Myclassicall

Heuvelrugkoor-optreden13feb2011-au-joly-jeu

Clément Janequin (1485 - 1560)

Au joly jeu - Clément Janequin (1485 - 1560)

Heuvelrugkoor-optreden13feb2011-toutes-les-nuits

Clément Janequin (1485 - 1560)

Toutes les nuits - Clément Janequin (1485 - 1560)

Heuvelrugkoor-optreden13feb2011-fyez-vous-y

Fyez vous y 

Fyez vous y  - Clément Janequin  (1485 - 1560)

Clément Janequin - Le Chant des Oiseaux - Giuseppe Agostini

Josquin des Prez: Stabat Mater dolorosa I & II (arr. Cabezón)

Alma Redemptoris Mater from Gregorian Chant, Christmas Chants by the monks of the abbey of Einsiedeln

Alma Redemptoris Mater from Gregorian Chant, Christmas Chants

Johann Vexo au grand-orgue Cavaillé-Coll de la Cathédrale de Nancy
Concert du 19 juillet 2015

Johann Vexo on the Cavaillé-Coll great organ of Nancy Cathedral
Concert on July 19th 2015

J. Alain - Variations sur un thème de Clément Janequin

Marc Guerris, contratenor / Albert Riera, tenor / Meritxell Genís, viella / Eloi Fuguet, flauta de bec / Xavier Alern, llaüt

Mille regretz de vous abandonner
Et d'eslonger vostre fache amoureuse,
Jay si grand dueil et paine douloureuse,
Quon me verra brief mes jours definer.

Josquin Desprez, Mille Regretz

Pérotin Le Grand - Point D'Orgue at Catedral

Michael Hersch plays Josquin des Prez - De Profundis Clamavi
arranged by Michael Hersch for solo piano
recorded in 2004 at the American Academy of Arts & Letters, New York,

Hersch: Cello Sonata No. 2 - Milosz Fragments - Feldman - Rihm: Piano Pieces

Josquin des Prez - De Profundis Clamavi

Songs of War

11. Clement Janequin - La Guerre

This was transferred from Vinyl and recorded in 1980.

One Hour Of Beautiful Gregorian Chant

"Ut Animalia" - early music inspired by the animal kingdom was recorded live in concert at the Harvard Memorial Church in Cambridge, Massachusetts on December 5, 2017.

Clement Janequin - La Chasse, Part 1

Collegium Musicum of Columbia University
Directed by Mahir Cetiz

April 30, 2012 - Low Memorial Library of Columbia University

Josquin Desprez: Ave Maria

This week’s program features recordings of Debussy’s Prelude to the Afternoon of a Faun and Ravel’s Noble and Sentimental Waltzes. We’ll also hear Berlioz’s Harold in Italy as well as his song-cycle, Summer Nights. Sir Colin Davis, Kurt Masur, Pierre Boulez and Leonard  Bernstein conduct The New York Philharmonic.

BERLIOZ: Les nuits d'été, Op. 7
Ian Bostridge, Tenor
Sir Colin Davis, Conductor

DEBUSSY: Prélude à l'après-midi d'un faune (L. 86)
Jeanne Baxtresser, Flute
Kurt Masur, Conductor

RAVEL: Valses nobles et sentimentales
Pierre Boulez, Conductor

BERLIOZ: Harold en Italie, Op. 16, H. 6
William Lincer, Viola
Leonard Bernstein, Conductor

00:00:00 Opening and Introduction to Summer Nights
00:03:09 Berlioz - Summer Nights
00:35:18 Introduction to Debussy
00:36:40 Debussy - Prelude to the Afternoon of a Faun
00:48:09 Introduction to Ravel
00:50:03 Ravel - Noble and Sentimental Waltzes
01:05:55 End Part 1
01:06:12 Introduction to Harold in Italy
01:07:50 Berlioz - Harold in Italy
01:49:29 Closing and Credits

The New York Philharmonic This Week 19-07

Host: Alec Baldwin
Producer: Mark Travis
Executive Producer: Vince Ford
Underwriters: Kaplan Brothers Fund; Audrey Love Charitable Foundation; The National Endowment for the Arts; MetLife Foundation

Photo: Leonard Bernstein and William Lincer circa 1960. Courtesy of the New York Philharmonic Archives.

Berlioz, Debussy, and Ravel

Vozes do Paraiso

Gregorian Chant

“Gregorian chant” is one of the richest and most subtle art forms in Western music—indeed, in the music of any culture. It is also, for many reasons, the type of music most perfectly suited to the sacred liturgy of the Roman Catholic Church, as her official documents repeatedly teach. In this lecture, I first offer a sketch of the history of chant as the “musical clothing” of the Roman rite, then delve in some detail into the eight characteristics of chant that cumulatively separate it from all other music forms: (1) primacy of the word; (2) free rhythm; (3) modality; (4) unison singing; (5) unaccompanied vocalization; (6) anonymity; (7) emotional moderation; (8) unambiguous sacrality.

This presentation was recorded at the 2019 Sacred Liturgy Conference in Spokane, Washington. Although I had a slide show along with it, the text is quite comprehensible without the slides.

Gregorian Chant: Exemplary Music for the Catholic Liturgy

Complete Gregorian Chant Rosary

Performed by thélème - http://theleme.ch

Live concert recording, Basel, October 2018

Audio - Omri Abram

thélème - Clément Janequin (1485-1558) Le beau tétin +  Clemens non Papa (1510-1555) Le laid tétin

This heavenly album of Melkite Byzantine chants sung in Arabic and Greek by Sister Marie Keyrouz accompanied by a haunting drone-like choir, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2020/09/lebanon-soeur-marie-keyrouz-sbc-et-la.html

Chant Byzantin - Passion et Résurrection - Harmonia Mundi 401315

Lebanon - Sister Marie Keyrouz - Byzantine Chants

Magic stuff
falling
apart
from
the
clouds

Myclassicall

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