Novelty Notionally Hoose

Forever feat. BROODS
The title track from our album 'FOREVER' set for release on November 12
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Pre-save: https://ffm.to/flightfacilitiesforever

FOREVER (feat. BROODS)

'Two Bodies' first single off our debut album Down to Earth 
Download now: http://smarturl.it/DownToEarthiTunes
http://flightfacilities.com/

iTunes: http://smarturl.it/DownToEarthiTunes
Amazon: http://smarturl.it/DownToEarthAmazon

:::Lyrics:::

I didn't understand it at the time. I fail to achieve any degree of understanding in the ensuing years, which are three in number. I presume Herb means that inherently you cannot be commercial and artistic. You cannot be commercial and quality. You cannot be commercial concurrent with have a preoccupation with the level of storytelling that you want to achieve. And this I have to reject. I don't think calling something commercial tags it with a kind of an odious suggestion that it stinks, that it's something raunchy to be ashamed of. I don't think if you say commercial means to be publicly acceptable, what's wrong with that?
As long as you are not ashamed of anything you write if you're a writer, as long as you're not ashamed of anything you perform if you're an actor, and I'm not ashamed of anything.
This is the area I know. But I think innate in what Herb says is the suggestion made by many people that you can't have public acceptance and still be artistic. And, as I said, I have to reject that.

Just two bodies
Just two bodies

I've been so ready to dim my mind

Come over or not, I've 
Been so ready to dim my mind
Your body a drug, for mine
Two bodies moving in
Time and space to try and heal me
I know what I want, so come over and

CHORUS:

Hold me, I won't ask for anything more
I'm hurting, use now when I'm vulnerable
It helps me fake some love for a little while
I know what I want, so take advantage of me 

You're closed, you're a book. No lines
Can't read you if I try
And if that's the way you want it
That's fine I'll just close my eyes and
Try to ignore you, a free ride for you to

Just two bodies
Just two bodies

(CHORUS x3)

Two Bodies feat. Emma Louise (Extended Version)

Artist: Jason Peters
Title: We Used to Watch the Sunrise
Label: Roam Recordings
Release Date: 2025-07-11
Cat. No.: ROM141


"Roam Recordings label head Jason Peters returns with his latest single, We Used to Watch the Sunrise — a nostalgic and emotionally charged track blending warm electronic melodies, acid-tinged rhythms, and an arpeggiated bassline. Anchored by Jason Peters own vocals, the song plays like a modern rave ballad, echoing the sentiment: I remember when we used to watch the sunrise. The release is rounded out by two standout remixes that complement the original while offering distinct perspectives. Longtime Roam collaborator Fabrizio Mammarella delivers a high-energy rework, amplifying the track with vibrant synth work and reshaping it into a focused, dancefloor-ready jam. On the flip side, Neu-Romancer & Radondo slow things down with a lush, mid-tempo interpretation. Their remix leans into moody 80s nostalgia, infusing the track with a goth-tinged, neo-new wave aesthetic. Together, the package offers a rich and cohesive listening experience that spans emotional highs and late-night dancefloor vibes. "

Art by Cristina Capetillo.

Tracklist:
1.We Used to Watch the Sunrise (Original)
2.We Used to Watch the Sunrise (Fabrizio Mammarella Remix)
3.We Used to Watch the Sunrise (Neu-Romancer & Radondo Remix)
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Follow Jason Peters:
► Soundcloud: https://soundcloud.com/jasonjppeters
► Instargam: www.instagram.com/jasonjppeters/
► Facebook: www.facebook.com/jasonpetersroam

Follow Roam Recordings:
► Soundcloud: https://soundcloud.com/roam-recordings
► Instargam: www.instagram.com/roamrecordings/
► Facebook: www.facebook.com/roamrecordings/#

We Used to Watch the Sunrise

Beatport

PREMIERE: Jason Peters - We Used to Watch the Sunrise (Original) [Roam Recordings]

Buy & Stream here: https://ffm.to/foreignlanguageremix

Flight Facilities - Foreign Langauge - Will Taylor (UK) Remix

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Jenner - Muse Yourself (Niki Sadeki Remix) [Darkest Hour Records]

Heart Attack feat. Owl Eyes (Radio Edit)

Monitors distill the atmosphere of their Sunday night residency at Stereobar into a focused three-track release. Les Beaux Dimanches explores stripped-back grooves and subtle textures across “Chicago,” “Gazebo,” and the title track; a clear reflection of the duo’s minimal sound shaped in the heart of Montreal’s Stereo.

Stream/Download: https://go.protonradio.com/r/rljqbOTuMB2SY

Mixing & Mastering Joubin Mova & Cognito studio / ingénieur Kressel

STREAM/DOWNLOAD

Premiere | Monitors - Gazebo

Monitors distill the atmosphere of their Sunday night residency at Stereobar into a focused three-track release. Les Beaux Dimanches explores stripped-back grooves and subtle textures across “Chicago,” “Gazebo,” and the title track; a clear reflection of the duo’s minimal sound shaped in the heart of Montreal’s Stereo.

