Klara Lewis 'Shine' (eMEGO 190)

Craig Leon - Nommo

Purchase from RVNG: http://smarturl.it/cleon-aifmv1-rvng
Purchase from Bandcamp: http://smarturl.it/cleon-aifmv1-bcamp
Purchase from iTunes: http://smarturl.it/cleon-aifmv1-itunes

Taken from Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting.


Buy 

Craig Leon - Nommo

Taken from the album 'Quixotism' released as CD and Download.

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

NADAM 

jeyik hal mawje 3a rassak
w fiksh tetkhaba 
ta3is 3am tjarrib 7azzak
w mannak adda
wle fiksh terkabla 
alil el zo2 w badel el foj
jib shanta ana bnik el rass
mn ba3da brou7 betkhabba

Ana akbar 3onsoure 
Jnoud el rabb aw eza badak hezbollah

Ana 3arabe fa me2ze
erhebe w tbejj el chanta
Ana bnik el marfa2
w kel beirut eza badak
wala ma bi khalsouna
cha3b el gharbe el kheyin ye2wa yejo 
y3almouna el mabda2

Fadek ya bro 
bass yalla wlo lek
3am net2akhar
Badel nafsiytak el besh3a
Brou7 w bbadlak afdal
Fi shi mit alf wa7ad b2alb el saf 
fine 7atton kellon ablak 
Fi shi mit malioun alf mshkle gheir 
lli 3am bt ne2 3leyon hala2
Walla ma ele jlede w ekhir hamme
3am ellak 
Madineh tbannij neklak rass w tehlak

Fa2ad el amal W tarak 
el motsikk bl balad
Talab menne chi mit talab 
wasta khedme elak chi mit mara
 3ene 3ade msh 7ale, ma3le wala
ba3rif 7ale msh wateh, ghale
3ala 3ale btff w bte7lam btt taleh
bi idik yalla ba2a khede esti2ale

billytstrk NADAM prod. billytstrk

Outside

digital: https://boomkat.com/labels/80793
vinyl: 
http://www.redeyerecords.co.uk/vinyl/68184-bh022-marco-bernardi
http://honestjons.com/shop/label/Berceuse_Heroique
https://boomkat.com/labels/80793
http://www.juno.co.uk/labels/Berceuse+Heroique
http://www.piccadillyrecords.com/counter/search.php?search=Berceuse+Heroique&label=1
http://www.rushhour.nl/store_master.php?search=berceuse+h%E9roique&idxGroup=&SearchMode=&Submit=Searchhttp://www.deejay.de/BH021_-_Dont_Dj_-_Hexentrix_-_12-Vinyl__201751


BH21 Don't DJ - Hexentrix

Suzanne Ciani
Buchla Concerts 1975
FKR082LP
Finders Keepers Records

Finders Keepers invite you to witness the incredible first ever Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking.

This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance.

In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith.

These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then.

Suzanne Ciani - Buchla Concerts 1975 (Excerpts)

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming

and EBEN BULL - Pocket trumpet and zither

The Same River Twice - Beatrice Dillon & Rupert Clervaux

Sopernik Drug

Title track from the new LP, 'Insignia', out in Japan-only on cassette for Ryo Murakami's Depth Of Decay label.

https://depthofdecay.bandcamp.com/album/insignia

Insignia

flex dance Music remix of MI Gente

flex dance music 
dancehall on steroids

Flex Mi Gente

He Who Goes Anywhere

patrik@frequentdefect.xyz

Sopernik Drug

h.w.g.a.

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