she wanna fuck me on a week day (prod stogie)

3ISBÄR

Original music created with an Electribe sequencer in 2017

HUEMAN - GUTS

Pure nostalgia. Found in a used record bin. I'm pretty sure it was released in 2001, but not sure. Any info you've got would be appreciated.

Scumbags - Dice Riley

Paint That Target

Conjunctio

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The Chaos Kit is filled with a total of 257 files, including drum one shots, loops, melodies and MIDI files. Since the entire pack is royalty-free you don’t have to worry about copyright problems. Click on the link above and claim your free copy now!

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"Chaos" Free Trap Sample Pack // 200+ Drum Shots, Loops, Melodies & MIDIs

Ultra - Hardtrance homage to Kraftwerk's classic Das Model

Kraftwerk - Das Model (Brutalismus 3000 Hardtrance Cover)

Steam Room

Leonce x Neana - Steam Room (the way i move)

@sueugakamau ft @la-favi

ENG
There are certain years that will always live on; wounds that refuse to heal. Painful years that stick with us like a fire burning into the history of our bodies and territories. Years that are difficult to speak. Years that re-ignite, each time they are uttered. 1973 is one of those years. 1973 is also the new EP from Sueuga Kamau in collaboration with La Favi and produced under the Hiedrah Club de Baile label. In a continent that’s once again boiling with anger, the duet from California decided to reexamine the gaps of their own Afro-Latinx Heritage. Through lent voices, forgotten rhythms and erased identities they weave a tale that bridges the unyielding Latin America and the enraged african-american people.
1973 is both loving touch and sorrow, a familiar sound that forcefully persists, the exploration of a territory that resists, conjures and keeps going. From Santiago de Chile to Dallas, from the outskirts of Buenos Aires to Oakland, California. A sound filled with darkness that stirs up your breathing and gets between the living cogs of capitalism, and from there it turns into a gentle caress in those intimate places we rarely reach. You dance to it with chills throughout your body and a tiny tear in the tip of your lips. In the midst of the roar of drums and machinery, the voice of La Favi moves through the perspiration of the listeners. It’s a damp whisper that mutates into a demand for sexual justice, while the words from Allende, that surges between broken radio transmissions and air strikes, transforms into dance, and then into an outcry. Sueuga Kamau composes a disobedient piece, a rhythm filled with riots that endures bullets, contagions and tyrants, an insurgent invitation to explore our own detonations.

ESP
Hay años que arden como heridas que no cicatrizan. Años dolorosos que quedan marcados a fuego en la historia de los cuerpos y territorios. Años que son difíciles de pronunciar y obligan a tragar saliva para nombrarlos. Años que escuecen cada vez que se los recuerda. 1973 es uno de ellos. 1973 es también el nuevo Ep de @sueugakamau en colaboración con @la-favi y producido por el sello de Hiedrah Club de Baile.
En un continente que vuelve a arder de rabia, el dúo californiano decide buscar en los intersticios de su propia historia negra y latina. A través de voces prestadas, ritmos olvidados e identidades borradas tejen un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. 1973 es caricia y lágrima, es un sonido familiar que persiste a los golpes, es la exploración de un territorio que resiste, conjura y se enciende. Desde Santiago de Chile hasta Dallas, desde el Conurbano bonaerense hasta Oackland, California. Un sonido lleno de sombras que agita la respiración y se introduce en los engranajes vivos del capitalismo, y desde ahí se torna una lamida en aquellos lugares intimos a los que pocas veces llegamos. Se baila con un escalofrío que recorre el cuerpo y con una lagrimita en la punta de los labios. En medio de ese rugido de tambores y maquinarias, la voz de La Favi se mueve entre los sudores de quien escucha. Es un susurro húmedo que transmuta en un reclamo de justicia sexual, mientras la palabra de Allende, que surge entre transmisiones de radio entrecortadas y bombardeos, se transforma en baile, y el baile en grito en protesta. Sueuga Kamau compone una pieza desobediente, un ritmo lleno de disturbios que resiste balas, pandemias y tiranos, una invitación revoltosa a explorar nuestros propios estallidos.

Text by Pabli Balcazar

1973

Cierra La Boca ft La Favi

HUE MAN aka TRAPHOMET aka Brent Mini / / So Called Hudson Valley /// DJ// Producer // "Synchronicity Music" xx Transcend Culture HV & Rave Against Restriction

Conjunctio

HUE MAN

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