Stream/Download: go.protonradio.com/r/rljqbOTuMB2SY

Mixing & Mastering Joubin Mova & Cognito studio / ingénieur Kressel

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@husasounds
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Premiere | Monitors - Chicago

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Husa & Zeyada - Khaf Mat ft Marsellio

Buy Link: https://www.beatport.com/de/release/freezing-man/5252347

💭 He glides at incredible speed across the rooftops of the city. With his icy superpower, Freezing Man stands as the sentinel of his people. His methods may not be the most elegant or efficient, but always cold and unstoppable. The wind blows around him but nothing slows him down. On patrol, there is no room for doubt, no space for weakness. Freezing Man has only one mission: to keep his city clean from crime.

🎵 Freezing Man by GENGHIS[NOT]KHAN has a driving Bounce with Ethnic-House vibes and a bass that hits like indie dance. Atmospheric vocals give Freezing Man an epic taste and overall it feels like a sunrise-dancing moment. The break flows smoothly and the drop hits hard. It’s the kind of tune that works both at a sweaty club peak hour and at a festival anthem. Definitely one to keep on repeat. What more can we wish from a track?

Trank you and enjoy ❤️

✨GENGHIS[NOT]KHAN (Baikal Nomads)
SC: https://soundcloud.com/baikalnomads
IG: https://www.instagram.com/baikalnomads

✨KataHaifisch
SC: @katahaifisch
IG: www.instagram.com/katahaifisch_ofc

GENGHIS[NOT]KHAN - Freezing Man [KataHaifisch]

✨buy & support

(tribute to Mehdi Hassan)
WAV: inaramusic.bandcamp.com/album/1-to-oneness

Lost Boy is a DJ, producer, and founder of For The People, a label and event brand focused on precise, quality-driven electronic music. As an organizer, he has presented Senseless in Toronto, an immersive festival held at Evergreen Brickworks on July 9, 2016—featuring headline sets by Tube & Berger, Totally Enormous Extinct Dinosaurs (DJ set), Rodriguez Jr. (live), Frivolous (live), Isolée (live), Frank & Tony, Taimur & Fahad, supported by Talal & Zoi, Lost Boy, Saqib, and Sam Jaspersohn. He also curated events under For The People at Second Floor Events in Toronto, showcasing acts such as Stavroz and extended the concept to New York City.

His production work appears on respected labels including Bar25, Seven Villas, Sol Selectas, and Warung. In a previous duo project, he released on Dirtybird, Kindisch, Traum, and Rawthentic, reflecting a sound that spans deep, melodic, and groove-oriented electronic music.

As a live performer, he has played in a dozen major cities: Toronto, Montreal, New York City, Medellín, Cartagena, Lima (Peru), Lisbon, London, Berlin, Heidelberg, Bangkok, Lahore, and Karachi. He has opened for established artists such as HVOB, Stimming, and Rodriguez Jr, consistently delivering sets that merge live instrumentation with electronic arrangements. Trained in classical sitar, he incorporates the instrument into his performances, forging a distinctive interplay between traditional textures and modern electronic production.

Beyond his musical career, he leads as captain of the Canadian Tent-Pegging national team. He travels internationally for competitions and is preparing to compete in the Tent-Pegging World Cup, demonstrating discipline and leadership in both athletic and artistic arenas.

“DON'T LET HIS name fool you, this producer is anything but lost. The incredibly talented live-act known as Lost Boy enters the scene with a bang, having presented the world with a 14-track album, titled '1987', at the end of 2018. The release maintains an indie DIY ethos with raw, melancholic vocals, blended with experimental, electronic nuances – and you can find it on his very own Toronto-based imprint, For The People. A well-rounded album, with a laid-back, groovy vibe, suitable for play whether you're buckling in for a road-trip or hosting a late-night soiree, '1987' provides a soundtrack easy to lose yourself in.” - DJ Mag (NA)

Here he is blending shades of house music with his South Asian roots. Lost Boy weaves in recordings of the great singer Mehdi Hassan into a sonic journey which resonates emotionally. 

Read more: https://mixmag.asia/read/haider-uppal-lost-boy-raga-tradition-club-rhythms-1-to-oneness-inara-new-releases

Lost Boy
@talal_lostboy
https://www.instagram.com/lllostboyyy

Husa Sounds
@husasounds
www.husasounds.com

Free Download

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Community Magazine

Husa Sounds is an online platform based between Cairo and Montreal, deeply intertwined with both the local and international electronic music scenes. Founded on the belief that music knows no boundaries, Husa Sounds serves as a vehicle for underground stories to be heard around the world. Through in-depth interviews, event coverage, and exclusive features, we shine a light on artists, collectives, and movements shaping the future of electronic music. With roots in two vibrant cultural hubs, Husa Sounds bridges scenes, fosters collaboration, and captures the pulse of cutting-edge sound.

www.husasounds.com

For any inquiries, info [@] husasounds.com

Premiere | Monitors - Gazebo

Husa Sounds

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