HHVVOOBB

"Bruise" is the first track of the upcoming album TOO. 

TOO will be released track by track until the start of the TOO Concert Tour in April 2022. 

Find the first tour dates and the ticket links via our website.
More dates world wide will be announced soon.

Bruise

"Gluttony" is the fifth track of the upcoming album TOO.

TOO will be released track by track until the start of the TOO Concert Tour in April 2022.

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TOO Concert Tour 2022:

21/04 Muffathalle Munich
22/04 Kaufleuten Zurich
23/04 Huxleys Berlin
28/04 Sono Club Brno
29/04 Archa Theatre Prague
30/04 Posthof Linz
05/05 Batschkapp Frankfurt
06/05 Live Music Hall Cologne
07/05 Electric Brixton London
08/05 Gruenspan Hamburg
11/05 Trix Antwerp
12/05 Im Wizemann Stuttgart
13/05 Melkweg Amsterdam
14/05 Z-Bau Nuremberg
15/05 Conne Island Leipzig
20/05 Akvarium Budapest
21/05 Orpheum Graz 
18/06 Checkfest Vienna

Tour Tickets: www.hvob-music.com/

More dates world wide will be announced soon

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PREORDER TOO VINYL & CD:
https://hvob.ffm.to/too-album

Gluttony

Out now! 
Beatport http://bit.ly/AviarAlom 
iTunes http://bit.ly/iAviarAlom

The music of Mees Dierdorp inspires that special sort of feeling, like being carried away on fluffy clouds on an otherwise clear day. So it’s with great pleasure that Eskimo Recordings presents two brand new sparkling gems from the mastermind of this poetic composer. Both ‘Aviar Alom’ and ‘Las Parañas’ are glowing with pulsing electronic threads, soft tones, natures’ whispers, subtle swings and soulful warmth. ‘Aviar Alom’ also features on the forthcoming ‘The Green Collection’ on Eskimo.
TRACKLIST
1. Mees Dierdorp - Aviar Alom
2. Mees Dierdorp - Las Parañas
htts://www.facebook.com/mees.dierdorp
www.meesdierdorp.com/
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www.newsrecords.be/
www.facebook.com/NEWSrecords

Aviar Alom

Mees Dierdorp - Aviar Alom

Ataxia

“You leave in the morning with everything you own in a little black case…”

In 1984, synth-pop trio Bronski Beat dropped the iconic ‘Smalltown Boy’. A tender tune charting a young gay man leaving home after being queerbashed, it shot to the top of the charts internationally and became an enduring anthem highlighting homophobia as the LGBTQ+ scene developed in the ensuing decades.

Flipping the script over 40 years later, Pattern Perception has recorded ‘Smalltown Girl’ with self-styled London pop icon Starling. It’s a bold move, but it works. Built around a deep burrowing bassline, nifty synth-work and Starling’s soaring, emotive vocal, it’s one of the standout cuts from Pattern Perception’s ‘Spectrum Disorder’ album on Out Yer Box Records.

“I was always a huge fan of the original,” says Dave Patterns. “When I heard the original 12” version it had an extended intro, which I thought would work really well with the building synths and Reese bass that I’m known for. Starling’s input came later after I realised that I wouldn’t be able to release my version with the original vocal. When she sent back her version, I could still feel the message resonating through the track but from the perspective of a female.” This new version still has the power to touch your soul.

Stepping up first on remix duties is none other than garage hero Zed Bias, in cahoots with his pal Metrodome. Taking it in more of a dubstep direction at first, he then unleashes a big booming bassline, a slamming, kick-ass breakbeat and some garagey beats to lift it into the heavens. 

Next up, Birmingham bassline badboys Bass Dominators come with the speed garage vibes on their bouncy rework. Warbling bass, skippy beats and judicious use of breaks in the breakdown turn ‘Smalltown Girl’ into one for the garage floors. Think: Girls Don’t Sync, Sammy Virji, and anyone else part of the nu garage revival. 

Finally, Sam Townsend — boss of the Untidy Tax label, sister label to Tidy Trax — turns it techno at first, before hard house synths pop it into an alternative dancefloor realm. Banger. Think: Hannah Laing, Kettama and the nu hard dance massive. 

This is a strong package for a strong release. Your support is appreciated as always.

Smalltown Girl

Pattern Perception - Smalltown Girl

onimanxd - Mercenary

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www.facebook.com/nico.stojan.music/
www.facebook.com/ouiemusic
ouie.bandcamp.com/music

Acid Pauli (@acidpauli) and Nico Stojan’s (@nicostojan) Ouïe label acts as home for left-of-centre music from disparate sources - somehow connected by a thread of hedonism with a melancholic edge. Welcoming Kerala Dust (@keraladust) to the imprint, this four tracker showcases the different dance floor shades the label always reaches.

Kerala Dust are a London based trio that owe as much to Tom Waits as they do to Four Tet or DJ Koze, but somehow tread a fascinating line between genres and moods. Mixing jazz, indie and the sharper end of the club sound, Francesca’s Frames is the perfect introduction to their vibe.

'Maria' is augmented with a thick, mid tempo kick and sparse, effective percussion. The clever vocals provide the topping - showcasing the band’s pop writing prowess. The track will appear as a single release on 6th April accompanied by a music video.

Acid Pauli and Nico Stojan’s remix picks up the pace a little, while dubbing out the elements into deep, late night dance exploration.

'Nyla' brings a new vibe, deep, pulsing synths and a bubbling baseline accompany the crisp, compressed rhythm track before Ed’s iconic croon arrives to take the track to a new level.

'Wires' balances occasional piano chords, horns, blips and beeps with a nicely understated tech house groove. The seemingly disparate elements combine to create a vibe that will go over big with the parties and dance floors within the ever-expanding Ouïe ecosystem.

Tender Skin (Live)

HVOB

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