great unstppabla party vibe love the big commistion of generes here biiig up

Google has these tracks credited to Infowars' Alex Jones.. and we get lectured about real news and information ;0)

Chilled

James Welsh – S EP 
HYPEDIGI033

1. Sky
2. Sent
3. Steak
4. Strong

Release date: 14/10/13

The multi-talented James Welsh rocks up to Hypercolour with this heavyweight four track EP.  As one half of Ocelot Mthrfckers (signed to Wall Of Sound at the tender age of 17) and engineer for the last Reverend & The Makers long player, Welsh has been spreading his musical wings further with recent releases on Join The Dots, Wolf Music, Futureboogie and Hypercolour’s own Losing Suki offshoot.

‘Sky’ is legit late night house action, with somber pianos and dubbed out vocals, whilst  ‘Sent’ presents another choice vocal over a tight and skippy production.  ‘Steak’ ramps up the energy levels, choppy vox and relentless rides, real peak time tackle here, and wrapping up the package is another vocal cut ‘Strong’, a crunchy and distorted house cut, Welsh getting busy on the analogue keys whilst the excellent vocal floats over the solid production.

A varied and consistent from James Welsh on the ‘S’ EP, see what we did there?


James Welsh - Sent (clip)

CCL launches their subglow label with Rebuild, an EP from Bristol club provocateur @georg-i, featuring remixes from @Metrist and the elusive B. McQueen.

Rebuild is influenced by math rock's feverish and cataclysmic energy, eschewing conventional club BPMs in favour of dizzying tempo trickery and polymetric wizardry. “Torn In Two” gets off to a slow, chugging start, with raucous synths riffing over emphatic drums, but soon swirls into a juddering, pointillistic frenzy. “Bridging The Gap” is a cathartic shout, an acidic crescendo whose triplet meter offers tempo-transitioning opportunities for adventurous DJs who don’t mind a bit of maths. “Communication” gallops along cathartically through ricocheting synths and drums, unfolding into a thrilling breakdown. On remix duties, B. McQueen re-imagines “Torn In Two” as a sultry, dubbed-out roller, charting groove across a heady plain, while Metrist’s ambitious rework of “Communication” amps up the tension and primes it for a peak-time dancefloor sometime in the next millennium.

Rebuild

Buy now

[subgl01] georg-i - Rebuild

Singapore-born, London-based producer yingtuitive introduces herself with Letters To Self 寫情書, a deeply personal debut LP arriving on Will Hofbauer’s Third Place.

A classically trained pianist whose musical identity draws from Southeast Asian traditions, electronic experimentation, and diasporic reflection, yingtuitive crafts soundscapes that feel both intimate and expansive. The project is accompanied by two stunning reworks from esteemed creators: South Korean ambient duo Salamanda, known for their lush, meditative textures, and US artist Tristan Arp, celebrated for his organic, shape-shifting productions.

“Every musical moment in this album is essentially a letter to my self in some form…” - yingtuitive

Across eight original compositions, Letters To Self 寫情書 unfolds as a sonic diary, a search inward, a series of tender emotional missives to the self. Gamelan-inspired textures glimmer alongside field recordings captured in Singapore and the UK, while delicate, improvised piano passages echo memories of home. These elements intertwine with fragments of film samples and experimental electronics, resulting in tracks that glide through ambient, ethereal, and blissful terrains. It’s music that floats and envelops, as though nature itself had grown into sound, serene and rich in emotional resonance.

Written during a period of deep reflection, the album meditates on identity, homesickness, belonging, and the overwhelming noise of the world outside. Each piece feels like a still moment within chaos, a soft conversation between past and present selves, where harmony emerges from internal conflict. From angelic piano melodies to glitchy bursts of experimentalism, yingtuitive bridges her Singaporean roots and UK influences with blissful grace. Letters To Self 寫情書 marks not just a debut release, but the formation of a unique musical voice, gliding between cultural languages with honesty, vulnerability, and quiet strength.

TP02

thirdplacerecords.com  

Pre-order LP

yingtuitive - blue (Salamanda Remix)

96 Back - 27 June 2025

It's certainly one of my best recorded mixes. There were no imperatives, no obligations, no need to do this one. Just two afternoons, one to dig and one to record.

