Wow! What a journey! Forever grateful for this set🫂

I think this is what my mother played when I was young. 😭 Does anyone know what piece it is? 

👉👈Лерчик мы тут были  💕🕉️🌌

Hunee!!! where the fuq du u find this stuff??? lmao awesome!

Broadcast on WNYU 89.1FM in New York City on March 9th, 2021.
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BIS Playlist

BIS Radio Show #1085 with Tim Sweeney

Full feature and interview coming soon... check back!

Phonica Mix Series 84: Young Marco

From Amsterdam, via Saltillo, Berlin and London, here comes the 31st mix carefully selected for you by Worldwide FM resident Coco María (@cocomariamusic). Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Ana, welcome aboard the series. How's your been summer so far?

CM: Hi. Thank you! Today, I came back from We Out Here, very inspired and happy. So, right now I would say this summer I have been very lucky. I was able to travel, to play in many nice parties, and festivals with lovely crowds (big and small), met many of my friends, and made new friends.

MFM: You're originally from Saltillo, Mexico. Can you tell us a bit about growing up there?

CM: It is a city in the north of Mexico. Desert and mountains. Quite a big city. My parents are very musical people and I grew up surrounded by music and family and friends. My mom and dad always made efforts to inspire us, triggered our curiosity and they love road trips so we traveled a lot in Mexico when I was a kid.

MFM: I've read you left your studies in Mexico and moved to Europe. What was the reason for this change?

CM: I finished my university studies (Education Science and Psychology) and literally, the day after I got my diploma ( 22nd of June) I left and have been living in Europe since then. I always wanted to travel and get to know other places. When I was 18, I went to Berlin with my friend Olga, and I fell in love with the city immediately. I was very determined to go and live there. I felt it was the city and energy I needed at that time: it worked out, with a 4 years diversion through London.

MFM: Mexico knows a different culture and traditions when compared to Europe. What would you say are the main differences?

CM: At the beginning the differences were very strong to me: food, weather, people, shops, now 11 years later, the biggest difference are the daily life worries. For example, In Amsterdam, I rarely feel unsafe in the street. There are more opportunities to develop, grow and do what you love, without worrying about your personal safety or so much corruption. In Mexico, the weather and nature are amazing. The food and the warmth of the people is something I miss quite often.

MFM: This year saw your compilation 'Club Coco' being released in collaboration with Swiss label Les Disques Bongo Joe and which features all new music. How did you get to this particular selection of artists and songs?

CM: The first song I wanted to include was “A big Brain” by my friend Nic Mauskovic because I felt this had to be out there. That was what initiated the project and I curated it thinking of a line up... Imagine having all these bands together! Most of the bands are my friends or I have worked with them, it went naturally and felt very familiar.

MFM: It also includes a track of yourself, which is a highly rhythmic percussive work out with lots of brass and your vocals dubbed on top. Can you show a bit of insight in the writing and recording process of the song? Did you work with live musicians for example?

CM: The initiative was from my friend Max Weissenfeldt. He is a brilliant musician, composer and runs the label Philophon. We want to make a Jazz album. This is our first song and we recorded it in Berlin. Then he moved to Ghana, I moved to Amsterdam. And the pandemic hit. I have not seen him since january 2020! Max recorded the music with a live band in Ghana and their names are Pitches, Osei and Kung Fu´u. 

MFM: Do you have more ambition in producing your own works? Perhaps there's something in the pipeline already? 
Would love to finish that jazz album with Max, while he is in Ghana: we will work on the distance. 

MFM: Google Translate says the title 'Me Veo Volar' means 'I See Myself Fly'. Is there a nice story behind the title maybe? :)

CM: “Me veo volar” is about getting rid of fears that weigh you down… and making space for what you really want and take off! At that time I was having some realizations :)

MFM Mix 031: Coco María

Mellow sounds, crafted in Amsterdam's Red Light district.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=571

@youngmarco

Resident Advisor podcast

RA.571 Young Marco

Asia-inspired ambient mix on Klasse Wrecks Wradio-show, broadcasted on LYL Radio (12.10.18). Dial up, tune in and zone out.

++ be sure to check out "Double Vision EP" by Luca Lozano & Telephones, 12" out on Klasse Wrecks now!  https://klassewrecks.bandcamp.com/album/double-vision-ep

Ambient Asia Mix @ Wrecks Wradio (LYL Radio 12.10.18)

Listen to Jamie Tiller live recorded at the Oktoberakel clubnight at Robert Johnson in October 2018.

