July 20
haustus
@haustus_1518


Viktor Kovacs - untitled (oblogeto)
ecovoron - chalice
Tim Hecker - Palimpsest I
Sioban - tango for my ghosts
sudden//death - 01 untitled (46.51873094759912, 19.16248316901018)
LOVE US - string_variations.wav
Muslimgauze - Hamas Cinema Gaza Strip
Akira Yamaoka - The Day Of Night
Mica Levi - Love
Calixte Hecatomb - Rotrouenge (with nebz0000)
norara - kezdet?
BAAL (1970) - opening scene (ost) 
Mt. Saint Michel - Healing
Tarō IWASHIRO - Memories Of Night (Memories Of Murder OST)
előd, asvanyviz2 - Acél
Chief Keef - War (Alza54 Edit)
Haustus - Laura Palmer's Theme
Këkht Aräkh - Amor
előd - Mag (ecovoron, rtxalert)
Kin Teal – heliocentric
Barbaro - Kesergés

12th position/haustus

'when will you be here again?' is the second album from Eora-based artist Grasps, following the 2019 release of their metal/ambient/electronic enmeshment 'Awoken'. On WWYBHA, angels crash to earth, impacts heavy and burns through atmosphere, but not forgetting the fall, the beautiful grace of silk and hair through cool mist and soft clouds. Combining solo works with a carefully curated set of collaborations with Bayang (tha Bushranger), Marcus Whale & Wa?ste (Felix Idle), Grasps pushes extremes of 'genre' throwing all preconceived notions of their music away, in replacement raw emotional sonic outpouring.

This album is about dealing with uncertainty/fear of death, the afterlife, identity & self-worth.

I look to an empty field. It's like a fantasy. I could stop. I could get out and walk over to it. I could smell the grass closer. The hay. The sprigs of corn. I could hear the cicadas louder. I could come closer to it. I think, when will you be here again?

When Will You Be Here Again?

Close My Eyes

my old pc broke down two weeks ago - so I bought a new one and felt like starting an album project from scratch, which turned in to this fun little album inspired by recent road trip around tasmania :))
download/buy for the good old "name your price" on Bandcamp from the buylink <3

bushland

<3motional_m.AI.nframe> w/ Artur M Puga - 23/04/2024

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Bite

Arianekiks is a French, Brussels-based photographer. Along with performing pop ceremonies together with DJ KIT under the moniker “Atopos”, she hosts the radio shows veil01 (Internet Public Radio) and *xwishes (Lyl Radio). Kiks’ endeavours in music and photography are shaped by and crafted as stories of their own. Audiovisual tales rooted in teenage reveries, hypnotic motion and a clash of classical concerns —

Ariane Kiks @ Kiosk Radio 03.05.2024

Dedicated to Sam and Johannes.

Mastered by Dominic Clare by Declared Sound
Artwork and logo by Christine Fischler

Radiance

Origami Angel

OESHIXA, composed of six young, passionate, and diverse poc artists, embraces a variety of artistic disciplines. Our collective refuses to be confined to a single curatorial format, seeking to expand our practices beyond parties to include radio, physical and digital exhibitions, and other forms of artistic expression. Fundamentally, OESHIXA defends the freedom of &amp#39;club&amp#39; music, boldly exploring diverse blends.
As DJs, the members of our collective liberate themselves from any musical or social restrictions. Our mission is to create a community that understands and aligns with this artistic vision and its principles, which are missing from the Parisian scene: authenticity, inclusivity, a sense of community, and of course, transcendent music.


Know Your Local w/ Oeshixa (07/05/24)

Colonna sonora dedicata al romanzo horror 'Biothanatos'. Libro disponibile su Amazon https://www.amazon.it/BIOTHANATOS-MICHELE-FRANCO/dp/B09SP8JQ22/ref=tmm_pap_swatch_0

Biothanatos

Free Download

Hearts & Flowers

the vision came and vanished but the longing to see does not fade

Radiance

Hunt

Related tracks