Name: Beyti (Dhafer Youssef / Nguyên Lê)- صرَاخُ مَلَّى بَيْتِيٍّ, by Hủssein Eℓyαdαk
Duration: 2 min 52 s
Description: صرَاخُ مَلَّى بَيْتِيٍّ

عشقتك يا ليلي وانا ابن سبع ما بلغت الثمانيا     
عد الليالي ليلة بعد ليلة وقد عشت دهراً لا أَعد الليالِيا
               وقد عشت دهراً لا أَعد اللياليا             
اصلي فلا ادري اذا ماذكرتها اثنتين صليت الضحي ام ثمانيا 
..............................................................................
من اروع قصائد الغزل لقيس بن الملوح الملقب بمجنون ليلي و تسمي المؤنسة
..............................translation ..............................
I fall for you Laila when I am seven never reach the eights 
Counting night , night after night and I have lived my old era not counting my nights
             And I have lived my old era not counting my nights 
if I remember you when I am praying .i will not remember if I have prayed the forenoon twice or eight time .
...........................................
One of the finest love poems for Qais Binmaloh  "magnon leila" called Almansah

Sorry about translation quality  :)


Ghalia Benali- Almansh غالية بنعلي - المؤنسة

Ghalia Benali  Etab Yacoub غالية بنعلي  عتاب يعقوب

Concierto De Aranjuez

Mariam Kirollos - Shu Bkhaf - شو بخاف

New album "Habka" on September 2017.
Teaser video: https://youtu.be/W01ht3e3_Ag

Nouriya / Habka / Kamilya Jubran & Sarah Murcia

The Magnificat (Luke 1:46-55): "The Almighty has Done Great Things for Me"

Cor Unum Artists
Paul Jernberg, Composer and Conductor
Cantor: Sarah Yanovitch

Recorded at St. John the Evangelist Church
Clinton, Massachusetts
June 23, 2025

Audio engineer: Joel Conrad


The Magnificat (Luke 1:46-55): "The Almighty has Done Great Things for Me"

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

1. Ghostly Reflections

صرَاخُ مَلَّى بَيْتِيٍّ

Beyti (Dhafer Youssef / Nguyên Lê)- صرَاخُ مَلَّى بَيْتِيٍّ,

Live from Alexandria concert July 2015
"1001 night Project
Ghalia Benali (vocals)
Ayman Asfour (violin)
Salah l'Artiste (accordion)
Ibrahim Abdel Bari (Saxophone)
Khamis el Bably (Trumpet)
Mohamad Wahba (electric Bass)
Ramadan Rambo (tablas, percussions)

A production of "Port Tawfik" 


Ghalia Benali/ Raho-Hayamatny /غالية بنعلي/ راحوا-هيمتني

عن "و هلّأ لًوين ؟ " :

http://ar.wikipedia.org/wiki/%D9%88%D9%87%D9%84%D9%91%D8%A3_%D9%84%D9%88%D9%8A%D9%86%D8%9F

Beyti (Dhafer Youssef / Nguyên Lê)- صرَاخُ مَلَّى بَيْتِيٍّ,

Hủssein Eℓyαdαk

Recent comments

دِيَار

quark

Related tracks