TR160 - Joachim Nordwall - 'FORMS OF ECSTASY'

A Million Arrows Follow The Sun’s Eye

A I W A - Some Time Maybe

Krikor Kouchian - Saudi (GRVTS011)

A - Saudi (Face A)
B - Saudi (Face B)

Limited edition of 80 copies.
Every box has been hand-painted by French typographer Tiphaine Buhot-Launay. Comes with 3 colour postcards. Design by David Coquelin

Buy at Bandcamp

Krikor Kouchian - Saudi

'6 Nomads' cassette available @ www.strangerules.com

Yosuke Tokunaga - N Omads

LIES-114
MAXXXBASS-Untitled 8
from the upcoming "Gone Fishing" lp
to be released June 15th 2018

Gone Fishing

Buy Direct

MAXXXBASS-untitled 8 (LIES-114)

remixes and interpretations for ooo & MA'AM - /0/

@s_olbricht @ooo_no1 @anna-makay

mastered by Roland Nagy
artwork by Zoltán Márton Nagy

original album: exiles-electronics.bandcamp.com/album/ooo-maam-0

Buy Album

ooo & MA'AM - Gamma Candies (S Olbricht interpretation)

Night of the Toacas /50 tapes - Two recordings of an improvised night session in Nantes, November 11th 2018. 

Full tape on https://humbros.bandcamp.com/

Night of the Toacas - Babahi (Face A)

Degradia (2018) is a sound work by Anni Puolakka and Miša Skalskis, originally made for an exhibition of the same name. They were inspired by some old Finnish poems in which vulva plays a central part and becomes a powerful character of its own right. Parts of Degradia are translated and altered lines from these poems, for example, where vulva is likened with a biting dog's jaws and a running wolf's gums.

www.annipuolakka.com
https://soundcloud.com/ang3l_sp1der

Anni Puolakka and Miša Skalskis – Degradia

From Okkyung Lee 'Yeo-Neun' (SP115)

Out May 08th, 2020 on Shelter Press (LP/DL)
https://shelterpress.bandcamp.com/album/yeo-neun
—

Springing from body of work spanning decades, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with ‘Yeo-Neun’. Her first outing with Shelter Press, and arguably her most ground-breaking and unexpected album to date.  A vital force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. ‘Yeo-Neun’, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2106 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivynd Opsvik - represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return.  ‘Yeo-Neun’ loosely translates to the gesture of an opening in Korean, presenting a window into the poetic multiplicity that rests at the album’s core. Balanced at the outer reaches of Lee’s radically forward thinking creative process, its 10 discrete works are born of the ambient displacement of musician’s life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 / Gahmsung) that underpins the Korean popular music of Lee’s youth, and an artist for whom the notions of time, place, and home have become increasingly complex.	  Elegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of ‘Yeo-Neun’ pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. In Lee’s hands, carried by a body of composition that rests beyond the prescriptive boundaries of culture, genre, geography, and time, a vision of the experimental avant-garde emerges as a music of experience, humanity, and life. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee’s cello and unplaceable memories freely drift.	  Remarkably honest, unflinchingly beautiful, and creatively challenging, Shelter Press is proud to present ‘Yeo-Neun’, an album that takes one the most important voices in contemporary experimental music, Okkyung Lee, far afield into an unknown future, bound to her past.	  Mastered and cut by Rashad Becker, housed in reversed board printed inner and outer sleeve with artwork by American photographer Ron Jude.

Yeo-Neun

In Stardust (for Kang Kyung - Ok)

OKKYUNG LEE 'in stardust (for kang kyung-ok)' (SP115)

Vasi Comunicanti 

Anna Homler & Alessio Capovilla - Ricordo

Contact : lehum.lehum@gmail.com

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Night of the Toacas - Babahi (Face A)

HUMBROS

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