Name: There (STBB#813) by Hughgtwattii in STBB#814 KPM Week Hosted by Jeff Crystal
Duration: 1 min 22 s
Description: https://stbbforever.com/viewtopic.php?f=2&t=1155&sid=a7283c75065153357db6f693426c91a0

Very ethereal and raw. Reminds me of some earlier soundscapes used in 2000's video games ala Deus Ex, Dope!

STBB#814 KPM Week Hosted by Jeff Crystal

Lightweight Leather Weather STBB 814

STBB#814 - STRoNGaSaWHoLe

Stbb#814

Stbb 814 4

MOXATRON STBB814 Switch Up (non entry)

https://stbbforever.com/viewtopic.php?f=2&t=1155&sid=a7283c75065153357db6f693426c91a0

There (STBB#813)

An original field recording made with stones & pebbles on the shore, with additional feedback.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/ 1

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Shore Stones (disquiet0590)

This is an experimental track built from fieldrecordings using feedback. The creation was inspired by the Disquiet Junto Project 0590 (details see below).
Two fieldrecordings of a dishwasher made in parallel with dictaphones and a fieldrecording of a brook (https://freesound.org/people/RabMusicLab/sounds/653906/) were enhanced with gentle feedback. The track presented here was combined from these three recordings and their feedback versions.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/ 1

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Dishwasher And Brook (Disquiet0590)

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Concrète Roots.
The Assignment: Make music combining field recordings and feedback.
https://disquiet.com/0590/

The field recording: Cave1 
During a guided tour of the caves of Han sur Lesse in Belgium (8-4-2018).
https://soundcloud.com/gerard-paresys/cave1
This cave has a natural feedback.
The guide speaks in Flemish and French.
With a Pure Data patch (Based on Tom Erbe's "+delay~"):
https://github.com/gerardparesys/ARGOPd/tree/master/ExMM/ExMM193-+delay
The duration of the feedback is 5 seconds.
Edition with Audacity.

... with the sound of Eliane Radigue in mind.

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Racines concrètes.
Faire une musique qui combine enregistrement de terrain et rétroaction.
L'enregistrement de terrain : Cave1
Lors d'une visite guidée des grottes de Han sur Lesse en Belgique (8-4-2018).
https://soundcloud.com/gerard-paresys/cave1
Cette grotte a une rétroaction naturelle.
Le guide parle flamand et français.
Avec un patch Pure Data (basé sur "+delay~" de Tom Erbe) :
https://github.com/gerardparesys/ARGOPd/tree/master/ExMM/ExMM193-+delay
La durée du retard de la rétroaction est de 5 secondes.
Édition avec Audacity.

... en pensant au son d'Eliane Radigue.

-----------------------------------------------------------------------------------------

Project discussion takes place on llllllll.co: 
https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Cave - Disquiet0590

palette sources — sampled feedback from moogerfooger delay (various channel inputs from lapsteel, mother32, dfam)sampled into MPC3K. The field recording is of a trip to a coffee shop where four young teenagers were trying to keep each other laughing for approximately 1m30s.

concept — creating a foundation with the delay feedback from a bass-y synth segment, and layering sampled phrases on top of that developed around feedback swells.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: disquiet.com/0590/ About the Disquiet Junto: disquiet.com/junto/ Subscribe to project

DeAmaral [disquiet0590]

Disquiet Junto Project 0590: Concrète Roots
The Assignment: Make music combining field recordings and feedback

I wanted to have a track that contains traditional music, the feedback should just be rococo flourishes. I started with two field recordings and made them rhythmic. I added three instruments. Both field recordings and one of the instruments got a Valhalla Delay with a manually painted feedback curve. I wanted the feedback to be a little bit, but not too annoying.

Submission officially to late, but I had finished it sunday, I just forget to upload it on monday ...  

--

Cover: DALL·E "a photo of cello quartet multiple playing feedback pedals amidst a noisy crowd"

--

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Fieldback Etude [disquiet0590]

Disquiet Junto Project 0591: The Loneliest Number
The Assignment: Record the first third of a trio.
More info on Disquiet Junto: disquiet.com/0591/

Last summer, after an accident, I had to stop playing double bass. This is my second attempt to get back to the instrument after months of silence, I thought this could be a nice opportunity to share the process and slowly start to get my hands on it to see how it feels and how my body responds to playing.
Focused on improvisation, gesture, silence and number 7. 

7 seconds of music are followed by 7 seconds of silence. 14 seconds of music are followed by 14 seconds of silence. 21 seconds of music are followed by 21 seconds of silence. Repeat and then decrease time until the last 7 seconds of silence.
Loosely based on recording pre-count at ~ 60.50 bpm 
No timer was used during the process, so there may be irregularities.
I only played my double bass open G string with a bow.
Added some slight Mimeophon delay-modulation then a bit of chorus + phaser + tape effect (encoderaudio Ferro) in Ableton Live.
I kept volume low in order to make it possible to work on it and mix further things for future use.

7 + 7 + 7 (disquiet0591)

A textured drone around the note G2 (98 Hz). Could be used, with modifications as necessary, for the basis of a layered sequence.

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

Bass Base (disquiet0591)

Part 2 of a three-parter, using Krakenkraft's excellent The Patient Earthworm (https://soundcloud.com/winterer/the-patient-earthworm-disquiet0591?in=disquiet/sets/disquiet-junto-project-0591).

More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

@winterer

impatient earthed worm feat. Krakenkraft [disquiet0592]

Using https://soundcloud.com/gahlord/disquiet-tidepowerpods-fpo-wclick by @gahlord I added three layers of improvised electronic drum kit percussion tracks on Logic Pro in response to the bass, quantized them to 1/8 and added reverb, phaser and delay to give it a dub echo kind of response. Was really handy to have the tempo available in doing this.

More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

better than one one [disquiet0592]

A remix of @user-711331258's collaboration with @noodletwister and @sinnysounds for last week's Junto.

The track and the reverse of the track were sent to my modular, where the audio was chopped based on varying decay envelopes. Some of the signal was overdriven and some sent though a Wasp filter. The resulting signal was filtered using a SEM filter to remove some of the harsher frequencies. Three tracks were recorded using different settings, then merged in Ableton for the final track. These were combined with an LA Atmos track from Spitfire Audio's LABS, and my own field recording of the San Francisco BART at Powell Street.

never alone remix (disquiet0594) ft glitcher + sinny + kjoule

Weekly Beat Battle: http://stbbforever.com 
Doing this since..  2007 
STBB Collection gathers for easy listening sake.
DISCORD: https://discord.gg/uUJKEPWC in case the website is off line

There (STBB#813)

Hughgtwattii

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