This mix transcribes my influences and my musical universe with enthusiasm. With lots of new tracks this time. 125 to 140 bpm.

Thanks to everyone who sent me their music. Uk Funky, Percussive club, Dub, Techno, Hardgroove & UK Garage.

I promise you it was a fashionable haircut in the 90's.


Fountain of Youth Mix

OXY w/ Makropulos - 22/07/2025

SRVL / TSN

Next up in my self-release series featuring 2 smokey 909 workouts.

Download

Dom Carlo - TSN

YINGTUITIVE + WILL HOFBAUER // LETTERS TO SELF ALBUM LAUNCH

Monday August 4 2025 (recorded 7.17.25 in San Francisco)
WATCH ON YOUTUBE: https://youtu.be/v8cLdGIfoAo

Since 2016, DJ and producer Breaka has shaped the new sound of UK breaks, bass, and techno.

"I've been trying out playing backwards, speed-wise. Wanted to do summin pretentious and overly complex but also riveting and emotionally charged."

Breaka:
https://www.instagram.com/breakamusic/
https://breakamusic.bandcamp.com/music

Vitamin1000 Supplement 🔒📡
💊 Follow us on Instagram at @ vitamin1k instagram.com/vitamin1k

Breaka – Supplement 146 [PURE SOUND]

Facta - terminal [Wisdom Teeth]
Facta - BDB [Wisdom Teeth]
Henry & Louis feat. Steve Harper - Rise Up (K-LONE Edit) [Unreleased]
Leod - Untitled 10 [Full Pelt]
Oscar Farrell & George Daniel - volc3 (Facta & K-LONE Remix) [forthcoming dh2]
Big Ever - ??? [Unreleased]
Two Shell - be gentle with me (Facta Remix) [Unreleased]
K-LONE - Midnite [forthcoming Tempa]
Facta - FB-WOW [Unreleased] 
Facta x Janet Jackson - Skyline 4 / Someone To Call My Lover (Hustle Cry Edit) [Unreleased] 
Iglew - Energy [Unreleased] 

Facta - Mix for Martha, BBC R1 - Aug 2025

softi - loose

March sees the formidable Hypercolour deliver its most surprising output yet, an EP from none other than Groove Armada.

Tom Findlay and Andy Cato need little introduction as Groove Armada. Chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, DJing and the much maligned promo trawl.

Tom and Andy have been avid followers of the label it seemed, since it's inception. It was through label head Jamie, meeting the guys back in 2010 at Space in Ibiza, and then continued communication via Hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in East London and, within just a few days, a release was scheduled.

That release is the 'No Knock EP', four tracks that range from 808 fuelled old school cuts to low slung, Moog-bass'd electronic funk. Each sound is lovingly crafted but there's an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that Hypercolour do so well.

It just takes a bit of imagination to guess what a GA release on Hypercolour should sound but failing that, just check the release out as it won't disappoint. 

GROOVE ARMADA - NO KNOCK EP

Next to be snapped up by the Hypercolour crew is long time Hot Flush associate and Aus Music
alumni, George FitzGerald. Having emerged last year with an intricate, melodically meticulous
and bass heavy sound, FitzGerald has continued to spread his wings and for this debut EP on
Hypercolour delves deeper into a garage house fusion sound than ever before.

‘Needs You’ builds in progressive steps, the rounded, bouncy bass, the polished melodies and
tight woven percussive patterns all coalesce into something that thumps hard yet retains an air
of breezy cool thanks to the male voice that lurks in the breakdowns.
Next up is ‘Every Inch’, with its smeared harmonies swooping and swooning in every direction.
Set against coarse claps which race through the centre of the track, subtle filtering allows the
track's melodies to open wide and close tight before your very ears as a restrained garage skip
undulates below.

The b2 sees another debut, this time from legendary Swiss producer Deetron. His remix
of ‘Every Inch’ is a heady, driving brew of crystalline melodic twinkles and rolling kicks that
washes over you at the same time as a tormented and tortured bassline sweeps you up from
below with a knowing acid fuzz never far away throughout.
Clean and crisp, these are two more precisely cut weapons from the Man Make Music boss that
explode to devastating effect.

