Miniature Poetry. A series of rather short aural haikus.

Miniature Poetry - Scrapbook#1 [2014]

created/performed live using pixel analysis of a video feed. just a little postprod after that. watch your ears shine.

Miniature Poetry. A series of rather short aural haikus.

Miniature Poetry - Skreekabrizzle [2014]

Ein Fiebertraum.

Headphones highly recommended.

Enjoy the trip.


Miniature Poetry. A series of rather short aural haikus.


This is an entry for the traumtape.musikdesign contest. Go check out their site and please vote, if you enjoyed this track: 
http://www.musikdesign.net/Traumtape/beitraege.php


Miniature Poetry - drowned_in_you [2014]

VC: Alexander Gebert
Electronics/Programming: Max-Lukas Hundelshausen

Cell-0 [2019]

Miniature Poetry - Automatic Disintegrator [2015]

...der Dir Wasser aus dem harten Fels entspringen ließ... [Live] [2024]

Performed by: ensemble hand werk
Recordiung Engineer: Max-Lukas Hundelshausen

SUR|ROGATE [2016]

study about dimensions, perception, directions.

lights in the sky.

exploding.

Piano Etude No2 (Studie III) [2015]

I WANT I CAN I SHOULD I MUST

voc: Fatma Arzu Fakiroglu, Max Hundelshausen



[mp3-quality]

ergo sum. [2013]

My 2nd entry for the berlin philharmonic Mahler remix contest 2011. Compared to "Titanium Shards" this ambient-pop-clash-track is a whole different approach to the original stems. Thx for listening and voting!

Lost Memories RMX (Mahler: 1st Symphony)

for self-playing piano.

recording played by a Boesendorfer CEUS grand piano.


<PLAY> [2012]

movements 1, 3 and 5.

composed for the Berlin Philharmonic Wind Quintet.

recording played by ensemble modern in August 2014.
recorded by Felix Dreher @ 2nd Composers' Studio Ensemble Modern.

[Pentagramm]_axis1 [2012]

Multiple award-winning composer, tonmeister and sound director Max-Lukas Hundelshausen studied at the renowned Erich-Thienhaus-Institute in Detmold with Fabien Lévy and the Hochschule für Musik in Karlsruhe with Wolfgang Rihm. His philosophy is simple: bringing out the best of everyone working with him. In any context, with any means. His clients – from amateur musicians to professionals, from Pop/Rock/Electro to Classical and Contemporary Music – praise his empathetic approach, his inspiring musical creativity and the prestine sound quality of his productions. Since Fall 2018, Hundelshausen works in his own recording rooms at Studio Maximedes in Gelnhausen near Frankfurt a.M./ Germany. 2019 he started to work on his doctoral thesis in musicology dealing with archiving documentations for contemporary electroacoustic music productions (i.e. Karlheinz Stockhausen's 'Mantra'). He publishes in science journals like "Rundfunk & Geschichte" and writes articles for the neue musikzeitung (nmz). Hundelshausen composes operas, choir pieces, orchestral scores, chamber music and music with electronics. He is producer of electropop, electrojazz and sound designer for brands like heat_it. Since 2019, Hundelshausen gives interactive workshops and masterclasses about electronic music production and holds lectures about musicological topics (i.e. Jahrestagung der Gesellschaft für Musikforschung).

Clients (excerpt):

– Bayerische Staatsoper München
– Mainfrankentheater Würzburg
– Kulturkreis der Deutschen Wirtschaft im BDI e.V.
– Staatsorchester Rheinische Philharmonie Koblenz
– Berlin Philharmonic Wind Quintet
– Stommel Stiftung Urbar e.V.
– Kamedi GmbH

Awards (excerpt):

– 5 times Bundespreisträger Komposition (federal competition prize for composition)
– 12 times Landespreisträger Komposition (county state competition prize for composition)
– Winner of the Berlin Philharmonic's Composition Competition 2010
– Twice Winner at Berliner Festspiele Awards (Treffen Junger Musikszene)
– Musikvermittlungspreis 2018 (2nd place & Audience Award)
– Carl-Orff-Prize 2018 (2nd place & Audience Award)
– Nominated for Villa Massimo

www.maximedesmusic.de

Max-Lukas Hundelshausen

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