Jamie Tiller – Oktoberakel at Robert Johnson, 20 October 2018

Originally scheduled to play Paloma March 27th and May 23rd

Full support this way: 
https://www.residentadvisor.net/dj/finnjohannsen
https://www.startnext.com/paloma

Paloma Quarantine Podcast 007 - Finn Johannsen

Moods For Lockdown Romance I by Phuong-Dan

here and now

mix recorded in may 2020
photo by janine kühn

Here and Now

Guest-mix for Jamie Tiller's radio-show at NTS, broadcasted 21.12.2020. Balearic, dubby vibes, ambient, breaks and house to round off the akward year 2020. Peace and hope to see us all in a better place next year!

TRACKLIST + INFO:
https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-21st-december-2020

NTS Radio Show - Episode 18 w/ Telephones

Celebrating the 25th mix with a special 2 hours long "ambient / electronica journey" from the man that has been running Neroli since over 20 years. Welcome Volcov (@neroli). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Ciao Enrico, congratulations with your 50th release, such a milestone and with a beautiful compilation too that is. 20 years deep in running Neroli, how do you look back to it now? 

V: Thank you! In 2000 I started Neroli on my own and since then that has been my baby. Apart from the music itself, I think a great relationship with your distributor is essential to make things work, and I’ve been lucky during all these years [mostly Goya, RH and Syncrophone along the way and now Mother Tongue]. I always liked the role of ‘curator’ and I was always fascinated by certain collectable labels like ART/OPart, Retroactive, B12 so to start mine was the next step.. There were a lot of different moments and phases but I think the main thing is that is essential to stay true to your own story! I have to say that the making of The First Circle was a real pleasure and, although it might have been unexpected by some people, for the ones who know me well it really describes my musical journey.

MFM: While Neroli mainly focuses on the deeper and soulful side of electronic music, you were a drum 'n bass head before that, right?

V: Not really, I was always a so called ‘house head’ since I started buying Trax, Alleviated, Lil Louis, Nu Groove and so on in the late 80s/early 90s. Across the 90s, like many, I got also interested in other styles and sounds as long as they were exciting wether it was Mo Wax, Plaid, Reinforced or Photek. The thing with drum n bass was that I did my first productions in that style and I got booked to play dnb gigs on the back of that in ‘97/98. But in ’99 I started an Archive night at this amazing squat club called Pergola and that was an eclectic affair with guests like Dego, Phil Asher, Ian O’Brien, etc.

MFM: The catalogue looks very much like a close family of artists, lots of them having a long history in music and with only a few newer faces. How come is that?

V: The catalogue is a mix of releases by some longtime friends like Dego [who always had an essential role on Neroli], Just One/Kemetic Just or Alex Attias as well as some artists we met along the way and ended up releasing several records with us [Trinidadian Deep, Ricardo Miranda, Lee Pearson jr for example] or younger producer whom I really believed in like Skymark, Marcello Napoletano, Deenamic. I think its especially the continuity along the years with certain artists that can be a bit unusual compared to other labels. We have just released now the Theo Parrish reinterpretations of Patrick Gibin/Kaidi Tatham/Josh Milan ‘Love to the World’ but in April we’ll have an EP by another artist never been on the label before.

MFM: You're quite at ease with doing mixes, without a crowd, right? Is there a certain way to how you approach recording?

V: Well, as much I am at ease recording these type of mixes at home as much I find almost impossible to do some with dance material. Most of my ‘dance’ mixes online are live from clubs. Usually when I approach ambient/jazz/electronica radio shows and podcasts I have accumulated a little pile of records in a corner that I think should be included in the next one, stuff that comes to mind almost on a daily bases. So then I just need to go through them and try to make them ‘talk to each other’.

MFM: Your mixes tend to have a really strong story telling kinda vibe. This one's no exception. Did you have a specific narrative in mind?

V: Since MFM asked, and you guys just released the excellent ‘Virtual Dreams’ album, I imagined to somehow do an ambient / electronica selection since I had fond memories of those times, buying records at Fat Cat, playing chill out rooms in the 90s and so on…. I thought of certain songs that I wanted to include and tried to create a little journey with them…

MFM Mix 025: Volcov

we always dance together

+ booking + rieks@sonnet.agency
* dj dates * https://hunchmusic.de
- website - https://www.lifetones.world

Here and Now

HUNEE

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