Ambient Agora

Mlayti

Bearlin

Feeling my way around the studio and equipment again, trying for a more loose chilled vibe, not worrying too much about polishing anything, although it could use a final mix

Passengers

The latest in my explorations into free improvisation, "illusory" is an impressionistic piece put together with soft trailing interwoven melodies, bright tones and an immersive atmosphere.

My approach throughout the making of this track was to try and create a soundscape that's reminiscent of being stuck in a daydream accompanied by strange & colourful sounds.

I hope you like it.

thanks, nw.

illusory

Thought Circle

Purple Fields

Going through some old files and found this, from about 2002, everything bar the drums was recorded in reverse, still sounds fresh enough i think!

01 Backwards

Buy: http://latenighttales.co.uk/product.php/496

https://soundcloud.com/kiasmos and https://soundcloud.com/rivalconsoles remix tracks from Sasha’s recent ‘Scene Delete’, an ambient/soundtrack project inspired by Nils Frahm, Max Richter and Steve Reich. 

Erased Tapes artists Kiasmos (Janus Rasmussen & recent Late Night Tales compiler Ólafur Arnalds) and Rival Consoles are the first to reconstruct Sasha’s Scene Delete vision in their own image. Kiasmos take Scene Delete’s fragile, beatless closing track ‘Vapour Trail’ and transform it into an ambient-house anthem, equally suited to home listening or for club use. Rival Consoles’ nocturnal take on ‘Cassette Sessions E’ feeds from the London-based electronic songwriter’s critically lauded style of humanised techno, building from hypnotic melancholia to a joyous crescendo.

“Kiasmos and Rival Consoles were big influences when we were putting together Scene Delete. I am so proud and happy they agreed to remix tracks, they have done such beautiful mixes.”
- Sasha

Tracklist:
A. Vapour Trails (Kiasmos Remix)
B. Cassette Sessions E (Rival Consoles Remix)

http://www.djsasha.com

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Sasha : Scene Delete : Remixes #1 (Kiasmos & Rival Consoles)

Armor

First single from the latest audio/visual project, Yearning for the Infinite, Perpetual Motion was written for that moment at the end of the night when all the experiments and madness is over and we just need a nice warm chord sequence to send us home in a good mood. 

The name comes from its role in my new visual show, where it plays that same closing role in the story of humans “yearning for the infinite”. Set to drone footage of people in their endless pursuit of life in Mexico City, combined with epic scientific visualisations of different infinite structures. It’s all part of a project commission from the Barbican, which has spawned this new album and live visual experiment.

For tickets to the show, head to my site https://shop.maxcooper.net/tickets

And big thanks to Renick Bell for the "yearning for the infinite" human!

Yearning for the Infinite

Perpetual Motion

Pre-order / stream

Marco Faraone - On My Way [GRYFT Remix]

Acid On Toast

Argot

Hyper Light Voyages - First Contact

Released 15/05/2020

First Contact

This song is meant to serve as a relaxing "lullaby" for the pain, it's about how music really can help you relax even when you are in pain. The whole album serves as a collection of "lullabies" for helping people with relaxing but especially this one. Even though it has a dark and sad tone to it, it's meant as a way to help you relax and calm down during those dark times.

You can buy the full album here: https://takemethere.bandcamp.com/album/chronic-lullabies-2
Album cover by: https://www.instagram.com/althoda/

An Ode To Physical Pain

Flower Study (Strawflower)

Music Composer and Producer
Electronic•Deep House•Ambient 

Music is an opening to a space which resides beneath the surface of your waking consciousness.

First Contact

Hyper Light Voyages

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