psychedelic stoner doom

BLUES PILLS, out on July 28th (UK), August 05th (NA) and July 25th, 2014 (EU) via Nuclear Blast Records.

High Class Woman

BLUES PILLS - High Class Woman (radio Edit)

Too Many Chiefs... Not Enough Indians - Brant Björk

The opening track from the album DEEP SLEEP.

Out October 2014. 

Preorder the album at www.thedatsuns.com

For all current tour dates go to www.thedatsuns.com

Download this track for FREE here:

https://thedatsuns.bandcamp.com/track/caught-in-the-silver

Caught In The Silver

Liquid Visions - Pink Cloud

BUY VINYL - http://ridingeasyrecords.com/product/slow-season-mountains-vinyl/

Slow Season - Mountains to be officially released on 11th November 2014
Press "play" on Slow Season's second full-length album Mountains (RidingEasy 
Records), and you might just forget what era you're in. It could very well be the 
sixties, seventies, or now. It almost doesn't matter though because this is 
hypnotic, heavy, and howling rock 'n' roll that defies both musical and temporal 
categorization.
The Central California quartet – Daniel Rice (vocals, guitar), David Kent (guitar), 
Hayden Doyel (bass), and Cody Tarbell (drums) – scale new heights, while 
recognising where it all began.
"I'd love for people to wonder if this record is actually from 1969," grins Cody. "We 
wanted to capture that spirit. That was the goal."
In order to do so, the musicians holed up in Cody's home studio, which actually 
doubles as his parents' garage, and cut Mountain’s ten tracks throughout the 
course of early 2014. Hayden had just returned home from a short detour at 
college in Idaho before recognizing he belonged jamming with his brothers. 
Officially back in the fold, excitement to record proved pervasive. Moving when inspiration struck, they actually recorded the songs live on reel-to-reel tape. 
Eschewing the digital mindset of today and not even uttering the words "Pro 
Tools", everything was caught on analog, giving the music a crackling kinetic 
energy.
"I like everything associated with reel-to-reel," Cody goes on. "I love the sound. I 
like the mojo that comes along with it."
"Working with the limitations of tape really pushed us to play our best," adds 
Daniel. "You have to prioritize your ideas. You can't layer too much on there. You 
also have to nail the takes. You don't get to go back and cut paste. You have to feel 
it when you're playing it. When everything comes together, it really shines because 
we're all playing together on tape."
They lock in during the album opener and first single, ‘Sixty-Eight’. It snaps into a 
bluesy riff and bombastic beat before Daniel lets out a soaring refrain and a 
screeching solo roars. "We wanted to nod back to Led Zeppelin," the vocalist says. 
"We managed to get this really big sound in the garage. It's very organic and 
natural. The subject matter is pretty gnarly, and I'd encourage everyone to take a 
close listen to the lyrics."
That mystique carries over to the hazy ‘Synanon’, which details the exploits of a 
mountain cult nearby where the boys reside. Meanwhile, ‘Endless Mountain’ drives 
forward on robust guitars and propulsive drums. It also reflects the overarching 
theme inherent within the title.
"Mountains embody a few things," explains Daniel. "They're difficult, seemingly 
insurmountable, and bigger than us. They're both foreboding and beautiful at the 
same time. I had been doing a lot of hiking and backpacking in the higher Sierra 
Nevada. It all fit together. We live right next to Sequoia National Park, and we go 
up there all the time. We connect with the idea of man versus nature."
Slow Season first emerged in 2012 with their self-titled debut. Supported by shows 
throughout California and nationally, they began to garner palpable buzz. 
Now, Mountains kicks off their next chapter. However, they'll continue to exist 
within an epoch of their own.
Daniel leaves off, "I want people to walk away knowing there's integrity behind the 
music, the process, the words being sung, and the notes being played. We love 
what we do, and we hope that listeners do too."
Mountains by Slow Season will be officially released on 11th November 2014 via 
RidingEasy Records.
For press information, pictures, promo, interview requests and guest list 
places please contact Richard S Jones at richard@shelteredlifepr.com / 
07854610592 / www.shelteredlifepr.com
Slow Season:
Daniel Rice – Vocals, guitar
David Kent – Guitar
Hayden Doyel – Bass
Cody Tarbell – Drums
Web – www.slowseasonmusic.com
Bandcamp – www.5low5ea5on.bandcamp.com
Facebook – www.facebook.com/slowseasonmusicInstagram – www.instagram.com/slowseasonmusic
Twitter – www.twitter.com/SlowSeasonMusic
RidingEasy Records:
Formed in 2013 out of the sleepy beach town of Hermosa Beach, Los Angeles, 
RidingEasy Records (formerly EasyRider Records) is dedicated to unearthing the 
finest in heavy psych, doom, stoner and heavy rock. Products include limited 
edition runs of vinyl and cassettes with creative packaging and the label has eleven 
bands currently signed to its roster; Electric Citizen, The Well, Salem’s Pot, Slow 
Season, Albino Python, Sons of Huns, Black Prism, Old Man’s Will (US 
only), Monolord, Shooting Guns and Spiral Shades. RidingEasy Records has also 
secured the exclusive rights to cassette releases by Sleep, Witchcraft, Kadavar, 
Graveyard, Valfader, FUZZ and Orchid with more titles to come.
Official Site – www.easyriderrecords.com
Facebook – www.facebook.com/easyriderrecords
Twitter – @easyriderrecord
Instagram – @easyriderrecord
YouTube – www.youtube.com/user/easyriderrecords
SoundCloud – www.soundcloud.com/easyriderrecords
Label Contact – info@easyriderrecords.com

