Written for Britten Sinfonia as part of Opus 1.

Recorded in West Road Concert Hall, Cambridge, UK on 18/09/21.

Flute: Sarah O'Flynn
Oboe: Peter Facer
Violin: Marcus Barcham-Stevens
Cello: Juliet Welchman
Recording: Myles Eastwood

The Emptiness That Is Also Not Emptiness

For Flute, Clarinet, Trumpet, Cello, Prepared Piano and Scordatura Harp (2023)

Performed by New European Ensemble, live concert recording 19/04/23 in Den Haag

And Then Suddenly

Kinetics (2018) for Cello and Live Electronics. Performed by Tom Pickles (cello) and Hugo Bell (electronics)

Kinetics

No electronics were used in this piece, all the sounds you hear are acoustic.

Performed by Hugo Bell at Orgelpark, Amsterdam.

Palimpsest: The Ghost of Charles Tournemire

A flexible, open-scored piece in which a pre-selected melody is used as the material to generate additional parts.

Performed by the New European Ensemble (6/4/18)

Suspended Animation I

A flexible, open-scored piece in which a pre-selected melody is used as the material to generate additional parts.

Performed by the New European Ensemble (7/4/18)

Suspended Animation II

Valse de rêve sentimentale

Inspired by the compositional techniques of the Franco-Flemish school of the 15th & 16th centuries, Wēven explores the idea of approaching musical material as if it were fabric. The piece is structured around two intertwining melodies which are pulled apart to create complex and dense textures and then woven back together again, revealing the underlying material.

Performed by Royal Birmingham Conservatoire Composers Orchestra (22.02.19), conducted by Daniele Rosina

Wēven

Inspired by M.C Escher's Metamorphoses.

For clarinet, alto saxophone, tenor trombone, bass recorder, piano, vibraphone, violin, electric guitar & bass guitar. Performed by Decibel Ensemble(04.04.19)

Tessellations

Written for the 'Hyperorgan' at Orgelpark, Amsterdam. Performed by Ere Lievonen (15.02.20)

The Path Contorts as the Traces Fade

Composer, performer & occasional multimedia artist.

Hugo Bell

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