Frank Ticheli-Composer's Collection (Disc 1)

Blue Shades

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GHOST WITH THE MOST - MARCHING BAND SHOW

Step into the whimsically macabre world of "GHOST WITH THE MOST". This marching band show brings the mischievous spirit to life with playful yet eerie tunes, capturing the essence of the classic film with every spirited step and supernatural formation.

 This production is designed, composed, and arranged by Shane Gwaltney, CJ Barrow, and Jeremy Thompson.

 Time: 7:10

 ****This show has additional requirements and fees needed to comply with music licensing. Contact us for more information.****

Main Title (from Beetlejuice Film, Danny Elfman)
Home (from Beetlejuice Musical, Eddie Perfect)
What I Know Now (from Beetlejuice Musical, Eddie Perfect)
 Instrumentation:

*Solo Mellophone, Clarinet, Flute, Bari Sax, Tuba
- Flute
- Clarinet (2)
- Alto Sax
- Tenor Sax
- Bari Sax
- Trumpets (2)
- Mellophone
- Low Brass (2)
- Tuba
- Snare
- Tenors
- 4/5 bass drums
- Xylo/Crotales/Glock
- Vibes 1
- Marimbas (2)
- Auxiliary Percussion (2)
- Bass Guitar
- Drum Set
-Timpani (F, Bb, Db, E)
- Synth (2)
- Samples

*Solo parts can be transposed for any instrument

Included:

- Sibelius and XML files
- Scores and Parts in PDF format
- Audio Demo and Click Track
- Count sheet
- All Samples and Electronics in Mainstage .concert file.
- Grade 2-3 Version (Available upon request)

Ghost with The Most - Marching Band Show

Swan Lake - Pyotr Ilyich Tchaikovsky

Swan Lake Act One. Introduction (Moderato assai) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Woody's Roundup

Imagine Jumanji, with evil spirits. In this game, the roll of the dice determines what the spirits do. "if you decide to roll the dice, you must play this game... until the end." Make sure you check out Pioneer's WGI video for prop and set ideas!

Originally commissioned by Pioneer Indoor and was the 2014 WGI PIO Silver Medalist

Spiritus Ipsum (A Class)

In the deadly world of black widow spiders, love and betrayal go hand in hand. ATE takes us along a journey that starts with Stravinsky's Rite of Spring mashed up with the classic The Itsy Bitsy Spider to help set the scene of your spider aesthetic. Maneater by Hall & Oates portrays a black widow who cannot be trusted, and Iggy Azalea’s Black Widow brings to life the doomed romance between black widows as the show ultimately ends with the demise of one of the spiders. Visual themes like spider webs or spider props, or a color palette of contrasting red and black, will help this show pop off the field and stand out to your audience.

ATE - Marching Band Show

The sun is our ultimate source of life. It nourishes the planet, enabling growth and harmony, while it simultaneously wields great destructive power with its intense, searing energy. Burn invites us to reflect on the delicate balance between creation and destruction, reminding us of the sun's profound impact on both our world and our souls. The show begins with the sun rising over a calm morning. It quickly transitions to a darker tone as the sun’s wrath comes forth. Movement 2 takes us to a fiery mood with Night on Bald Mountain mashed up with Set Fire To The Rain, inviting a color palette of bright oranges, yellows and reds to the field. Movement 3 brings in the powerful ballad Burn from the musical Hamilton as we shift into a reflective and contemplative mood. The show concludes with Here Comes The Sun on a positive note to celebrate the balance between creation and destruction and the sun's essential role in the cycle of life, beauty, and transformation.

Burn - Marching Band Show

Wicked: The Soundtrack

That's a Stretch

Stormbreak was written by Jim Casella for intermediate ensembles as a sequel of sorts to Technology, another moderately simple piece for percussion octet by Casella that has since become quite popular. Opening with nature-effect sounds, the storm breaks into a rhythmic “tip of the hat” to Technology on the rim of the snare drum. As rhythmic layers add in, the syncopated motif of Stormbreak becomes clear and continues to drive the piece throughout.

Certain parts are more challenging than others, and syncopation is of particular demand. However, numerous repeat bars are used, as the primary goal is to develop the players’ collective ability to understand how their parts groove and interact within the mix of their fellow groove-playing compadres. For more advanced players in the ensemble, solo sections are included which feature timpani, snare drum, and concert toms.

Stormbreak can stand alone as a percussion octet, but it also comes with the option of being played by a full wind ensemble. During wind ensemble concerts, the percussion section can sometimes be relegated to the back. So this option acts as something of a percussion ensemble “feature” that can be programmed into wind ensemble concerts.

This piece comes with a full, bound folio containing a full score with wind ensemble and a separate score for percussion ensemble only. Also included is a CD-Rom containing reference audio recordings and all individual parts available for printing.

Score available from http://www.tapspace.com

Stormbreak (Jim Casella)

Custom music compositions and arrangements for all types of ensembles.

That's a Stretch

Hylton Music Design

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