"waterlilies in fontiform" [framework editions, 2023] 🪷

Such an honor to be part of framework radio’s seasonal issues with a new piece of fontiform music! 

> listen/download: frameworkeditions.bandcamp.com/album/framework-seasonal-issue-14-summer-2023

Thought as a continuation of the work "for scarpa's fountains” [forms of minutiae, 2020], the composition "waterlilies in fontiform" weaves field recordings made in, on, and around the Tomba Brion in San Vito d'Altivole. Designed by the Venetian architect Carlo Scarpa in the 70s, this burial ground materializes as a garden guided by a multitude of lines made of concrete, metal, marble, and glass. Yet as one wanders in this peculiar landscape, one soon realizes that concrete isn’t the tomb’s primary material, water is. As if submerged, the graves are encircled by basins interconnected by a network of fountains, rivulets, and pipes. Water striders, sporadic frogs, vibrant fish and tapestries of waterlilies glide over sunken pyramidal stepped edges, echoing ruins of bygone architectures. An aqueous rhizome at the heart of the garden which steers us through the whole sanctuary. The composition brings listeners into the various materialities of the space and the underwater hums of the fontiform network's machinery. Moreover, subtle algae photosynthesis, muffled voices of human visitors, and the garden's avian inhabitants infuse with life the architect's carefully organized matter. Ambiguous feelings arise as if perched in equilibrium on the crests of the tomb's multifarious structures. The piece ends with openings (both geographical and temporal) as the uncanny murmurs of the flowing waters are joined by the drones of another (temporary) Venetian fountain, Claire Tabouret's sculpture "Deux Baigneuses'', before fading into the vespertine soundscape of a small Portuguese village. A midwife toad calls in the darkness, bells resound in a valley, as Brion Tomb’s architectonic specter lingers in the flowing waters.

> Note: Tomba Brion is also the resting place of Scarpa himself, who shared that "the place for the dead is a garden".

> Recorded in the Tomba Brion in Altivole (april 2022), Palazzo Cavanis in Venice (april 2022), and in Peneda-Gerês National Park (may 2023).
Recorded with Aquarian H2a-XLR hydrophone, LOM Uši Pro, LOM Geofón, SoundDevices MixPre-6 II, Sony PCM-D100.

download

waterlilies in fontiform [framework editions]

https://nowyteatr.org/pl/kalendarz/przemiana

perfo o wypaleniu ("Przemiana" reż G. Jaremko/Nowy Teatr)

@electricdog Live at LärmHaus

Recorded at @arkaodaberlin
27.03.24.

Elektricheskaya Sobaka @LärmHaus 27.03.24

Artist: ZOE EFSTATHIOU
TITLE: SOLO PIANO : EDGE OF CHAOS
FORMAT: LP & DIGITAL
CATALOGUE NO: iDEAL232
RELEASE: APRIL 2024

Zoe Efstathiou, pianist and electro-acoustic composer, originally from Greece, has lived in Sweden since 2015. Her interest shifts between the intricate relationships of the overtones of acoustic instruments, electro-acoustic textures, and the sonic potential of light installations. Her music interpolates the momentary with the ever-evolving, exploring ideas related to time, expectation and memory. There are connections to what is going on in the music of some of the 60s minimalists, where beauty and harshness meet naturally. This is Efstathiou’s debut solo album.

”In the core of the album’s creation, lies my fascination with unveiling the piano overtones by harnessing the properties of complex systems, which emerge when competing oscillations of strings interact with room acoustics, microphone placements, the piano's pedals, and its soundboard. Through long forms, incremental gestures, and nuanced timbral artifacts, the album aims to distort the perception of time and invite an introspective experience of multiple and expanded temporalities.” - Zoe Estathiou.

ZOE EFSTATHIOU - AMVRACIA (iDEAL232 LP)

Behind

Recorded in the apple orchard in Dubrajeni Sat, near Suceava

The Apple Orchard op 50/107

Rian Treanor - A1 (The Death Of Rave)

released in ''GNOSIS'' LP via Karlrecords on July 2019.

Buy Hüma Utku's album Gnosis here(LP/DL):
https://karlrecords.bandcamp.com/album/gnosis

Follow Hüma Utku:
www.humautku.com
https://www.instagram.com/huma.utku
https://www.facebook.com/roadsatnight

Truth From The Deepest Source

Taken from Flora Yin-Wong's debut album 'Holy Palm', out via Modern Love on October 30th 2020. Mastered by Rashad Becker. More info to follow.

Holy Palm

Flora Yin-Wong - Tirta Empul

From ANM047 "Climat Avenir", by Simon Chioini — CD Digipack

Climat avenir ; portrait of unexploited lands, of deserted spaces, of a corrosive and venomous flora. Irked protagonists, roaming livestock, their acidic cries.
Beauty of the blue-green lakes, of the scintillating stars under clouds of bronze. The earth's foundational movement.
Crashing ice. Solar winds.
This work cycle is an imagined world voided of any human presence, or succeeding it. It is a prismatic composition: a vibrant landscape, a topographic map, an exploded geode.
Macro. Micro.

Music composition and mastering by Simon Chioini.
Photography by Violeta Mayoral. Sculptures by Lara Fluxà. Art Direction and concept by Violeta Mayoral and Lara Fluxà.

Climat Avenir

ANM047 Simon Chioini — Réservoir III

New album ''Dracones'' on @editionsmego:
https://humautku.bandcamp.com/album/dracones
https://editionsmego.bandcamp.com/

Bookings: https://swampbooking.com/huma-utku/

Truth From The Deepest Source

Hüma Utku

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