Hyperion

End of the Year SKVM remix of Tiny Hearts' "Calling" - Happy Full Moon! SKVM WITH US!

Tiny Hearts - Calling - SKVM Remix

Jamie

A new album is coming this year, until then, I'm going to start releasing free odd bits and ends for you guys. Here are 5 free tracks that were never officially released. 

Buy (name your price)

ESKMO - B-SIDE - Our Lives

Ghostly and Rush Hour have teamed up to release select tracks for a 12” white label version of Full Circle Remixes. The reinterpreted material is taken from the Brooklyn-based artist’s 2010 debut full-length Full Circle. It features an impressive international group of artists taking their tools to Shigeto’s originals including Dublin / NYC beatsmith Mike Slott (LuckyMe), LA’s Take (Alpha Pup), London-based Om Unit and Brainfeeder’s Samiyam. The result is a vital exploration of Saginaw’s ever-growing catalogue as well as an essential companion to the artist’s multi-faceted Full Circle.

Microcosmos (Rush Hour Exclusive)

Camille Mandoki aka Billie Mandoki has dedicated a great part of her short life to feeling. And still, Camille, at 23 years old, is only beginning to get a feel for herself and her voice in her music and surroundings. And that voice, without doubt, is one of the greatest privileges a young artist could possess. It’s also clear that Camille thinks, develops, explains, questions and executes before singing or playing her piano. Her music triggers emotions that overflow in an unsettling calm that can drown and submerge in one’s own being. There are slow spaces and a voice bigger than she. Her search for honesty, in her music and her voice, is absorbed and coughed up at the same time, translating to her work. Maybe Camille’s music directs us to question all those aspects we are not so often directed to delve into willingly. 

“I have often found myself delving in feelings for too long, questioning them to the pit. You can lose yourself at the utmost bottom of a question, and spiral to the point where you’re actually obscuring your answers. But I guess something always draws me out of that place. Sometimes this means recognizing parts of you we’ve unfortunately learned to reject. That can be painful,” explains Camille to illustrate a possible approach to the music she produces. 

Camille Mandoki was born in Los Angeles, California and has lived in Canada, New York, Maine, Israel and Mexico, where she now resides. She’s been experimenting with sound recording since she was 16 years old. And besides brief encounters with musical studies, the majority of her work has been intuitive and self-taught. The result of this musical search has brought her to gothic folk terrains explored by Nico, the once upon a time singer of The Velvet Underground. Her music also reminds me of the voice of Jarboe in Swans and the drifting moments created by Liz Harris in Grouper. Just by listening to one of Camille’s latest tracks, “I may be at fault”, one can sense that her musical exploration, in Camille’s space and time, is a brief eternity. It is not the call of a lost siren; it is Camille trying to say something. 

But how do we explain these beautiful abstractions Camille’s music has reached? In rock, these impressions are now more easily assimilated by the public. The same goes for electronic music. But Camille’s music comes from a constant exercise in honesty, the simple need to share sensations. “These spaces or moments I look for have taught me to pay a different sort of attention to things. Time can unravel things very organically but we lack the patience for this nature. Sometimes I find myself moving much slower than everyone else. I like slow; it can be really beautiful. But sometimes it’s hard not to become isolated when you’re moving at such a different pace. There’s a quiet sadness in that. There’s a secret desire of belonging when I write,” says Camille, openly.  

The important is yet to come. Because though Mexico City offers certain contexts and situations for Camille’s music, the truth is that the city does not know how to listen. Mexico needs to learn to foment and grow a talent like hers, in spite of the dreamers and the optimists that live there. The rest of the world is open, maybe. And while that moment comes, Camille Mandoki will keep writing songs. “I have about 50 unfinished songs that have undergone some drastic changes in style, but there is a constant that the same derivatives have helped me mature and I almost feel I have enough of those constants to complete a whole piece of work I can feel proud of,” Camille explains with beautiful enthusiasm. 

Written By Ejival

Played on BBC Radio 1 by Skream & Eats Everything
http://www.bbc.co.uk/programmes/b0495c2g

Jaymo & Andy George - History Of Bass Track
http://www.bbc.co.uk/programmes/b048bbhr

Played on BBC Radio 1 by Mary Anne Hobbs
http://www.bbc.co.uk/programmes/b049jpsz


Billie Mandoki - I may be at fault (AntiGravity Remix)

photo courtesy Nathan Osterhaus

http://www.nathanosterhaus.com/

Malcom Brown

Update: Apple repaired my laptop and I was able to restore most of my data. Downside is the repair cost made it too expensive for me to own now, so I'll be selling it and buying a cheaper, older one in the next while.

A few days ago, my macbook pro (which has survived for years and has been owned by at least three people) crashed during an OS upgrade. There are many possible reasons, but the hard drive is inaccessible and impossible to boot from.
My last backup was in late January, and by some miracle I exported this track as a work in progress (which is rare for me) and made a backup the very next day.
I've shipped my laptop off to be totally refurbished, and I thought I had lost this track. I'm lucky to be wrong.
Just a reminder to live as fully as you can, because nothing lasts. And back up your goddamn data! :)
I'll be back soon with new music.

download vol. 1

my hard drive corrupted yesterday. This is the last track I backed up. (description)

    Collaboration track feat. Niva & Charlee
    http://niva.bandcamp.com
    http://www.myspace.com/400calories 

    Video for the track by Victor Ferreira
    http://vimeo.com/sunglitters/eventide 

eventide (feat. Niva & Charlee)

We're so limited.

----------------------------------------------------------------------------------------

@lukas-2 - Stays The Same // SDDx Flip

For you, Grandad.

Original

Stays The Same // SDDx Flip

Help me
Save me
Prevent me
From it

Help me
Save me
Prevent me
From it

Save Me, Save Myself
Save Me, Save Myself

It's time I hold on
It's time I shine
This time I save
Yo, yo, yo, yo, yo this, this time, tonight

How do I hold
Myself intact

Save Me, Save Myself
Save Me, Save Myself

Of who I am
Stop the hand
Buy my land
I do begin

Of who I am
Stop the hand
Buy my land
I do again

Save Me, Save Myself
Save Me, Save Myself

Save Me, Save Myself

Save Me, Save Myself

Save Me, Save Myself

Of who I am
Stop the hand
Buy my land
I do begin

Of who I am
Stop the hand
Buy my land
I do again

Save Me, Save Myself
Save Me, Save Myself

Of who I am
Stop the hand
Buy my land
I do be

Save Me, Save Myself

NAVVI - Sol

This special track goes out to @furdoozie, my lover and best friend.  I'd be nothing without you babe and I love you more than life

Sample by Jeff Carl:  http://bit.ly/2qCZY3E

Free Download

all nite.

"...the exquisite desolation of train stations, the deep canyons of waiting, the mystery of their whooshes and winds and their huge transports bellowing by and then sinking into to the abyss. The usual clicks-and-clacks. The clip-clop of someone running up the stairs, a subway moaning in a distant tunnel, and announcements---some wafting through an ocean to get to us, others nearby. And their strange electronic chimes. Above all, the sense of time engulfing everything, the 'infinity' of train stations." Hammerklavier (Freesound user/uploader) 

Download Single

87-C

Twos : https://www.facebook.com/pages/TWOS/385018624906462?ref=ts&fref=ts

UNKNOWN COUNTRIES  : https://www.facebook.com/LeKlubFrance?ref=ts&fref=ts



TWOS - Feel

we Δre triΔngle (feat. Deborah Lehnen)

Label helmed by KEXP DJ Alex Ruder. 
It's a feeling...

NAVVI - Sol

Hush Hush Records

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