I gotta wait a whole minute for my fav sound it's OK makes it more enjoyable when I get there

sinddas200

Womp Rot

@shbadr
FRKTL is the solo experimental project of Berlin/Cairo based audiovisual artist Sarah Badr. Her sixth release and third full-length album following on Prose Edda is due out later in 2019.

Tracklist:
Clansie Cheng Daoyuan - 寂一Sole Self Soul
Xao - Quintal
Guan - Clamp
t0ni - Holy Hands (SHE/MACHINE Rework)
ZAH - To Love the Silence
Yearling - Accelera
LIL UGLY MANE - Send Em 2 Tha Essence
MOLOTOX - Bug$ Bunny In Tha Hood
RXM Reality - Totally Stress Free
PRISON RELIGION - Coagulation_set-701-5
Oli XL - Mimetic
maral - mahur club
33EMYBW - Golem
orthodontrix -  i woke up in a dream
N1L - universal cannibalism of the sea
Nuji - En-
Zaliva-D - Flutter (Dis Fig Remix)
Jerico - Zanj
SADAF - Animal
Oil Thief - Holding Pattern
Bonaventure - Both feat. Hannah Black 
Ausschuss - Drown Later
HDMIRROR - NOT GONNA GET US 2
Gabber Modus Operandi - Padang Galaxxx
Suda - Inner Monologue
Location Services - ENABLE
Hydropsyche - Darius
A.M.I.G.A. - Intro
M. James - Falsified Star
ANIMA - Breaking Bonds


@astmadoom
Podcast made of 100% ASTMA material.
ASTMA - started from playing noise, slowly shifting towards danceable structures which he decribes as tekno art brut or tchernobyl bass. Released debut album "Anekumena" on SD memory card in Audile Snow label, second album "Koniec Antropocenu" on cassette in Pointless Geometry, newest album "Mountain Scream" in digital form in Intruder Alert. Creator of music videos (Brutaż) and cover artist (Pointless Geometry).

artwork: @dogheadsurigeri

MESTIÇO Mixcast 012: FRKTL x ASTMA

http://smarturl.it/patten-FLEX // New album out now via 555-5555

Buy/Stream

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Monotronique 'MAAAAAAD' out now on cassette and digitally:
BANDCAMP: https://hyperboloid.bandcamp.com/album/maaaaaaad
ALL STORES: https://orcd.co/monotronique
 
Monotronique is an Ukrainian producer and DJ from Kharkiv (UA). His production is characterized by a distorted minimalistic vibe with a bass music inuence. From heavy basses and 2step-like drums to ambiance landscapes and electro beats. In his performances he is able to amalgamate pure and raw passion with a textbook technique; this combination is also what is behind his prolic production. Previously released on Opal Tapes and Shared Meanings among other labels, Monotronique debuts on Hyperboloid Records with 'MAAAAAAAD' 
 
In this album Monotronique was interested in a new kind of sound and focusing on creation of specific atmosphere inside.the sound. MAAAAAAAD is based on different sides of bass music with detours through dance-hall and house. When put together all genres mutate and interconnect into funny and mad atmosphere, hence the title of the album. Monotronique wanted to achieve this with synths and a certain way of mixing  tracks, adding to the final mix a kind of a "wet" sound. A special effect as if you were listening to the music in a room full of toys, balls and balloons, a sonic journey to the amusement park.

Links: 
Monotronique 
https://soundcloud.com/monotronique 
https://www.facebook.com/monotroniquebeats 
https://www.instagram.com/monotronique1/ 
https://vk.com/monotronique 
 
Hyperboloid Records 
https://soundcloud.com/hyperboloid 
https://hyperboloid.bandcamp.com/ 
https://www.facebook.com/hyperboloidrecords 
https://twitter.com/hyperboloidrecs 
https://vk.com/hyperboloid

MAAAAAAD

CASSETTE / DIGITAL

Monotronique - Dance Hall For Dancehall

@yre_den lands on @decisionsrecords with a hopeful, animated new EP titled ‘Inlight’. Previously Yre Den, who is based in Berlin, has released via labels such as Cologne’s SPA Recordings as well as Magazine.

Today we’re premiering the EP’s title track ‘Inlight’. Naturally, as title or lead tracks often do, it offers the purest taste of Yre Den’s musical intentions as it twists, twirls and quivers as if filled with a springtime-ish renewal of energy and sanguine exuberance. A kind of energy and sanguineness we could all probably do with at the moment, if we're honest.

 And speaking of present day events, Yre Den has decided to direct all profits from the release to the GoFundMe campaign attached below. The campaign  aims to support LGBTQI+ and BIPOC individuals and communities affected by the COVID-19 pandemic.

DECISIONS will release ‘Inlight’ on March 27. 

