Love it! "bazen oradayım bazı şurda" :)

SAY YES Evolved by Iyeoka available now worldwide. Includes three brand new and unreleased songs!

http://www.iyeoka.com
http://www.twitter.com/iyeoka

Recorded and Produced by David Franz at Underground Sun Studio
http://www.undergroundsun.com
http://www.facebook.com/undergroundsunmusic
http://www.twitter.com/undergroundsun

Iyeoka - Baba

Aa Shuu De Kei-Oo

Huun Huur Tu - Chiraa - Khoor

Jocelyn Pook - Hallelujah (DESH)

Jocelyn Pook - Red Song (Untold Things)

Rêves D'Oasis  Desert Blues2 - Djeli Moussa Diawara & Bob Brozman, Almany

Sainkho Namtchylak - Nomadic Mood

Gitano Moro- Fernando's Kitchen

www.myspace.com/deadcandancetribute

Dead Can Dance Tribute were:

The Dsider - Male Voice
Carla Corsi - Female Voice & Sagat
Davide Caresta - Piano & Keyboards, Acoustic Guitar, Pc Programming
Mr. Dual Centrino - Percussions & EFX

Dead Can Dance Tribute - 13. Song Of The Dispossessed

Pour ce deuxième album, BKO perpétue la rencontre, jusque là
inédite, entre la musique des griots et celle des chasseurs.
Ce nouveau projet, plus électrique, est l’aboutissement d’un
travail élaboré durant les nombreuses tournées du quintet, en
Europe, en Afrique et en Chine. Originalité, puissance,
virtuosité avec pour ingrédients guitare des griots, luth des
chasseurs, voix poignantes, entourés de maîtres
percussionnistes. A noter: la participation de Mathieu
Boogaerts sur le titre « Mon amour»

Mali Foli Coura

Mon amour - feat. Mathieu Boogaerts

Track taken from the album "Exile".  This album is now available as part of the Real World Gold series - http://realworldrecords.com/gold/

Another landmark Real World record from 1990, Exile informed the world of the struggles of Ugandan singer-songwriter Geoffrey Oryema. Exiled at a young age after the suspicious death of his government minister father, Geoffrey’s songs are a resilient riposte to a life forced upon him, as well as an unconfined celebration of the culture of his homeland. A statement of poise, gravity and elegance, Exile merges both the personal and the political, all narrated by that gently persuasive voice. Contributors include Peter Gabriel and Brian Eno.
“A quietly startling record, best heard way past midnight when a troubled world seems to offer no quarter” – Entertainment Weekly


Geoffrey Oryema - Makambo (Real World Gold)

Huun-Huur-Tu (Tuvan: Хүн Хүртү Khün Khürtü, Russian: Хуун-Хуур-Ту) is a music group from Tuva, a Russian Federation republic situated on the Mongolian border.
The most distinctive characteristic of Huun Huur Tu’s music is throat singing, in which the singers sing both the note (drone) and the drone’s overtone(s), thus producing two or three notes simultaneously. The overtone may sound like a flute, whistle or bird, but is actually solely a product of the human voice.
The group primarily uses native Tuvan instruments such as the igil, khomus (Tuvan jaw harp), doshpuluur, and dünggür (shaman drum). However, in recent years, the group has begun to selectively incorporate western instruments, such as the guitar. While the thrust of Huun Huur Tu’s music is fundamentally indigenous Tuvan folk music, they also experiment with incorporating not only Western instruments, but electronic music as well.

Aa Shuu De Kei-Oo

HUUN-HUUR-TU

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