WILEY (REMIX) - THEE PROPHECY Ft. DJ Ms [INSTRUMENTAL]

In July 1984, Black Roots released their second album, The Front Line, on vinyl and cassette.

The title track of this album, ‘Frontline’, was the theme song for the BBC Television sitcom that ran for one series by the same name.  It is a story of 2 brothers who are constantly fighting like ‘cat and dog’ and the reason is that one is a police man and the other a dreadlocks man, both living together in the same house.  Their life styles are such opposites that they can never agree about anything.  And this clash of lifestyles is what informs the comedy that unfolds.

Unfortunately it is not deemed a success and it does not make it past that the first series of 6 episodes for a longer run.  However, it is a positive experience for Black Roots as it introduces the band to a wider audience and affords the opportunity to release and promote another album release.

Now on 15th July 2014, almost 30 years to the day since it was first released, Nubian Records, is releasing this set as part its program of uploading and making its back catalogue available for download.

In addition to the original classic tracks that originally made up this album, like ‘War’, ‘Struggling’ and ‘Blackheart Man’, Nubian have added 2 bonus tracks, ‘Chanting For Freedom’ and’ Confusion’.  Although these 2 tracks were originally released on 12” vinyl in 1981, as the follow up to the ‘Bristol Rock EP’ they never featured on any of the early albums.

The Front Line

Chanting For Freedom

Buy @ Bandcamp

ARTIST, DJ Cõvco sonically birthing a utopian place of chaku chaku. With her bi-monthly invitation, she explores her limitless approach to mixing, a soundclash of experimental/warped club beats mixed with her live melodic/chants acapella edits - her signature dancefloor experience. 
https://www.nts.live/shows/covco/episodes/covco-8th-february-2024

Covco 080224

The surface and depth of water, its playfulness and danger, its frozen and flowing forms, water is never still, always in motion. It is fragile, sensitive to even the slightest environmental changes, yet simultaneously powerful and dangerous. For this recording, I drew inspiration from Laozi’s Dao De Jing, particularly the concept of “The highest good is like water” (上善若水). The nature of water—benefiting all things without contention—deeply resonates with me. Water can softly wear down stone yet transform into sharp ice, and its mutable qualities have shaped how sound evolves in this recording.

On a deeper level, this philosophy influences how I approach life: facing its highs and lows with the softness and resilience of water, and embracing the unknown with quiet strength. I hope this piece resonates with you as much as it did with me during its creation.

Temple Rat Live @ Concentric Records Showcase | Zenner Berlin |

Live from Berlin: Our physical studio streams are now open—first up is Marylou! 🌷

Marylou [07.04.25]

An exploration of microscopic textures across the dub continuum.

https://www.instagram.com/__k_wata

Micro Dubs with K Wata @ The Lot Radio 05-01-2025

DOWNLOAD LINK: https://xamazonx.bandcamp.com/track/stellium

STELLIUM

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

Interlude - Mohamed-Ali Ltaief & Banishsh - 26 Nov 2025

When John cage was asked about his completely silent composition 4:33, whether or no it was a whimsical or spontaneous creation, He replied:
“Do you mean, was it a joke?” Cage furthered that "spontaneous" could not be the right word in any case, that it took several days to write, but more importantly it had taken several years to make the decision to do so. What compositional eloquence he had, a javelin thrower who trains to throw only once, perfectly and on point.
Alas my work here on this album is only the hapless product of stumbling fingers, hammering out by so many orangutans fighting over garbage. 2 years in the making and I am still wishing I had cut my fingernails closer before I began banging on the keys.
There is a small lie in there, inconsequential but true. I barely play any real keys here. I was never a great instrumentalist and it grows less important to me by the day. It is ideas now I will try to dance upon, talk about, and bloody fist pound down to a handful of compositions that I have entitled “impossible”.
The first four of these have been lovingly set into vinyl by my sweet Italianese collegues at Hundebiss. God Bless their courage.

BANDCAMP

The Schumann Resonance, Accompained by Loi Ta Tu

Skepta I Spy Remix

Pour en savoir plus, lisez le communiqué de presse :
- En français : https://www.cnrs.fr/fr/ce-coquillage-fait-resonner-des-sons-vieux-de-18-000-ans 
- En anglais : https://www.cnrs.fr/en/ancient-seashell-resonates-after-18000-years

Interprétation : Jean-Michel Court / Enregistrement : Julien Tardieu
Crédit : © Carole Fritz et al. 2021

The Schumann Resonance, Accompained by Loi Ta Tu

HUNDEBISS RECORDS

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