Excerpt from the original score composed and performed by Josh Coffey. For more information, visit: www.paducahmovie.com

Watch Repairman

For Freda

The Great Flood

Music composed and performed by Judy Bray and friends.  Strings arranged and performed by Josh Coffey. For more information, visit: www.paducahmovie.com

LowerTown Shuffle

From "Streams of Thought," an album of poetry by John Dofflemyer.  Produced and recorded by H. Paul Moon on December 21, 2013 at Dry Crik Press, California.  Captured digitally at 24-bit/192 kHz sampling rate.  Mixed/mastered in Arlington, Virginia at Zen Violence Films.

John Dofflemyer: Wild Words

From "Streams of Thought," an album of poetry by John Dofflemyer. Produced and recorded by H. Paul Moon on December 21, 2013 at Dry Crik Press, California. Captured digitally at 24-bit/192 kHz sampling rate. Mixed/mastered in Arlington, Virginia at Zen Violence Films.

John Dofflemyer: To Pray For Rain

John Dofflemyer: Calving Fields

James F. Lowrie, cello
Elizabeth Cottrell, clarinet
Joy Risher, flute

Arranged by Christopher L. Saraga for the original soundtrack to the stage play "Reformation" by H. Paul Moon (1993)

Khristofor Saraga wrote this music in his early 20s. It sounds weird at first, even weirder when you know the original tune, but in his formal counterpoint there's a haunting prescience and melancholy that divines some other world of harmony. The last twenty seconds in particular take a modal turn that feels weirdly conclusive even if it's wrong. Chris knew how to play with boundaries, though he was usually going for the joke; I could lose track of time, listening to him improvise when issued the challenge to riff on the Dies irae or some John Williams "Naughty," as we'd call "Johnny Boy's" endlessly recycling leitmotifs. Chris learned these skills in community with pipe organ pedagogues like Herbert Geisler and Rudy Inselmann, and our mutual friend James Lowrie who's now greeting Chris in Heaven, but all these men were divining progenitors like Bach with the weekly work ethic of ornamenting church music.

Khristofor Saraga did not write this music with a scowl or some evident sadness. I remember the night well; I'm pretty sure it was even a foggy night of that inland coastal Irvine clime. I had been nagging Chris to finish writing his portions of the incidental music score to my overambitious frosh turn as a playwright, not least on behalf of musicians Joy Risher, Elizabeth Cottrell and James Lowrie so that they could bloody rehearse in time for opening night. Chris might have been avoiding me that day in truancy, but as I walked up to his dormitory window, there he was, hunched over a tiny kitchen table with staff paper and pencil. And: no piano at all to plunk it out. These were notes in his head. Next, he had to endure my wailing praise about genius talent, but he only giggled back about merely writing a ditty, and scooted the paper across the tabletop.

Khristofor Saraga left too soon, just like James. I've hardly met anybody since then with whom we could ramble on about music for hours without any of us checking our watches. Something I love about music, though, is that it never dies. It is patient and kind, and it doesn't concern weight problems and family problems and having money and being cool. Chris: I'll see you again after a few more measures of music. For now, thanks for your ditty.

Reformation (Original Soundtrack)

Ein Feste Burg (arr. Christopher L. Saraga)

Raw, unmanipulated sound recordings straight into my Zoom H4n, capturing the sound environments of: firstly, Line 6 in the Paris Metro toward Nation; secondly, the RER B train toward Aéroport Paris-Charles de Gaulle. Recorded December 2011. 16-bit uncompressed audio at 44.1 kHz.

You may enjoy watching a companion video from this same visit at:  http://vimeo.com/hpmoon/paris

Paris Metro

created and performed by Black Saturn
production and additional mastering by Zen Violence Films
for the documentary “95 Theses” at www.95thesesfilm.com

95 Theses: Original Music

Martin Luther's Anfechtung

Black Saturn: Martin Luther's Anfechtung

A Machine

Miserere

Original music composed by Jon Deak for the end credits of H. Paul Moon's film adaptation of "The Passion of Scrooge."  Performed by Lisa Emenheiser, piano, at her studio on October 14, 2018.  For more information about this film project, visit:  www.scroogeopera.com

Recorded and mastered by H. Paul Moon | Zen Violence Films | www.zenviolence.com

The Passion of Scrooge

End Credits

Original Music for End Credits to "The Passion of Scrooge" by Jon Deak

An interview by radio host Ross Amico with filmmaker H. Paul Moon about composer Jon Deak, the 21st Century Consort, the extraordinary baritone William Sharp, the medium of "opera films," and the timelessness of Charles Dickens' "A Christmas Carol. "  Includes some musical excerpts from "The Passion of Scrooge," and a segment from http://doc.scroogeopera.com.  Aired  December 18, 2019 on WWFM.

The Making of The Passion of Scrooge

The Passion of Scrooge: Interview by Ross Amico with H. Paul Moon on WWFM

H. Paul Moon (http://zenviolence.com) is a filmmaker whose works include short and feature-length documentaries, dance films, and experimental cinema, featured and awarded at over a hundred film festivals worldwide. He teaches documentary editing at Docs In Progress as an Adobe Certified Expert, and serves as adjunct professor at George Mason University's Film and Video Studies program.  He also manages a network of online communities at http://focuspulling.com that keeps pace with new camera technologies. He worked as a small camera specialist for a Paramount feature film starring Will Ferrell and Mark Wahlberg, and as cinematographer for director Josephine Decker’s film in "collective:unconscious." Recent works include "Sitka: A Piano Documentary" (http://sitkadoc.com) about the craftsmanship of Steinway pianos, and "Quartet for the End of Time" (http://quatuor.xyz) about Olivier Messiaen’s transcendent WWII composition, that premiered on the commemorative date and at the place where the imprisoned composer first debuted his work. Moon's first feature, an award-winning documentary about the life and music of American composer Samuel Barber (http://samuelbarberfilm.com), recently premiered on PBS, and he is currently finishing another documentary feature about Western folklife, cowboy poetry, and the American frontier (http://westdocumentary.com). Excerpted poetry films from that project have appeared in museum exhibitions, and numerous film festivals, leading up to the feature film's completion.  His latest film is an operatic adaptation of Charles Dickens' "A Christmas Carol" (http://scroogeopera.com), awarded "Critic's Choice" by Opera News as a "thoroughly enjoyable film version, insightfully conceived and directed" with "first-rate and remarkably illustrative storytelling."

hpmoon

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