Mountains

Sixty-Eight

Slow Season - Sixty Eight

In the article : http://www.bf2d.net/2011/07/16/the-white-stripes-live-in-mississippi-lp/

The White Stripes - I'm Slowly Turning Into You


Laughing at the Riverside is a nostalgic indie rock ballad that captures the emotional texture of a summer evening reunion among old friends. Set by the riverbank at dusk, the song explores themes of memory, time, and quiet connection. Through poetic verses and a melancholic male baritone voice, the lyrics reflect on shared stories, lost moments, and the bittersweet beauty of aging friendships. The chorus, anchored by the line “Laughing at the Riverside,” evokes a sense of timeless joy and emotional release. Instrumental sections—ranging from ambient intros to orchestral crescendos—mirror the emotional arc of the night, making the song feel cinematic and deeply personal.

---

🎵 Laughing at the Riverside
Lyrics by Martin Oliver Beinersdorf

[Intro – Twilight Pulse (0:00–0:45)  
Soft piano arpeggios in low register.  
Muted bass pulses gently.  
Ambient pads with tremolo shimmer.  
Delay-washed electric guitar textures.  
No drums yet, slow emotional build.  
Mood: dusky summer evening, anticipation, warmth.]

Verse 1  
We parked the cars by the willow bend  
Sun bleeding out like a quiet friend  
You brought the cheap wine, I brought the old jokes  
Someone lit a fire, someone almost choked  

The river moved like it knew our names  
Skipping stones, trading old mistakes  
You said, “Remember that night in June?”  
I said, “I barely remember you”  

Pre-Chorus  
But the laughter came easy, like it used to  
And the silence felt softer than truth  

Chorus  
Laughing at the Riverside  
Where the past comes back but never bites  
We were ghosts in denim and light  
Laughing at the Riverside  
Like nothing ever changed  
Like everything was right  

[Instrumental Bridge – Echoes in the Current (2:10–2:40)  
Drums enter with off-kilter rhythm (5/4).  
Muted trumpet and trombone add melancholic accents.  
Dissonant guitar chords slowly resolve.  
Synth sweeps mimic water movement.  
Mood: flickering memories, emotional tension.]

Verse 2  
You played that song from senior year  
It cracked like vinyl, but we all cheered  
The moon hung low like a borrowed time  
And someone cried without a sign  

We talked of jobs, of kids, of loss  
Of how we all got a little lost  
But no one judged, and no one lied  
We just let the river decide  

Chorus  
Laughing at the Riverside  
Where the past comes back but never bites  
We were ghosts in denim and light  
Laughing at the Riverside  
Like nothing ever changed  
Like everything was right  

[Instrumental Interlude – Denim Ghosts (3:30–4:10)  
Strings (violin, cello) play a nostalgic theme.  
Piano repeats intro motif, higher and fragile.  
Slide guitar adds emotional texture.  
No drums, ambient bass carries the mood.  
Mood: time suspended, quiet reflection.]

Bridge  
The fire burned down to a whisper  
And I wished I’d said more to her  
But maybe that’s the point of nights like these  
You feel too much, and speak too little  

[Build-Up – Firelight Crescendo (4:40–5:10)  
Drums return with driving rhythm.  
Brass and strings swell into crescendo.  
Open guitar chords with tremolo.  
Warm synth pad underneath.  
Mood: emotional climax, shared joy and sorrow.]

Final Chorus  
Laughing at the Riverside  
Where the echoes feel like lullabies  
We were young, we were terrified  
Laughing at the Riverside  
Like nothing ever changed  
Like everything was right  

[Outro – Riverside Fade (5:40–6:20)  
Sparse piano notes like water drops.  
Reverse guitar effects echo memories.  
Slow bass pulse like a heartbeat.  
Field recording: river sounds, distant laughter, crickets.  
Mood: closure, memory lingering, peace.]

---

© Lyrics and concept by Martin Oliver Beinersdorf. All rights reserved.

Liquid Visions - Pink Cloud

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