SLA10: 'Endchantment' by @cobweaver

From the unstable vessel, a frictionless plateau or runway is witnessed surfacing soon after you piece together the vision, and you begin to slide along it. Wet birds gyre, forming a huge effigy that tells you your new name, sparrowhawk. A chorus and ensemble waver in and out of view as another vast body begins to emerge from below. From the hazy distance, a corps of wind players approach as a series of depth charges detonate, scattering the birds and sky-borne musicians. A purple-clad bombhead throws a sack of apples in your direction, causing you to tumble roll. On resurfacing, the plateau has reorganised itself into a shifting array of cubes and pipes (zadar sea organ mecha). This continues in crescendo, accumulating drumming box jellies, vibrating rubber tubes that straddle the ocean sky barrier, once-distant churches, and -
Cloud cover lowers.you instantly are approaching the lead mines.a fog soaked November.that robin still calls from the hawthorn. . .

June, cumulonimbus warships idle on the horizon, their gun turrets played by a westerly. From along the promenade a miniature wheeled train arrives, hitting a lamppost and, crumpling into the sand digger, becomes a violent mechanic amalgam that methodically untethers the fishing boats, rips up the groins and compacts the beach huts, using telegraph cables and succulent root systems to tie the pieces together into an enormous raft, which it floats out on the waveless channel. As it slowly gondoliers itself away from shore, it performs a plodding series of rotational movements that increase in complexity and variety, the entire form of the amalgam changing at the apex of each movement, and its the central crux eventually dissolving entirely. 5 chinooks arrive from the nearby base, hovering still as officers launch a tirade of artillery at the beast. The heads of selkies bob up between waves, as they attempt to shift the energy through echoing phrases. Eventually the military win, and the beast sinks defeated. The raft continues its journey toward the horizon, sparking intermittently.

Type: EP
Format: Digital / CD
Releasedate: May 13th 2022
Artwork: Yem Gel
Distribution: Kudos Recordings
A&R: Otis Dehaes
Cat. number: SLA010

Buy CD / Digital

Yem Gel — Lec'hs

@djsport3k & @e6c41

tracklist:

[Sport DJ]
heoliene - 2020 04 04
Seiji Takahashi - Cocon Remix (for Osa Uveine)
AOKI Takamasa + Tujiko Noriko - Fly 2
Oli XL - Active x Instupendo - Perfume
Keitaro Tamura - The Smell of Grilled Eel
Sv1 - Refractive Space (Crayon Moon Remix)
Tomoko Sasaki - After The Dream (NiGHTS into Dreams OST)
Masahide Sakuma - A Demain
Instupendo - Perfume
iphi - Shining Bright Star
Hegira Moya - Nowhere
Keitaro Tamura - わたしはみていた

[e6c41]
w3bcam - im dreaming me n u r forever
belmont girl - Fuck U All I'm Looking For Something
ANIMA - EverSo [Wheat field loop]
saikeyi517 - there were all put together at a time
thelia - For A Girl
di lostboi - the voyager
NEXCYIA - hydro
3 X L - one kiss
elusin - Elskling 2
CHORIBABY - Bailo Llorando
saikeyi517 - and what have you become into?
thelia - Fly Like You Do it

aeon07: êxtase reverso w/ Sport DJ & e6c41

A star falls from the sky and into your 💗  hands.ኵଝ☂ζച◕╶៵࿌ Then it seeps throughਜ਼ռ☒୎ your veinsᕖ and swims inside your blood and becomes╛⎦ԘĐ every part of┐Ǽښ጖ you... And then y°u have to put 🇮🇹 back into the sky.ộ܏⚓ه┽ᅽᵊᢽሿ And it's the most painful thing you'll ever☑ have to do and that you've ever done. Butᰕ␔ḯ৲ what's yours is yours.ᬵ௯ឌჾ⍛Ḩ჋ܗت Whether it’s up in the sky or here in your hands. And 1️⃣᱐▬Ⴭ᜷ day, it'll fall 💗  from the sky and hitၛ you in the head real hard and that time, you won't have to put it 🔙 in the sky again.

ᏉᎯᏝᏬᎬ

Dreams About the Normal Life

Blessed and blushing - 2002 Sunglasses 2023 Responsibilities

We'd Be Such A Glorious Fire

my friend called this genre hyperfolk so props to her 
n shoutsout to stijn colon for sending me the guitar sounds 
lovely lovely guitarplay 

@stijncol

tellme (w stijn)

PS22 CHORUS' COVER OF JÓGA X LOST AT SEA MASHUP

a love song to the youtube video of the PS22 choir version :')

jóga x lost at sea mashupˋ°•*⁀➷

Defkon - fereshteh dub
Twerknation28 - First Mistake Forever More
Aarabmuzik - Streetz Tonight
Dimzy - Skengs!
BWWWOYS - FAINT
Pop Smoke - Get Back
Deadmau5 - Raise Your Weapon (Noisia Remix)
First Circle - Enforcers (mix 2)
Kahn & Neek - Chronic Despair
Gud - Begotten
3NDLES5 - Embolo (Prod. SUS1ER & dog99)
K9 - Abyss
Skrillex - Scary Monsters On Strings
ESP - LDM (John Beltran Remix)
NIKE7UP - HOLD IT AGAINST ME (HELP I’M TRAPPED IN A BODY REMIX)
King Louie - Banana Boat
Peepin’ Tom (Evian Christ UN Edit)
Eartheater - Volcano
Juno R13 - existens miserabel [Drux-Dissect] R13 edit prod. prblm
Cedric Madden - Saved
Sportdj - Perfect Northface Shield Shadowboxing
Moby - New Dawn Fades
Photek - Complex
Vybz Kartel - Not Ok
Eastern Bloc - Lucki - NEWDRANK ( SHAKE THAT BELLY EDITION
Smoke Boys - Mobsters

OB0406 — SUS1ER

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

'Echoes of Home' out now: https://enormoustunes.lnk.to/echoesofhome
Learn more: https://www.mamanofficial.com/

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Prologue: Glory

never freed from the need for speed

the vision came and vanished but the longing to see does not fade

We'd Be Such A Glorious Fire

Hunt

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lynn

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