2 years ago im not add this song to favorite like in 2013

new tmp

Bam Spacey returns with "River" (CER015) out July 30, 2013 digitally. Four track release: two original new songs, remix by Glenn Jackson, Bam Spacey extended edit for "River". 

Contact:
Press & Label - info@ceremonyrecordings.com

Bam Spacey - River

Buy on iTunes

All Yours (Acoustic Version)

"FIRE" VIDEO OUT NOW ON YOUTUBE -----> https://www.youtube.com/watch?v=0Vd-aGTmTdY

seaweed chains, hold me down 
Tear my skin, claw my heart 
I can feel, I can feel, the water, fill my lungs

Emptiness vastness, everlasting darkness 
anchor me, to the sand, underneath

this body is mine no longer 
scales creep up all over (x2)

seaweed chains let me go, fins for wrists, cold blood 
I can feel, I can feel the air fill my gills

emptiness, vastness, everlasting darkness 
welcome me, to my home, underneath

this body is mine no longer 
scales creep up all over (x2)

Hope you like it, keep following us on the web!

Facebook --> www.facebook.com/CelluloidJam
Instagram --> instagram.com/celluloidjam
Tumblr -->  itscelluloidjam.tumblr.com/

Ocean

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead)

Diamonds In The Sky

Taken from debut 4 tracks EP 'Soap Carv' released on Nov 25th 2013 on Tape Club Records.

www.facebook.com/febueder
www.twitter.com/febueder
www.youtube.com/user/febuedersketch

Sloppiness Tank

se tourne pour se cacher ( visage cover)

ATP Recordings are proud to release 'Plastics', the debut album from Eaux - out now worldwide (US & Canada release July 8th).

Buy on iTunes: http://smarturl.it/plastics-digital
Buy CD / LP at ATP Store: http://tinyurl.com/plastics-physical

Eaux artist page: http://www.atpfestival.com/recordings/artist/eaux/view.php

When Ben Crook – one third of the group – describes their songs as “never finished, just abandoned”; he’s describing a creative process that burrows its way down and down until each track has to be wrenched away from their originator’s hands, given the sheer amount of avenues that the three-piece manage to open up during conception.

Eaux - Head

The Pictish Trail's new single, taken from his forthcoming double album Secret Soundz Vol 1 & 2, out on 9th June. 

Get your free download of the track when you pre-order the album on iTunes here: http://smarturl.it/SecretSoundziTunes

He plays a full UK tour in May. For full dates and tickets see http://thepictishtrail.com/gigz/

Download

The Pictish Trail - Wait Until

Remixed by Andy Spence for NYPC - 

'Sibling' from the album Never Get Lost by Duologue, released in September 2014.

Download: http://smarturl.it/NeverGetLost 

Limited Edition CD: 
http://smarturl.it/AmazonNGLcd
http://smarturl.it/RoughTradeNGLcd
http://smarturl.it/NeverGetLostCD

www.duologuemusic.co.uk
www.facebook.com/duologuemusic
www.twitter.com/duologue_music

The album was written between London and New York, with much of the writing taking place down a secluded lane in the wilds of Kent. 'Sibling' came about right in the middle of a very meditative session down there. It came together very slowly, piece by piece; the final one being the addition of Adam Waldman's saxophone. We were thrilled to be able to play this one live with Adam at our launch party in October.



Duologue - Sibling (NYPC Remix)

Lackluster No.

Emiliana Torrini - Sunny road

YOUNG GALAXY 'Shoreless Kid' b/w 'Youth Is Wasted On The Young' - Out JUNE 5th as a 7" single (only 300 copies worldwide) and digital download.
Order here: http://shop.paperbagrecords.com/products/shoreless-kid

Listen to 'Youth Is Wasted On The Young' here: http://soundcloud.com/paper-bag-records/young-galaxy-youth-is-wasted

Diamonds In The Sky

Husky Rescue

Recent comments

Natsch [N♠️TSCH] Grehova

LYRIC ECHOES

Anje Dewrance

Modou Jallow

Related tracks