George Fitzgerald - Needs You EP

DJ Magazine’s Label Of The Year, Hypercolour, continues its ongoing success story apace with a release befitting the high accolade the label has just received.

It sees a high-profile collaboration between the aforementioned publication’s DJ Of The Year, Eats Everything, and the natural heir to Claude VonStroke’s Dirtybird crown, Justin Martin. Easily two of the most prominent electronic music success stories of the past 12 months, the duo put their heads together during a week-long Bristol studio session in November before a much lauded back-to-back performance at Motion nightclub. The result is this two track EP of contrasting styles and conception-challenging sounds.

The opening offering on the EP, ‘Feather Fight’, sets the tone with more of a jacking house rhythm. The track progresses to its mid-point with a continually rising, paranoid note hinting at something sinister before it breaks into a mélange of warbling synths and soft bassy undertones that are rich in variation. It’s an instantly addictive and subtly infectious track that sees both producers exercising restraint to create a production with that ‘get in your head’ quality.

The second track, ‘Harpy’, is similar to the first in that lures you into a false sense of the security. Its opening lines are all ambient harps and soft string textures with the vocal telling you it’s “time to let go”, before melting away in dramatic fashion with a fog-horn blast. The rest ofthe track is an ode to these rich contrasts, with the harp continuing to play its part as well as the broad, depthy bass weight.

Two of the most effervescent characters in house music have penned an EP consistent with their brilliantly colourful personalities, and in the process Hypercolour continue to confound expectations with something far removed from previous offerings. 

Justin Martin & Eats Everything - Feather Fight EP‏

Our now internationally acclaimed homeboy Huxley returns to the Hypercolour bosom with a fine two track EP that proves he isn’t resting on his laurels, despite a stunning 2012, and crafts floor slaying tracks with big personalities like few others out there. In 2012 the Big Thing From Tring headlined festivals and clubs all over the world and turned in EPs and remixes for the likes of Tsuba and 2020, but might have saved his best for us. 

The A side is taken up with ‘Bellywedge’ which fuses together all Huxley’s influences to date and reimagines them as something fresh. The result is a peak time track weighed down by a rich bassline that writhes about of its own accord. A filtered and almost indecipherable vocal adds euphoric elements, but broody congas keep things ultimately deep. 

On the flip, ‘Little Things’ starts with an infectious, tinny two step skip before the kick lands proper and another bona-fide Huxley bomb beings to take shape. It’s meaty and pumping, with nimble basslines, arresting percussive hooks and a great sense of balance. 

Whilst you enjoy this latest Huxley bomb, also be contended with the news that he starts his own monthly Rinse.FM show on February 18th where the man will delve deep into his collection and pull out gems old and new from across the stylistic board.

Huxley - Bellywedge EP

After anthemic outings on the main label, Hypercolour co-boss Alex Jones returns to the much loved HypeLTD off shoot with a new EP, Haggerston, that sees him explore quite different sonic territory from his freaky house norm. 

First up is Voltage, which starts fully formed with rinsing, dusty jungle breaks jostling up and down with plenty of fizz. As the track develops, ravey hi hats and snatched vocal cries recalling the early nineties with effortless ease. Bustling for over eight minutes, things grow increasingly unhinged with paranoid synths and ever-scratchier percussion wrapping round each other in kinetic style. 

Next track Dummy Kick out drops into a much more reserved, slow techno stomp. Occult and shadowy voices drift in and out of focus as a muted acid wiggle gurgles in the background. At the mid-point those classic breaks arrive again as skewed and twisted synths spray for maximum carnage. 

Finally, SMP could be a Mike Dehnert cut. Dubby kicks surge forwards and lean into grainy synth stabs, triggering the release of oversized bell sounds, abstract machine made gurgles and a repetitive vocal. The results are heady and intense, the sort of thing that will disorientate ravers in those early morning hours on the dancefloor. 

Undeniably referencing a certain ravey and hardcore tradition, importantly, Jones also imbues this EP with plenty of innovation… fans of 4am freak outs will be in heaven with this one.

Alex Jones - Haggerston EP

Demos: info@hypercolour.co.uk
Label enquiries: nick@nerdlabels.com

Alex Jones - Haggerston EP

Hypercolour

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