was in the bag, Tez did the honors of producing and mixing it for us, and he did so exactly as we wanted it.

  This is an example of a song Josh started with a groove and set loose on the rest of the band. It is also a good example of what happens when we're all moving towards the same vision. We hope you enjoy hearing this song as much as we enjoyed creating it.

Take A Right

Hows This Werk

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