Taken from MOODOÏD debut album LE MONDE MÖÖ 

"Yes & You" produced by Nicolas Vernhes & Mixed by Kevin Parker 

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Yes & You

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

About a year ago, Richard Swift horrifically fractured his left ring finger. For a moment his nimble guitar and piano work flashed before his eyes. Doctors were saying things like "movement and feeling could eventually return," etc, etc. Certainly, not even a little blip on the sadness radar of humanity, but a massive bummer for a fellow who has carved out a niche as one of independent music's sought after session players and producers -- and especially in relation to the astounding Richard Swift solo output we all know and love.
So, it's with a great, collective sigh of relief that he's back to churning out new material like "Whitman." It's chugging, chiming and triumphant, featuring Swift's always-endearing falsetto and casual call-and-response lyricism. "I've got my own Whitman...Farewell, farewell/I hope it did you good/To say the things/My father never could," Swift pines. The song is a cryptic salute to Walt Whitman, whose American lineage of primal, urgent art can be traced to include Kerouac and Dylan, Bo Diddley and Beefheart -- right on through to modern outsider-pop wunderkinds like Swift. And according to Swift, "Whitman" is a nice taste of what we can expect from his next longform recording.
The same can be said for the remainder of the Walt Wolfman EP. Conceived in the same spirit that gave us 2008's cult favorite Ground Trouble Jaw EP, these blown-out, basement R&B rippers are not for the faint of heart. They require movement and sweat, dancing with a cocktail glass in your grip until your shoes are soaked in booze. Highlight of the set, "MG 333," is a raw and ghostly trance, a blast of kinetic energy and jazz cigarette smoke. Meanwhile, the neu-vintage jive of "Drakula (Hey Man)" and "Zombie Boogie" pack a timelessness that transcends their seasonal titles. And yeah, that's Swift himself on rapid-fire drums across the whole damn set. Shit, he might have been fine without that measly finger after all.

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

Walt Wolfman

MG 333

Richard Swift - "MG 333"

New Confusion / No Light

New Confusion

Live On Boston Harbor

Third Of May / Ōdaigahara (Live On Boston Harbor)

Sad Kid from the EP 'Rough Music' out 18th September. http://smarturl.it/RoughMusicEP

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Sad Kid

We’re not bound by our pain, our past, or our mind. We can still let go, float free, and find our way home.


Were not trapped forever (Prod Segway)

The first single from Timberwolf's anticipated debut album, “Washed Out” was co-written with Jonathan Boulet, and Oscar Dawson (Holy Holy) on the New South Wales Central Coast, exploring death, falling-out and friendship.
 
"I wrote the lyrics after an intoxicated revelation during a 3am skinny dip at Bondi. I remember feeling blind in the ocean, and it was an invigorating reminder of how beautiful it feels to be truly present. The ocean and the sky had formed one shade of charcoal, and I couldn’t even see the waves until they had already washed over me. That’s where I came up with the expression ‘Washed Out’. I couldn’t help but reflect on the loss of colour in the sky, how it reminds me of death, and a sad fall-out I had with a close-friend of mine in my mid-teens that I've always regretted." - Christopher Panousakis (Timberwolf)

Co-produced by: Jackson Barclay & Christopher Panousakis
Mastered by: John Ruberto, Mastersound Studios

New Confusion

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