Pre-order: https://yreden.bandcamp.com/album/inlight
GoFundMe: https://www.gofundme.com/f/covid19-relief-fund-for-lgbtqi-bipoc-folks/

Inlight

More exclusive music

Premiere: Yre Den 'Inlight'

ISO is a cooperative work of Hyperboloid Records residents, providing insight in our current work process: Raumskaya, Famitsu, Thugwidow, Jan Amit, Pixelord, Max Dahlhaus, BOGUE, Monotronique, Nphonix x Encode, Fisky, WOLS, ZAKLADKI x Safia Kafer.
While being isolated we try to find inspiration in current surroundings and situations, limited in capacity yet strangely living almost entirely online social life. Something we thought and talked about since forever, not being aware of how it will turn out.
100% of all profits from ISO will go directly to the participating musicians.

Artist: VA
Title: ISO
CAT: HYPRISO
Release Date: 01 May 2020
Release type: Digital (all formats)
Artwork by gsm_garden

NAME YOUR PRICE

MONOTRONIQUE - BIRD DRIB

@yuyuclubmexico x Infinite Machine V/A is a collaboration whose result is a compilation of 14 tracks designed for the dance floor; solid, functional and esoteric. This is a selection of tracks produced by Mexican artists involved in the Club movement from different cities in Mexico, all of them with a conceptual and geographical separation, but with common features that synthesize the essence of the national scene.

Definitive proof of the maturity of the Club scene in Mexico, this compilation is born as an initiative by the most important venue in the capital of Mexico: Yu Yu, which joins forces with the pioneering label Infinite Machine to curate this compilation. An avant-garde ensamble of projects which aims to exhibit a shared imagination through the unification of different styles and music genres. All of this comes from the perspective of Yu Yu's resident, Mexico City-based label, Infinite Machine. A label that has a direct correlation with the global club scene.

This effort also has the goal to financially support the artists involved due to the delicate situation we are going through. As they are part of Yu Yu's community, which is unfortunately closed at the moment. Artists involved from the likes of Nico, AAAA, Microhm with worldwide recognition to up and coming artists like Benfika, OMAAR, CNDSD and the current, most fresh national acts like Loris, KOI and El Irreal Veintiuno. Among other key pieces of national electronics, united in this soundscape of volatile frequencies.

1. El irreal Veintiuno - Demagogia
2. Turning Torso - Los Dos
3. Benfika - Torrente
4. AAAA - Phased Flashing On a Building
5. Microhm - Kyoke
6. Viiaan - Garble
7. OMAAR - Sabe
8. Camila Fuchs - Settle Down
9. CNDSD - Leitmotiv
10. KOI - Kaan
11. Loris - Jaras
12. Nico - Walk
13. Undefined Pattern - En Contra
14. Deeplinkin - Neuphaset

A initiative by Juan del Valle
Design and Artwork by Luis Tomita
Art Direction by Charlie Juárez
Curated by Charlie Juárez & Juan del Valle
Mastered by Fausto Mercier

YuYu x Infinite Machine V/A

Viiaan - Garble

About Kanon EP

Any dance music scene will fall into a stereotyped and boring moment, then new party organizations and music producers will reinvigorate the scene. Loreng and Sanjonas from Yogyakarta, Indonesia are bringing some high energy sounds to the clubs there. Hi-NRG music as a genre of fast tempo disco that originated in late 1970s has a great influence to their producing, though it sounds not so ‘high energy’ now, this spirit is injected into their creation. Loreng and Sanjonas co-founded Bast Culture and completed the EP with this combination.

Kanon is about a holy pilgrimage—a quest for the ultimate answer in the desolate universe. It is the mystery and horror of the ancient existence which hidden in the cold digital sound of the machinery; It is a sense of helplessness that stands before the unknown, which slowly covers the whole body from head to toe when Abyssixsxsix begins. Not until the end of Sun Crane 1844 will you realize that the entire journey is nothing more than a futileness which with the fate of failure from the strat.

Since Sanjonas and Loreng both are visual artists, this will be an interdisciplinary picture scroll. We will get lost in the space they created.

Written by Yung Min 


Artist: Loreng & Sanjonas
Title: Kanon
Mix: Loreng & Sanjonas
Master: Loreng
Artwork：Carkultera

Loreng - Suffocating Apparatus

Mice is back with his first album 0.01% after contributing Light EP and participating three compilation. The vibrating sound which like a gleaming metal shows the life cycle of a parasite . 

The whole album is divided into four chapter — a metempsychosis from fear to calm. Beginning with Warm 暖胃, the host's horror was continuously pushed by the fierce shattered beat and disturbed noise, and reached its peak in Upwelling 上涌. The parasite gradually entered the host's limbic system along with the exalted melody in Corrosion 腐蚀, secreting neurotransmitters to make the host fall into a false excitement. After the drop of the last note in Permeate 渗透, the host began to struggle with his own consciousness and slowly sink into the chaotic subconscious quagmire in Filter 过滤. From Sterillize 杀菌 to Break 突破, the host kept struggling unconsciously until death. The parasite broke out in Purification 净化 and greeted its own transformation — to a higher life form in peace. EndingStarted as the end of the album is not only the end of parasitism but also the beginning of new life.

0.01% mp3

Mice - Permeate 渗透

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

MONOTRONIQUE - BIRD DRIB

Hyperboloid Records

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